‘Barbie’ Scores Best-Ever Monday for Warner Bros. With $26 Million, Overtaking ‘The Dark Knight’

Brent Lang Executive Editor “The Last Voyage of the Demeter” sank without a trace over its opening weekend, going to a watery grave with just $6.5 million. The period horror film, which centers on one chapter of Bram Stoker’s “Dracula,” namely the bit where his coffin gets transported from Transylvania to England, was distributed by Universal. It’s the studio’s second stab at reviving the world’s most famous vampire, with last spring’s “Renfield,” a campy take on the bloodsucker, also collapsing at the box office.

At this point in their respective careers, Steven Soderbergh and Christopher Nolan are household names for cinephiles. But once upon a time, in the early ’00s, Soderbergh needed to help Nolan get his foot in the door when it came to his entry into studio filmmaking.

Steven Soderbergh had a hand in Christopher Nolan landing the director’s chair for the 2002 thriller Insomnia. The Command Z director recently recalled that he reached out to Warner Bros. bosses to suggest they take a meeting with Nolan.

Zack Sharf Digital News Director Steven Soderbergh recently spoke to Rolling Stone while promoting his new series “Command Z” about the origins of his friendship with fellow filmmaker Christopher Nolan. According to the “Traffic” and “Ocean’s Eleven” director, a Warner Bros. executive refused to meet with Nolan about a potential directing gig for the studio’s thriller “Insomnia.” The exec allegedly disliked Nolan’s “Memento,” which counted Soderbergh as one of its biggest fans.

according to IMDB’s Box Office Mojo.The Margot Robbie-led flick is expected to hit the billion-dollar mark globally before Monday, which would make its director Greta Gerwig the first solo female director to achieve that goal, CNBC reported.“Meg 2: The Trench,” the sequel to the 2018 original, landed in second, with $12 million in sales.The sci-fi action flick starring Jason Statham, which the Hollywood Reporter said brings “his rugged charm and tough-guy self-irony to sparkling dialogue,” is based on a 1999 novel.In third place was “Teenage Mutant Ninja Turtles: Mutant Mayhem” which was released on Wednesday and took home $9.3 million on Friday.The Post called the reboot the Turtles “finest hour,” and said its directors Jeff Rowe and Kyler Spears “bet big on the title and shrewdly explore what it would be like to live as a hormonal, teenage, mutant, ninja turtle.”“Oppenheimer,” which was in second place last Friday, slipped to fourth, with an $8.3 million take. The Christopher Nolan biopic has already earned $500 million globally and is expected to hit over $551 million through Sunday, according to Deadline.Disney’s “Haunted Mansion,” which was in the No.

Despite a strong opening for “Teenage Mutant Ninja Turtles: Mutant Mayhem”, the plastic-and-pink “Barbie” remains the crowned winner of Wednesday night’s box office.

Eva Mendes is channeling her inner Barbie. The 49-year-old actress shows off a quick tease of her dance moves in a new video on Instagram, set to Dua Lipa's infectious «Dance the Night» song from the official movie soundtrack.

“Barbie is really important for us,” beamed Warner Bros. Discovery CEO David Zaslav on the conglom’s Q2 earnings call about the first pic to hit $1 billion under his reign.

Christopher Nolan is one of the most accomplished directors of our time. Delivering hit after hit, Nolan's films are thought-provoking and powerful. His latest film,, based on the true story of J.

Warner Bros. Film Group is apologizing for their support of some insensitive “Barbenheimer” content.

The U.S. branch of Warner Bros. issued an apology after being called out by the Japan division for engaging with “insensitive” Barbenheimer tweets.

Warner Bros. U.S. has deleted “Barbenheimer” tweets after being criticized by Warner Bros. Japan.

Barbenheimer memes that feature atom bomb images.The apology follows Warner Bros. Japan calling its US counterpart’s behaviour “extremely regrettable”, and also said sorry to fans on its behalf.The Barbenheimer craze, which has resulted in millions around the world watching the two blockbusters Barbie and Oppenheimer back-to-back in an ironic double bill dubbed “Barbenheimer”, has drawn criticism in Japan for making light of the mass destruction caused by the atomic Bombs dropped on Hiroshima and Nagasaki.The Barbie US Twitter account (@barbiethemovie) responded to one Barbenheimer fan art poster that depicts Margot Robbie’s Barbie sitting on the shoulders of Cillian Murphy’s J.

Zack Sharf Digital News Director Warner Bros. Japan released a statement on the country’s official “Barbie” Twitter account criticizing the studio’s U.S. branch for feeding into the “Barbenheimer” craze on social media.

International cinema chain Vue says it has recorded its “best ever week” in large part due to the Barbie and Oppenheimer releases ten days ago.

Oppenheimer has been censored in some countries with the use of the “best ever CGI”.In the film, there is a scene in which Pugh, who played Jean Tatlock, is seated naked on a chair having a conversation with Oppenheimer, played by Cillian Murphy, after having sex.In some countries, the scene was censored by the use of CGI to cover Pugh with a dress. The edited version of the film has been shown in territories such as India, Pakistan and the Middle East.A censored version of ‘OPPENHEIMER’ is being screen in several countries, with a CGI black dress covering Florence Pugh.

“Barbie” continues to heat up the box office after a blockbuster opening weekend that soared far beyond initial predictions.

Everyone didn’t stop going to the movies on Monday with Barbenheimer in full force: Warner Bros posted the best Monday at the domestic box office with Barbie grossing $26.1M while Universal’s Christopher Nolan pic Oppenheimer wasn’t shabby with $12.6M.

Naman Ramachandran Greta Gerwig’s “Barbie” and Christopher Nolan’s “Oppenheimer” were the dominant forces at the U.K. and Ireland box office this weekend, with a combined debut take of £29.4 million ($37.6 million), per numbers from Comscore. Warner Bros.’ “Barbie” led the way with a mighty £18.5 million, while Universal’s “Oppenheimer” collected £10.8 million.

Clayton Davis Senior Awards Editor “Barbie” is a box office smash, along with its acclaim from critics and audiences alike. If you follow the social media chatter and the general feeling from most pundits, it could be a viable awards contender for Warner Bros. One category being debated is where the screenplay by Greta Gerwig and Noah Baumbach would be able to compete — whether in original or adapted screenplay. The answer lies in how the WGA classifies it and whether the Academy could or would overrule that choice. Variety confirms there are ongoing conversations with strategists and Warner Bros regarding where “Barbie” would compete at next year’s ceremony. On the title cards, it reads “Based on ‘Barbie’ by Mattel,” which is, of course, a toy company. At the same time, there have been multiple CGI films and TV series featuring the fashion doll since its debut in the late 1980s (42 to be precise). This would point to an “adapted” run. However, take the case of Pixar’s inaugural feature “Toy Story” (1995), which picked up an original screenplay nom (Joss Whedon, Andrew Stanton, Joel Cohen, Alec Sokolow, John Lasseter, Pete Docter, Joe Ranft). In that case, it offers a pathway for original. The CGI classic features characters such as Mr. Potato Head, a Hasbro product, and other toys such as Etch A Sketch, Magic 8 Ball and even parts of Barbie herself. Part of the Mutant Toys, which are creations of Andy’s sadistic kid neighbor Sid, he has one called “Legs” — which are a pair of Barbie doll legs attached to a green toy fishing rod.