'Barbie's Record-Setting $155 Million Box Office Debut Beats Out 'Oppenheimer's $80 Million

Zack Sharf Digital News Director Now that “Barbie” has officially crossed the $1 billion mark at the worldwide box office, speculation about a potential sequel has intensified tenfold. Greta Gerwig, who directed “Barbie” in addition to co-writing its script with Noah Baumbach, told The New York Times she has no ideas yet for a “Barbie 2.” However, she also told People magazine before the film joined the $1 billion club that she hoped her movie “is the launch of a world and a bunch of different Barbie movies.” “There’s a tone and a humor and a joy, and obviously the world is so beautiful,” Gerwig told the publication. “I want to go back to Barbie Land.” Margot Robbie was less assertive when asked about a “Barbie” sequel in pre-release interviews.

Patrick Frater Asia Bureau Chief Ryu Seung-wan’s female-led crime caper “Smugglers” topped the South Korean box office for a second weekend, ahead of new release title “Ransomed.” “Smugglers” enjoyed a strong hold in its second weekend of release and commanded 42% market share. It delivered $7.09 million, a drop of only 20% on its opening weekend, giving a 12-day cumulative of $26.2 million, according to data from Kobis, the tracking service operated by the Korean Film Council (Kofic).

Brent Lang Executive Editor “Meg 2: The Trench” sunk its pearly whites into $3.2 million in Thursday previews, as the followup to the 2018 Jason Statham hit is hoping to premiere to $30 million. Critics have feasted on the film, giving it a dreadful 28% “rotten” rating on Rotten Tomatoes, but the pulverizing reviews may not have much impact on audiences who don’t turn up to these type of movies out of a desire to see a pioneering work of cinema. Instead, they’ll get a chance to witness a 75-foot-long megalodon, and other sea creatures who prefer human flesh to plankton, make short work of a group of scientists.

Warning: this article contains spoilers for OppenheimerChristopher Nolan has revealed that one of the most shocking lines in Oppenheimer was improvised.Speaking to The New York Times, Nolan shared that James Remar, who plays U.S. Secretary of War Henry Stimson in the film, came up with the idea for one of the most harrowing and shocking lines to be delivered in the movie.The scene involves Stimson and other government officials meet with J.

Issa Rae just gave Us a very important reminder that two-pieces are always a good idea.

.You see, some users on TikTok have been using the record-breaking film as some sort of feminism barometer for their cishet boyfriends and potential partners. “I genuinely think taking your boyfriend to should be your relationship test to decide if he’s good [as] a potential long-term partner,” TikTok user wrote in a that’s been viewed over four million times.

While many are questioning the sexual identity of Ken in the new “Barbie” movie, there’s one studly disco-era male doll whose sexual identity has never been in doubt, a very gay male doll name Gay Bob. The Gay Bob doll came out of his closet in 1977 much to the displeasure of the right-wing culture warriors of the time, not just because Bob was out and proud but also because he came with a penis. Photo: Museum of the City of New York

Rebecca Rubin Film and Media Reporter Disney’s remake of “Haunted Mansion” opens on Friday in theaters, where it’ll face an opponent that’s much scarier than the threatening ghosts that populate the world of the supernatural comedy. That foe would be the collective force of “Barbie” and “Oppenheimer,” which have spent the past week putting box office projections to shame. “Barbenheimer,” as the inextricably linked movies have been nicknamed, will loom large over North American charts as Disney’s new family film aims for third place.

Barbie movie.The broadcaster recently shared his thoughts on his TalkTV show Piers Morgan Uncensored, and in an op-ed for the New York Post.In the former, he shared a tweet stating: “I thought feminism was about equality…Why does empowering women have to be about trashing men?” along with clips from the show featuring his thoughts.In his op-ed in the latter, he added: “If I made a movie mocking women as useless dunderheads, constantly attacking ‘the matriarchy’, and depicting all things feminist as toxic bullshit, I wouldn’t just be canceled, I’d be executed.”"I thought feminism was about equality…"Why does empowering women have to be about trashing men?"Piers Morgan questions the Barbie movie's 'anti-patriarchy' message.@piersmorgan | @TalkTV | #PMU pic.twitter.com/Z66NlbjNYp— Piers Morgan Uncensored (@PiersUncensored) July 24, 2023.@piersmorgan: If I made a movie that treated women the way Barbie treats men, feminists would want me executed https://t.co/arlrTRyK91 pic.twitter.com/6jCInWDUUw— New York Post (@nypost) July 24, 2023Morgan continued: “Head Barbie rides to the rescue by seizing back control and driving the hapless Kens back to being subservient saps to the women again. To which my response is: Why? I thought the whole point of feminism is that women wanted equality with men, not a complete reversal of the perceived unequal social power structure.“I don’t know any woman, other than perhaps US female soccer superstar Megan Rapinoe, who wants a world where women dominate absolutely everything – and men are reduced to dim-witted doormats barely capable of changing a light bulb.”His comments drew criticism on Twitter with one user writing: “Lol.

Zack Sharf Digital News Director Greta Gerwig told The New York Times that watching her “Barbie” movie become a historic comedy blockbuster has been “so amazing.” The film debuted to a whopping $162 million, breaking the opening weekend record for a female director. It then scored $26 million on its first Monday after release, setting a new Warner Bros. in-house record for the studio’s top Monday grosser.

While many are questioning the sexual identity of Ken in the new “Barbie” movie, there’s one studly disco-era male doll whose sexual identity has never been in doubt, a very gay male doll name Gay Bob. The Gay Bob doll came out of his closet in 1977 much to the displeasure of the right-wing culture warriors of the time, not just because Bob was out and proud but also because he came with a penis. Photo: Museum of the City of New York

After a blowout debut weekend, Barbenheimer showed strong continued momentum at the international box office on Monday. Warner Bros’ Barbie for its part had the best Monday ever for the studio overseas at $32M from 69 markets (it also scored the studio’s best Monday domestically). The running offshore total through yesterday is $226.3M, bringing the global Kenergy to $414.4M.

“Barbie” continues to heat up the box office after a blockbuster opening weekend that soared far beyond initial predictions.

Patrick Frater Asia Bureau Chief Margot Robbie, America Ferrara and director Greta Gerwig visited South Korea early on the promotional tour for ‘Barbie’ (without Ryan Gosling). But their charm failed to translate into strong box office performance in the country and the film opened anonymously in fourth place over the weekend. “Barbie” earned just $1.19 million between Friday and Sunday and $1.91 million over its opening five days, according to data from Kobis, the tracking service operated by the Korean Film Council (Kofic). Worth just 8% of the nationwide weekend total, “Barbie’s” scores were barely better than fellow new release title “Insidious: the Red Door.” That earned $1.17 million between Friday and Sunday and $1.90 million over five days.

Moviegoers were thinking pink this weekend!

“Barbie” is shaping up to be the biggest movie of 2023.

Rebecca Rubin Film and Media Reporter The battle of the bomb versus the bombshell has gone global. Over the weekend, Greta Gerwig’s very pink fantasy-comedy “Barbie” collected a stunning $182 million at the international box office, bringing its worldwide total to $337 million. Meanwhile, Christopher Nolan’s R-rated historical drama “Oppenheimer” held its own, igniting to $93.7 million from 78 markets for a huge global tally of $174 million. The two seemingly different blockbusters, which were jokingly pitted against each other, crushed already-stratospheric expectations thanks to the cultural phenomenon known as “Barbenheimer.” Hundreds of thousands of moviegoers booked a double feature for the ages, attending same-day viewings of “Barbie” and “Oppenheimer.”

Rebecca Rubin Film and Media Reporter “Barbenheimer” is more than just a meme. It’s a full-fledged box office phenomenon. Over the weekend, moviegoers turned out in force for Greta Gerwig’s neon-coated fantasy comedy “Barbie,” which smashed expectations with $155 million to land the biggest debut of the year. But they also showed up to see Christopher Nolan’s R-rated historical drama “Oppenheimer,” which collected a remarkable $80.5 million in its opening weekend. Hundreds of thousands of ticket buyers refused to choose between the seemingly different blockbusters with twin release dates. So they opted to attend same-day viewings of “Barbie” and “Oppenheimer,” turning the box office battle into a double feature for the ages. The craze known as “Barbenheimer” worked together to fuel the biggest collective box office weekend of the pandemic era, as well as the fourth-biggest overall weekend in history. It’s worth noting the top three weekends were led by the debuts of sequels in massive franchises, “Avengers: Endgame,” “Avengers: Infinity War” and “Star Wars: The Force Awakens.”

panned as a “self-absorbed and overwrought disappointment,” brought in $22.2 million in preview ticket sales on Thursday, followed by another $48.2 million with its Friday premiere on more than 4,200 screens, according to IMDB’s Box Office Mojo.Director Christopher Nolan’s biopic “Oppenheimer,” which delves into the life of the developer of the atom bomb, exploded into the number two spot, raking in $33 million in opening day sales, including $10.5 million from Thursday previews.  The historical drama, starring Cillian Murphy as scientist J.

“Barbie” is shaping up to be the biggest movie of 2023.