‘Death on the Nile’ tops domestic box office

Tyson Fury and Dillian Whyte are headed for a titanic heavyweight duel under the Wembley arch in April, with a sellout croowd expected in London for the world championship bout. Fury currently holds the WBC belt for which Whyte is the mandatory challenger and an intense battle is expected, even more so after Whyte failed to turn up to Tuesday's pre-fight press conference.

Broadway continued its 2022 rebound last week, with 92% of available seats filled and box office receipts climbing 5% over the previous week to $23,004,259.

according to IMDB’s Box Office Mojo database.And as on last Friday, Channing Tatum’s best-friend-tear-jerker tale “Dog” followed, with $2.5 million and $23.2 million cumulatively.Long-running “Spider-Man: No Way Home” took third with $1.3 million on Friday and a $775.4 million total in sales.

Gerald “Jerry” Rubin, who went from the William Morris Agency to become VP Business Affairs at CBS and was an influential longtime entertainment lawyer, has died. He was 93.

Naman Ramachandran Sony’s “Uncharted” remained atop the U.K. and Ireland box office for the second weekend in a row, while Universal’s “Sing 2” maintained its strong showing.“Uncharted,” featuring a galaxy of stars including Tom Holland, Mark Wahlberg and Antonio Banderas, collected £3.7 million ($5.1 million) in its second weekend and now has a total of £12.1 million, according to numbers released by Comscore.In second place, animated sequel “Sing 2,” with an array of voice actors including Matthew McConaughey, Reese Witherspoon and Scarlett Johansson also performed strongly during school half-term holidays in the territory and collected £3.1 million.

Jazz Tangcay Artisans EditorWhen costume designer Paco Delgado was creating Gal Gadot’s look as the heiress Linnet Ridgeway Doyle in Kenneth Branagh’s “Death on the Nile,” he played with the concept of wealth touched by vulnerability.Branagh assembled an all-star cast, including Annette Bening, Russell Brand, Armie Hammer, Rose Leslie, Sophie Okonedo and Letitia Wright, for his retelling of the Agatha Christie murder mystery among a group of friends joining Linnet and Simon Doyle (Hammer) on their honeymoon in 1930s Egypt.At the center of the film is Linnet, a woman who on the surface has everything. She’s powerful, but Delgado says she’s insecure. “She’s surrounded by people who constantly criticize her, and she feels everyone wants to take her money.

Two months after its release, the latest Spider-Man movie is still making history.

Universal’s Jennifer Lopez-Owen Wilson romantic comedy Marry Me led the Valentine’s Day Monday box office with $3M, raising its four-day total to $10.99M.

Rebecca Rubin Film and Media Reporter“Spider-Man: No Way Home” has officially unseated director James Cameron’s 2009 science-fiction epic “Avatar” to become the third-highest grossing domestic release in history.After weeks of speculation over whether or not Peter Parker had the legs to bump the people of Pandora from bronze, “Spider-Man: No Way Home” collected the remaining $1 million on Monday to push “Avatar” — and its mighty $760.5 million at the North American box office — to fourth place in the record books.Sony’s latest Spidey adventure, a culmination to Tom Holland’s web-slinging trilogy, has grossed a stunning $760.9 million at the domestic box office since launching exclusively in theaters in December. Those ticket sales are three times as much as the next highest-grossing movie of the pandemic era, which is Disney and Marvel’s “Shang-Chi and the Legend of the Ten Rings” with $224 million.

According to early industry estimates this morning, Sony’s Spider-Man: No Way Home has beat the $760.5M take of James Cameron’s 2009 sci-fi spectacle Avatar to become the third highest grossing movie at the domestic box office with an estimated running total of $760.9M. This feat comes after a solid $1.6M Valentine’s Day haul for the Jon Watts-directed, Tom Holland-Zendaya-Benedict Cumberbatch starring movie at 3,300 theaters. Sony has yet to make the record official this morning.

While that result is consistent with the $11-13 million projections for the Agatha Christie adaptation from Kenneth Branagh, they are also less than half of the $28.6 million opening earned in 2018 by its predecessor, “Murder on the Orient Express.” Tracking was so low for the murder mystery because “Orient Express” had an opening weekend audience that was heavily skewed towards audiences over the age of 50; an age demographic that has shown up far less often since the pandemic began, not to mention the usual slowdown in theater turnout that comes on Super Bowl weekend. Reception for “Nile” has been somewhat positive with a 66% Rotten Tomatoes score and a B on CinemaScore.

Refresh for latest…: Hitting 15 offshore markets ahead of its domestic debut and further overseas expansion next weekend, Sony’s Uncharted mapped out an international box office launch of $21.5M. The Tom Holland/Mark Wahlberg-starrer was No. 1 in each of its openings, taking advantage of school holidays in some markets and, of course, the Spider-Man Holland halo.

J. Kim Murphy There’s a battle between love and “Death” at this weekend’s domestic box office, as the Jennifer Lopez rom-com “Marry Me” and Kenneth Branagh’s follow-up to his 2017 whodunnit “Murder on the Orient Express” both attempt to lure older audiences back to movie theaters in their openings.

The Kenneth Branagh adaptation of Agatha Christie’s Poirot murder mystery is a follow-up to “Murder on the Orient Express,” which was released by 20th Century Fox prior to the Disney acquisition in November 2018 and opened to $28.6 million largely off of turnout from moviegoers over the age of 50. Such turnout was not expected for “Nile” given the pandemic.Reception for “Death on the Nile” has been mildly positive with a 65% score on Rotten Tomatoes and a B from audiences on CinemaScore, the latter of which was the same grade given to “Orient Express.” “Nile” is one of the last pre-acquisition projects from Fox to be released by Disney, with “The Bob’s Burgers Movie” coming out on Memorial Day weekend.

Saturday AM Update: Refresh for more analysis and chart Two major studios this weekend took a bold swing and decided to go after the challenged older female demo over Valentine’s Day weekend in a continued pandemic, and while the results were in line with projections, they wouldn’t be anything to brag about in a pre-pandemic marketplace. It’s also the hardest weekend for moviegoing with Super Bowl on Sunday.

Death on the Nile (★★☆☆☆) miscalculates from the start, marching into a mystery Christie herself showed no interest in exploring: the origins of Hercule Poirot’s trademark mustache.Director and star Kenneth Branagh, helming his second Christie adaptation following the 2017 hit Murder on the Orient Express, digs into a black-and-white, WWI-set prologue that firmly establishes Belgian sleuth Poirot as the film’s romantic hero.Christie’s sturdy plots and colorful characters certainly invite inventive reinterpretation, but it feels misguided making this or any Poirot story more about the man solving the mystery, than about the mystery that Poirot must solve.The sprightlier 1978 version of Death on the Nile, directed by John Guillermin and scripted by Sleuth playwright Anthony Shaffer, struck a more satisfying balance between the famous detective and the cast of suspects all harboring motives for murder.That whodunnit boasted a lineup of eccentric legends — Bette Davis, Angela Lansbury, Maggie Smith, David Niven, and, of course, Peter Ustinov as Poirot — inhabiting Dame Agatha’s larger-than-life characters while swooning about in Anthony Powell’s Oscar-winning ’30s-era costumes.The result was gloriously camp, as much as it was wickedly intriguing.

The long-awaited movie Death on the Nile has finally arrived in theaters and audiences checking out the film this weekend will probably wonder if they should stick around for an end credits scene.

Rebecca Rubin Film and Media Reporter“Death on the Nile,” the latest cinematic take on Agatha Christie’s famed murder mystery novel, is sailing to the top of box office charts.The star-studded whodunit, from Disney and 20th Century Studios, picked up $1.1 million from 3,280 North American theaters in preview screenings. Through Sunday, “Death on the Nile” is on track to collect $11 million to $14 million.Super Bowl Sunday, usually the biggest TV event of the year, has traditionally led to lighter movie theater attendance, and 2022’s matchup between the Los Angeles Rams and Cincinnati Bengals looks to be no exception.

Disney’s 20th Century Studios Kenneth Branagh movie Death on the Nile saw $1.1M in both Wednesday and Thursday previews, while Universal’s Jennifer Lopez-Owen Wilson romantic comedy posted $525K just from Thursday night shows.