Fargo and Alien are not necessarily two projects that you’d associate with each other but they both come from the mind of Noah Hawley and are for FX.
23.01.2024 - 06:03 / variety.com
Scott Stuber would take home the trophy for scene-stealing announcement. The company’s long-time (at least by entertainment industry standards) film chief revealed on the eve of the Academy Award nominations that he’s departing the streamer to start a new media company. The news wasn’t a total shock; his exit has been rumored for some time and the well-liked executive had been talking to potential financiers about a solo venture, according to a knowledgeable source.
Still, his goodbye leaves one of the most influential jobs in movies open for the taking. This will likely spark a flurry of people who are burnishing their resumes, including former Warner Bros. chairman Toby Emmerich, Paramount’s prior motion picture group president Emma Watts and executive-turned-producer Dan Lin.
It’s possible, but less likely, that Paramount’s prior CEO Jim Gianopulos and the recently departed Sister Global leader Stacey Snider will be in the mix. But these types of jobs don’t come around that often and though Netflix is known for having a tough corporate culture, top executives are richly rewarded with big salaries and stock options. Plus, it presents a chance to chart the future of the business, which, even though the economics are challenging, still appears to lie in streaming.
It’s not clear how Stuber’s farewell will shake up Netflix’s film strategy, which has newly shifted away from being a volume business. It faces challenges from Amazon, which has shown a new aggressiveness under its film chief Courtenay Valenti and her key ally Sue Kroll, who runs marketing. Apple has also been embracing the theatrical space more intensely, which has helped it lure top talent like Martin Scorsese (“Killers of the Flower Moon”) and Ridley Scott
.Fargo and Alien are not necessarily two projects that you’d associate with each other but they both come from the mind of Noah Hawley and are for FX.
Martin Scorsese has expressed his concerns about immersive and 3D screenings, and how they can distract from a film’s quality.Speaking to BBC Radio 4’s Today programme, the Oscar-winning director questioned if films that make use of immersive formats like 4DX – which incorporate 3D visuals, moving chairs, water and smoke – can still hold up without those elements.“I was concerned that if a film needs more than just projection on a screen, if it needs chairs that bounce around or certain scents that are used in the theatre, or more technical elements besides the image on the screen, what would that film look like without those elements?” he said.“Would it still be a film? There are major elements of it missing.”Scorsese previously experimented with 3D for 2011’s Hugo, and he described it as “liberating” experience at the time. However, the filmmaker has since suggested that films that incorporate 3D may not work as well for viewers if they don’t see them in that format.“When you see films that were shot in 3D, but you see them flat – well there’s an entire arena of information that’s missing,” he said.
Lily Gladstone is opening up about the congratulatory text she received from Leonardo DiCaprio!
James Corden is gearing up to launch his SiriusXM interview show and has found a little help from some celebrity friends.
All Of Us Strangers, released in cinemas this week, and recently uncovered some details about their friendship during an exclusive interview with NME.Scott, best-known to fans of BBC sitcom Fleabag as the ‘Hot Priest’, revealed his reaction to Mescal dressing up as the character for Halloween in 2022. The image, which also features Mescal’s Normal People co-star Daisy Edgar-Jones in costume as Phoebe Waller-Bridge’s titular ‘Fleabag’, went viral and has since become a frequently referenced moment in Mescal’s career.
Anna Tingley If you purchase an independently reviewed product or service through a link on our website, Variety may receive an affiliate commission. The nominees for the 96th Academy Awards were announced Tuesday morning, with “Oppenheimer,” Christopher Nolan’s sprawling examination of the dawn of the Atomic Age, leading with 13 nods including Best Picture.
Netflix Chief Content Officer Ted Sarandos was asked by an analyst on today’s Q4 earnings call if “the recent management departure” would impact the streamer’s future plans for making original feature films.
Todd Spangler NY Digital Editor Netflix is not going to change up its movie strategy in the wake of the exit of film chairman Scott Stuber, according to co-CEO Ted Sarandos. Sarandos did not directly address Stuber’s departure, news of which came out Monday. But, asked on the streamer’s fourth-quarter 2023 earnings interview about whether “recent management departures” might signal a shift away from original movies, Sarandos replied, “We do not plan to change our strategy or the mix [of licensed and original films].
Todd Spangler NY Digital Editor Netflix extended its lead as the world’s biggest premium video-streaming platform — gaining a better-than-expected 13.1 million subscribers for the fourth quarter of 2023. The company’s Q4 revenue came in slightly over Wall Street forecasts, while net income fell short. As of the end of 2023, Netflix counted 260.28 million total members globally.
Netflix‘s film chief Scott Stuber is leaving the streamer to start a new production company. The exec will stay at Netflix through the middle of March, after which chief content officer Bela Bajaria will find his replacement, according to those familiar with the situation. Stuber has secured financing for this new endeavor, which will focus on making TV shows and movies, according to Bloomberg, which first reported the news of Stuber’s departure.
Scott Stuber is leaving Netflix. The chairman of Netflix film since 2017, he will be leaving in March to start his own media company.
Valerie Wu Intern Andrew Scott is Tom Ripley in the first trailer for Netflix’s coming psychological thriller series “Ripley,” which debuted its first teaser Monday morning. The Patricia Highsmith adaptation was originally set up at Showtime, but was acquired by Netflix in a sale between the companies. Directed and written by Steven Zaillian, who most recently penned Martin Scorsese’s “The Irishman,” the series follows Scott’s Ripley, described as “a grifter scraping by in early 1960s New York.” The plot follows his relationship with a wealthy man traveling in Italy with a troubled relationship with his son.
Paul Mescal has confirmed he has finished filming the Gladiator sequel.Director Ridley Scott announced he had written the sequel for his 2000 original film back in 2021; by January 2023, Mescal was in talks to star in the film. The cast is also set to feature Pedro Pascal and Denzel Washington.Appearing on The Graham Norton Show last night (January 19), Mescal told Norton he had finished filming the day before, joking: “I survived it”.When Norton asked for a potential release date, Mescal first said: “Somebody’s going to assassinate me if I say anything further.”But then the actor relented, saying audiences might be able to see Gladiator 2 in “Thanksgiving this year”.Mescal also opened up about the casting process for the sequel, revealing he was performing A Streetcar Named Desire when he got the call.“I was doing Streetcar Named Desire and that’s when Sir Ridley Scott called and said, ‘do you wanna do this?’,” he recalled.“I was like, is the Pope Catholic? Yeah!”Scott has previously explained his thoughts on casting Mescal as the leading role in his upcoming movie, saying he came across the Irish actor through Normal People: “It’s not my kind of show but I saw four episodes in a row – boom, boom, boom.”“I was thinking, ‘Who the hell is this Paul Mescal?’,” he continued.
Editors note: John Ridley is the Oscar-winning 12 Years a Slave writer, writer-director of Five Days at Memorial, and the Eisner-nominated writer of the DC graphic novel series GCPD: The Blue Wall. He also hosts with Matt Carey the Deadline podcast Doc Talk, and occasionally contributes guest columns, last of which focused on the dismantling of studio diversity leaders that became popular after George Floyd’s murder.
Oppenheimer leading the way with no less than 13 nominations, including best film. Yorgos Lanthimos’ Poor Things is a close second with 11 nods, and then Killers of the Flower Moon and The Zone of Interest which both bagged 9.
Pat Saperstein Deputy Editor Netflix is kicking off its Milestone Movies: The Anniversary collection with films that are turning 50 in 1974 — a group that happens to include some of the medium’s all-time classics. The anniversary titles will stream on the platform in the U.S., along with in-person special screenings starting in March at New York’s Paris Theater and L.A.’s Egyptian Theater in Hollywood and Bay Theater in Pacific Palisades.
What To Watch. Today we recommend a mix of new releases and newly available titles, from movies and shows, all available to stream on the most popular platforms.What to watch: 7 movies & shows to stream this HalloweenWhat to Watch: The 7 best movies of 2023After years away and various seasons of decreasing quality, “True Detective” is back on HBO. “True Detective: Night Country” has met incredible acclaim by early reviews, starring Jodie Foster and Kali Reiss as two cops taking on a dangerous and mysterious case in Alaska.
Ava DuVernay’s time-hopping drama Origin, debut filmmaker Cord Jefferson’s American Fiction, and Blitz Bazawule’s musical take on The Color Purple lead the winners at the 15th annual African American Film Critics Awards. Scroll down for the full list.
As we recently noted, it’s time to move over Ridley Scott and Steven Spielberg (and maybe even Steven Soderbergh) because if not the hardest-working man in film showbiz, director Guy Ritchie might be the fastest-moving director in showbiz. Ritchie just announced a new movie, “The Fountain Of Youth,” with Natalie Portman and John Krasinski, but it’s possible he may release two other films in 2024.
Ellise Shafer “Love Lies Bleeding” starring Kristen Stewart and Netflix’s “Supersex” series have been added to Berlin Film Festival‘s Special lineup. A romantic thriller centered on a bodybuilder and gym manager, “Love Lies Bleeding” is directed by “Saint Maud” helmer Rose Glass and will have its world premiere at Sundance this month.