Warner Bros/Legendary Pictures’ Dune has hit a new milestone, crossing the $400M mark worldwide. Through Monday, the international box office cume is $292.3M with $107.8M from domestic for a an estimated global haul of $400.1M so far.
30.01.2022 - 22:51 / thewrap.com
Most of the theaters screening the film are owned by Landmark Theaters, whose flagship Los Angeles location posted the highest single theater total for the film with $2,300. Other theaters outside of Landmark’s circuit screening the film include the Quad Theatre in New York City, where the film grossed $1,600 over two days.By comparison, Allen’s previous film “Wonder Wheel” earned approximately $125,000 from five screens on its 3-day opening weekend in 2017, when the rise of the #MeToo movement brought long-standing allegations by actress Dylan Farrow against Allen — her adoptive father — returned to the public eye.
Farrow, whose brother Ronan helped expose Harvey Weinstein’s decades of sexual assaults in The New Yorker, has accused Allen of molesting her as a child in several interviews as well as in the HBO docuseries “Allen v. Farrow.” He has never been charged or prosecuted and has denied the claims.Among Allen’s few defenders are the stars of “Rifkin’s Festival,” Wallace Shawn and Gina Gershon, who have asserted their belief in Allen’s innocence, including in a lengthy essay written by Shawn and published by TheWrap last November.Critics have been tepid about “Rifkin’s Festival,” which follows a retired film studies professor and his publicist wife, who begin separate affairs with younger artists while at the San Sebastian Film Festival in Spain.
With 60 reviews logged, the film has a 43% critics and 41% audience score on Rotten Tomatoes. “Rifkin’s Festival” was filmed in the summer of 2019, but is only getting a day-and-date release now in theaters and on digital platforms as actors and distributors have distanced themselves from Allen and the COVID-19 pandemic has forced further delays.
Warner Bros/Legendary Pictures’ Dune has hit a new milestone, crossing the $400M mark worldwide. Through Monday, the international box office cume is $292.3M with $107.8M from domestic for a an estimated global haul of $400.1M so far.
Broadway box office continued its climb back from the early-winter Omicron surge, with 19 productions grossing a total $18,939,840 for the week ending Feb. 13, a 12% jump over the previous week’s take.
Two months after its release, the latest Spider-Man movie is still making history.
According to early industry estimates this morning, Sony’s Spider-Man: No Way Home has beat the $760.5M take of James Cameron’s 2009 sci-fi spectacle Avatar to become the third highest grossing movie at the domestic box office with an estimated running total of $760.9M. This feat comes after a solid $1.6M Valentine’s Day haul for the Jon Watts-directed, Tom Holland-Zendaya-Benedict Cumberbatch starring movie at 3,300 theaters. Sony has yet to make the record official this morning.
Patrick Frater Asia Bureau Chief“The Battle at Lake Changjin II” passed $500 million in total sales and remained unchallenged atop the mainland Chinese box office over the latest weekend.Data from consultancy Artisan Gateway showed no positional change among the top five films on a weekend that came a week after the Chinese New Year holiday wound down. Bona’s “Lake Changjin II” earned $43.5 million over the Friday to Sunday weekend, ahead of comedy “Too Cool to Kill” with $37.3 million over the same three days. In third place over the weekend was drama “Nice View” with $21.6 million and animation “Boonie Bears: Back to Earth” with $14.0 million.
While that result is consistent with the $11-13 million projections for the Agatha Christie adaptation from Kenneth Branagh, they are also less than half of the $28.6 million opening earned in 2018 by its predecessor, “Murder on the Orient Express.” Tracking was so low for the murder mystery because “Orient Express” had an opening weekend audience that was heavily skewed towards audiences over the age of 50; an age demographic that has shown up far less often since the pandemic began, not to mention the usual slowdown in theater turnout that comes on Super Bowl weekend. Reception for “Nile” has been somewhat positive with a 66% Rotten Tomatoes score and a B on CinemaScore.
Of all the nominees that screened this weekend, the highest grossing one was MGM/United Artists’ “Licorice Pizza,” which grossed $922,500 from 1,977 theaters, its widest release yet. The next best result was Focus Features’ “Belfast” with just $285,000 from 928 theaters, though that film is having much better fortunes in the U.K.
Agatha Christie screen adaptation, starring Gal Gadot, grossed $5.1 million on its opening night, according to IMDB’s Box Office Mojo database.Another Friday-night premier, JLo romantic comedy “Marry Me,” took second with $3 million in ticket sales.In third was ball-busting reboot “Jackass Forever,” which grossed $2.9 million on Friday night and $32.2 million cumulatively.
Films from Belfast to Drive My Car, from The Worst Person In The World to Nightmare Alley saw ticket sales pop after Academy Award nominations and as distributors kick into high gear for this weekend and beyond, juggling theater counts and ramped up media campaigns that now have a shiny new imprimatur.
Rebecca Rubin Film and Media Reporter“Death on the Nile,” the latest cinematic take on Agatha Christie’s famed murder mystery novel, is sailing to the top of box office charts.The star-studded whodunit, from Disney and 20th Century Studios, picked up $1.1 million from 3,280 North American theaters in preview screenings. Through Sunday, “Death on the Nile” is on track to collect $11 million to $14 million.Super Bowl Sunday, usually the biggest TV event of the year, has traditionally led to lighter movie theater attendance, and 2022’s matchup between the Los Angeles Rams and Cincinnati Bengals looks to be no exception.
produced another PR liability for the studio in the interim. That said, “Death on the Nile” is projected by independent trackers for an opening between $11-13 million. That would be less than half of the opening of its predecessor, “Murder on the Orient Express,” which opened to $28.6 million in November 2017 and in its previews made $1.6 million.
Those theatrical motion picture studios earning Oscar Best Picture nominations today will put their best foot forward at the box office, and increase the cinema footprint of their contenders in an effort to capitalize on their success and raise the pics’ profiles.
Broadway box office showed some improvement last week, with business for the 19 productions rising 12% from the previous week to a total $16,909,848. Paid attendance was up a commensurate 9% to 152,557, indicating that about 81% of available seats were filled during the week ending Feb. 6.
Euro Box Office Stats For 2021
according to the IMDB’s Box Office Mojo database.Science-fiction flick “Moonfall” took second with $3.4 million. Both films opened Friday.“Spider-Man: No Way Home” grossed $2.1 million on Friday night, or $741.4 million through that date.
Woody Allen’s decade-long downward spiral began after making “Midnight in Paris” in 2011 and following it up with a series of movies ranging from bad to worse to worse than that: “Irrational Man,” “Wonder Wheel,” “Cafe Society,” “A Rainy Day in New York.” At least we have the minor gift of “Blue Jasmine,” a comparatively fine movie according to the pathetic standard set by the rest, to counterpoint the nearly annual stream of Allen’s shrugging dross, but the emphasis is on “minor.” What a difference a change in era made for one of American cinema’s most influential directors.
Rebecca Rubin Film and Media ReporterWill this be the weekend that “Spider-Man: No Way Home” is dethroned at the box office once and for all?Paramount’s go-for-broke action comedy “Jackass Forever” and director Roland Emmerich’s disaster epic “Moonfall” certainly hope that’s the case. After an excruciatingly slow January at the movies, one that let “Spider-Man” tower over the competition for weeks, the two nationwide releases will try their hand at getting audiences to multiplexes.“Jackass Forever,” the fourth installment in the ongoing saga of projectiles to the groin, appears to have the best shot at taking down “Spider-Man: No Way Home,” which has spent six of the last seven weeks at No. 1.
“Rifkin’s Festival” is bombing at the box office.The comedy flick starring Gina Gershon and Wallace Shawn has the lowest opening of the 86-year-old filmmaker’s long career, which tanked after he was accused of molesting his his adopted daughter Dylan Farrow.“Rifkin’s Festival” is Allen’s 49th film to date and only made $24,000 on Friday and Saturday from 26 theaters, according to the Wrap. Landmark Theaters owns many of the cinemas that the movie is being screened at.