Scott Stuber Leaving Netflix Head Of Film Post

Martin Scorsese has expressed his concerns about immersive and 3D screenings, and how they can distract from a film’s quality.Speaking to BBC Radio 4’s Today programme, the Oscar-winning director questioned if films that make use of immersive formats like 4DX – which incorporate 3D visuals, moving chairs, water and smoke – can still hold up without those elements.“I was concerned that if a film needs more than just projection on a screen, if it needs chairs that bounce around or certain scents that are used in the theatre, or more technical elements besides the image on the screen, what would that film look like without those elements?” he said.“Would it still be a film? There are major elements of it missing.”Scorsese previously experimented with 3D for 2011’s Hugo, and he described it as “liberating” experience at the time. However, the filmmaker has since suggested that films that incorporate 3D may not work as well for viewers if they don’t see them in that format.“When you see films that were shot in 3D, but you see them flat – well there’s an entire arena of information that’s missing,” he said.

Netflix did its annual blitz, a big dog and pony show for the press last night, revealing its entire film slate for 2024.  Most of the heavy hitters you already know, like Zack Snyder’s “Rebel Moon: Part 2 – The Scargiver,” which we already know, comes out in April, or “Beverley Hills Cop: Axel Foley,” or John Ridley’s “Shirley,” or Richard Linklater’s “Hit Man,” recently announced for a June release, but there’s plenty of surprises and new confirmations too.

Today, it’s easy to put Martin Scorsese up there as one of the greatest American film directors of all time. However, according to one of his longest collaborators, that feeling is relatively new, as studios didn’t respect him as a living legend until the last decade or so.

Anna Tingley If you purchase an independently reviewed product or service through a link on our website, Variety may receive an affiliate commission. The nominees for the 96th Academy Awards were announced Tuesday morning, with “Oppenheimer,” Christopher Nolan’s sprawling examination of the dawn of the Atomic Age, leading with 13 nods including Best Picture.

Netflix Chief Content Officer Ted Sarandos was asked by an analyst on today’s Q4 earnings call if “the recent management departure” would impact the streamer’s future plans for making original feature films.

Todd Spangler NY Digital Editor Netflix is not going to change up its movie strategy in the wake of the exit of film chairman Scott Stuber, according to co-CEO Ted Sarandos. Sarandos did not directly address Stuber’s departure, news of which came out Monday. But, asked on the streamer’s fourth-quarter 2023 earnings interview about whether “recent management departures” might signal a shift away from original movies, Sarandos replied, “We do not plan to change our strategy or the mix [of licensed and original films].

Todd Spangler NY Digital Editor Netflix extended its lead as the world’s biggest premium video-streaming platform — gaining a better-than-expected 13.1 million subscribers for the fourth quarter of 2023. The company’s Q4 revenue came in slightly over Wall Street forecasts, while net income fell short. As of the end of 2023, Netflix counted 260.28 million total members globally.

The relationship between David Fincher and Netflix is one that intrigues (and sometimes frustrates) film fans. It’s wonderful that Fincher is able to work with Netflix and seemingly make whatever films he wants.

Scott Stuber would take home the trophy for scene-stealing announcement. The company’s long-time (at least by entertainment industry standards) film chief revealed on the eve of the Academy Award nominations that he’s departing the streamer to start a new media company. The news wasn’t a total shock; his exit has been rumored for some time and the well-liked executive had been talking to potential financiers about a solo venture, according to a knowledgeable source.

Netflix‘s film chief Scott Stuber is leaving the streamer to start a new production company. The exec will stay at Netflix through the middle of March, after which chief content officer Bela Bajaria will find his replacement, according to those familiar with the situation. Stuber has secured financing for this new endeavor, which will focus on making TV shows and movies, according to Bloomberg, which first reported the news of Stuber’s departure.

Valerie Wu Intern Andrew Scott is Tom Ripley in the first trailer for Netflix’s coming psychological thriller series “Ripley,” which debuted its first teaser Monday morning. The Patricia Highsmith adaptation was originally set up at Showtime, but was acquired by Netflix in a sale between the companies. Directed and written by Steven Zaillian, who most recently penned Martin Scorsese’s “The Irishman,” the series follows Scott’s Ripley, described as “a grifter scraping by in early 1960s New York.” The plot follows his relationship with a wealthy man traveling in Italy with a troubled relationship with his son.

Berlin Film Festival is unveiling its full competition lineup. Berlin’s previously announced opener is Ireland-set drama “Small Things Like These” starring “Oppenheimer’s” Cillian Murphy and directed by Tim Mielants (“Peaky Blinders”).

Good afternoon Insiders, Jesse Whittock back with you. So much news to get through this week — here’s a pick of the biggest and best stories. Sign up for the newsletter here.

BAFTA has responded to snubs in the recently announced nominations list.The nominees for the prestigious awards were announced this afternoon, with Oppenheimer continuing to receive high praise this award season with 13 BAFTA nominations, following another impressive evening at the Critics Choice Awards on January 15.However, Greta Gerwig’s Barbie, which received high critical acclaim and broke multiple box office records, only received five nominations after being longlisted for 15 categories.The movie, which was released in July last year, missed out on the nomination for Best Film, and Gerwig has not been recognised for her directing. Barbie has received nominations for Best Leading Actress (Margot Robbie), Best Supporting Actor (Ryan Gosling), Best Original Screenplay, Best Costume Design and Best Production Design.BAFTA Head of Film, Anna Higgs, spoke about the nominations and omissions: “The field is so competitive.

Christopher Nolan’s Oppenheimer continued its commanding awards showing this morning, clocking a leading 13 BAFTA noms. Disappearing from the season’s leading pack, however, was Greta Gerwig’s Barbie, which only clocked five noms after being longlisted in 15 categories. 

Oppenheimer leading the way with no less than 13 nominations, including best film. Yorgos Lanthimos’ Poor Things is a close second with 11 nods, and then Killers of the Flower Moon and The Zone of Interest which both bagged 9.

Alex Ritman What happened to “Barbie”? This is likely to be one of the hot-button questions following the announcement of the 2024 BAFTA Film Awards nominations on Thursday, which saw Greta Gerwig’s cultural phenomenon and box office juggernaut emerge without nods in the best film and director categories. While the film’s five BAFTA nominations (including leading actress, supporting actor and original screenplay) is, of course, still a tally to be very proud of, the figure is likely to have caught many awards-watchers off guard.

Pat Saperstein Deputy Editor Netflix is kicking off its Milestone Movies: The Anniversary collection with films that are turning 50 in 1974 — a group that happens to include some of the medium’s all-time classics. The anniversary titles will stream on the platform in the U.S., along with in-person special screenings starting in March at New York’s Paris Theater and L.A.’s Egyptian Theater in Hollywood and Bay Theater in Pacific Palisades.

Ava DuVernay’s time-hopping drama Origin, debut filmmaker Cord Jefferson’s American Fiction, and Blitz Bazawule’s musical take on The Color Purple lead the winners at the 15th annual African American Film Critics Awards. Scroll down for the full list. 

Ellise Shafer “Love Lies Bleeding” starring Kristen Stewart and Netflix’s “Supersex” series have been added to Berlin Film Festival‘s Special lineup. A romantic thriller centered on a bodybuilder and gym manager, “Love Lies Bleeding” is directed by “Saint Maud” helmer Rose Glass and will have its world premiere at Sundance this month.