Brian Steinberg Senior TV Editor Warner Bros. Discovery appears to have bigger digital plans for Charles Barkley and Anderson Cooper. Warner Bros.
15.07.2023 - 01:25 / deadline.com
The studios are putting on a united front when it comes to the striking scribes and actors, but Warner Bros Discovery and Paramount Global dust-up over who really has the streaming rights to Eric Cartman and the South Park gang shows no signs of settling down.
In the match of legal dodgeball that the David Zaslav and Shari Redstone-run conglomerates have been hurling at each other the past few months, WBD are now moving to have Paramount’s partial motion to dismiss tossed out.
“Defendants’ Motion has the dubious distinction of trying to downplay while simultaneously highlighting the very misconduct which forced Plaintiff to file this suit,” declares WBD’s memorandum of opposition to the desire by Paramount and series creators Trey Parker and Matt Stone to disperse the Max parent company’s $200 million lawsuit (read it here).
“The reality is that Defendant South Park Digital Studios agreed that Plaintiff’s HBO Max streaming platform would be the exclusive destination for consumers looking to stream new episodes of the popular comedy series South Park. Defendants came to regret having granted these exclusive streaming rights to Plaintiff when Paramount Global launched its own streaming platform, Paramount+,” WBD adds with a whack.
In a Hollywood seemingly looking to cut costs and trim spending everywhere it can, the initially filed February 24 action over South Park comes from the $500 million 2019 deal where then AT&T-owned WarnerMedia snared multi-year domestic streaming rights to the 23-season past seasons of South Park plus several new seasons. Adding around 300 episodes of the Comedy Central show to Warner’s inventory for mid-2020, the agreement with the then Viacom was to be paid in installments of about $25
Brian Steinberg Senior TV Editor Warner Bros. Discovery appears to have bigger digital plans for Charles Barkley and Anderson Cooper. Warner Bros.
“Barbie is really important for us,” beamed Warner Bros. Discovery CEO David Zaslav on the conglom’s Q2 earnings call about the first pic to hit $1 billion under his reign.
Barbie has been in movie theaters just over 2 weeks, and the film has made over $800 million worldwide already. Now, fans are wondering when they’ll be able to stream Barbie at home.
Sports and news programming will be coming “soon” to Max, according to Warner Bros. Discovery CEO David Zaslav.
While Warner Bros Discovery CEO David Zaslav on this morning’s Q2 earnings call for the conglom is “hopeful that all sides will get back to the negotiating room soon and that these strikes get resolved in a way that the writers and actors feel that they are fairly compensated,” WBD CFO Gunnar Wiedenfels served up info that there were “modest cash savings” when it came to the dual strikes.
Jennifer Maas TV Business Writer Warner Bros. Discovery lost 1.8 million streaming subscribers from April 1-June 30, the quarter during which it launched new combined streamer Max. Streaming subscribers across WBD’s HBO, Max and Discovery+ now total 95.8 million, per the company’s Q2 earnings report released Thursday.
Brian Steinberg Senior TV Editor Warner Bros. Discovery trimmed its losses in its second quarter but saw revenue fall in key areas such as advertising and content production as the company, built from a merger of WarnerMedia and Discovery Communications, continues to navigate shifting terrain in the media sector.
Warner Bros. Discovery reported spotty financial results in the second quarter, but delivered better-than-expected free cash flow.
Jennifer Maas TV Business Writer Warner Bros. Discovery streaming comms senior vice president Chris Willard is exiting the company to pursue other interests after 14 years working with the HBO team, Variety has learned.
Warner Bros. Discovery, today announced a new strategy and structure for its advertising sales organization and leadership team under Jon Steinlauf, chief U.S. advertising sales officer.
Brian Steinberg Senior TV Editor Warner Bros. Discovery is the latest traditional media company to reorganize its advertising-sales team to meet the demands of a rapidly shifting market. The media conglomerate said it would rework its ad sales staff, overseen by Chief U.
EXCLUSIVE: Veteran communications executive Kim Page has departed Warner Bros. Discovery where she served as SVP Internal Communications and was a member of WBD Chief Corporate Communications Officer Nathaniel Brown’s senior executive team.
EXCLUSIVE: Lisa Collins is Warner Bros. Discovery’s new Group Vice President, overseeing Diversity, Equity and Inclusion employee initiatives across North America. She will report to Chief DEI Officer Asif Sadiq.
Rebecca Rubin Film and Media Reporter Warner Bros. Discovery has appointed Lisa Collins as vice president of diversity, equity and inclusion, overseeing employee-initiatives across North America. She will report to chief diversity, equity and inclusion officer Asif Sadiq.
Mattel is renewed its licensing agreement with Warner Bros. Discovery Global Consumer Products, continuing as the studio’s toy licensee in preschool, plush, dolls, vehicles, games, and novelty toy categories.
Jennifer Maas TV Business Writer Discovery’s Shark Week has been a TV institution for 35 years, a summertime staple that has never changed its core purpose: Celebrating the great white and its brethren. But a lot has changed around Shark Week in the decades since, including an explosion of popularity (as “30 Rock” once put it, we all now strive to “live every week like it’s Shark Week”), more competition, a few controversies and one giant corporate acquisition. In 2023, the Warner Bros. Discovery-produced TV event now has a few more boxes to check: From keeping its linear ratings (which grew 10% year-over-year in 2022) up to driving customers to two streaming platforms, Max and Discovery+. Shark Week has also been enlisted to help promote other TV shows and movies in the WBD family. But it also faces lingering concerns over the makeup of its programming (often criticized for lacking enough scientific research or proper experts), while simultaneously competing with younger copycat programming from rival companies Nat Geo’s Sharkfest.
K.J. Yossman Those six fateful words — “You skiied into my effing back” — are set to be immortalized on the small screen thanks to a new documentary about Gwyneth Paltrow’s ski crash lawsuit. Production company Optomen (“Johnny vs Amber,” “Kim vs Kanye: The Divorce”) are continuing their “Vs” series for Discovery+ with a doc about the “Sliding Doors” star’s legal woes. The civil trial earlier this year saw Paltrow sued by – and then counter-sue – retired optometrist Terry Sanders, after the duo collided on a Utah ski slope in 2016. Sanders claimed his entanglement with the “Goop” founder caused him to suffer physical injuries and emotional distress while Paltrow, for her part, lost half a day of skiing.
Warner Bros. Discovery UK & Ireland has revealed a raft of new and returning commissions, including Discovery+ shows Gwyneth vs Terry: The Ski Crash Trial and Peltz-Beckham vs The Wedding Planners.
Patrick Frater Asia Bureau Chief Sky and Warner Bros. Discovery have announced a renewal of their multi-year content and platform agreement in New Zealand, securing Sky as the continuing home of HBO, Max Originals, Warner Bros. and Discovery. WBD says that the deal keeps open its options on how and when to launch the HBO Max streaming service in the country. The agreement includes a continuation of Warner Bros. Discovery’s eight channel portfolio (Discovery, Discovery Turbo, Living Channel, TLC, ID, Animal Planet, Cartoon Network and CNN International); current and future seasons of HBO series such as “House of The Dragon,” “The Last of Us” and The White Lotus; returning series “True Detective: Night Country,” “Euphoria” “Game of Thrones,” “Sex & The City,” “Chernobyl”; Max Original series including “Peacemaker” and “The Flight Attendant,” future Warner Bros. blockbuster movies and a library titles including the “Harry Potter,” “Lord of the Rings” and “DC Universe” movies.
GQ magazine has removed a profile of Warner Bros. Discovery CEO David Zaslav from its website after the company objected to the article.