Venice Film Festival Officially Kicks Off With Charlotte Rampling, Liliana Cavani, Damien Chazelle And ‘Comandante’

The plan was for renowned director William Friedkin to be appearing at the Venice Film Festival presenting the out of competition World Premiere of his latest production, an adaptation of Herman Wouk’s 1954 play The Caine Mutiny Court-Martial. Unfortunately Friedkin died August 7th, but the show goes on anyway.

Bradley Cooper appears to have another winner on his hands.

Gabriel Guevara has been arrested.

In principle, using the rainy-day, kitchen-sink post-rock of Manchester band The Smiths so prominently in a film like The Killer seems incredibly perverse, given that it’s an exotic, globe-trotting thriller about an American assassin. But in reality, it’s actually very sound choice indeed: legend has it that the band’s singer, Morrissey, had two reasons for naming his band so, the first being that “Smith” is one of the most common and thus unremarkable surnames in the world. The second, and much more subversive theory, suggests that it’s also a reference to David and Maureen Smith, brother-in-law and sister of ’60s serial killer Myra Hindley, the snappily dressed couple whose testimony blew open the Moors Murderers case and whose beatnik likenesses adorn the cover of Sonic Youth’s 1990 album “Goo”.

Nick Vivarelli International Correspondent Spanish actor Gabriel Guevara, star of Spanish Amazon Prime teen film franchise “My Fault,” has been arrested during the Venice Film Festival on alleged sexual assault charges, the fest has confirmed, specifying that the teen idol was not on the Lido for anything related to the event. Guevara, 22, had arrived on the Lido yesterday, which he publicised in several Instagram posts.

Thanks to science fiction, we all have a basic grip on the theory of the multiverse: the idea that there are innumerable parallel worlds in which the chances and choices of the past – the roads not taken, whether by ourselves or the dinosaurs – have split off into alternative stories, endlessly bifurcating into other pasts, other futures that must be peopled, most provocatively, with other versions of ourselves. It is an idea that has proved rich pickings for comic-book adventures, where peril can come from any available universe and there is always a chance of confronting a doppelganger, but German director Timm Kröger has returned to the theory – which dates back to the 1950s – to explore how mysterious, sinister and terrifyingly vast a proposal it really is. This is a theory of everything where everything – that familiar word – is infinite. Where nothing, in fact, is ever going to be “everything.”

Bertrand Bonello is a director, like Bruno Dumont, whose ascent to date has been quite closely associated with the Cannes Film Festival, so it is a surprise to see his latest — a two-hander starring French movie queen Léa Seydoux — make its debut on the Lido. It is sure to be just as divisive here as it would on home turf, but, for those willing to accept its longueurs and absurdities, The Beast is a provocative piece of sci-fi that follows Twin Peaks: The Return down the rabbit hole of dream logic, spanning three time zones in a surreal but compelling examination of human relationships.

Paramount+ has announced it will premiere William Friedkin’s last film The Caine Mutiny Court-Martial in all international markets where the service is currently live.

It’s hard to believe that it’s now over 60 years since Roman Polanski teamed up with Jerzy Skolimowski for the landmark 1962 Polish thriller Knife in the Water. But it’s even harder to believe that these two giants of international cinema reunited more recently to pool their braincells and come up with the most terrible, joyless farce since the heyday of the ’70s British sex comedy. Forget for a moment, if you can, the furor surrounding Polanski’s controversial status as a fugitive from justice and concentrate instead on the fact that the Venice Film Festival, in its infinite wisdom, went ahead and booked this entirely dreadful offering anyway, deeming it somehow worthy of a prestigious Out of Competition slot.

Roman Polanski’s Venice Film Festival feature The Palace received a 3 minute ovation tonight at its world premiere screening.

Five years after his triumphant A Star is Born world premiered at the Venice Film Festival, Bradley Cooper is back on the Lido with Maestro. Except, the director and star is only here in spirit owing to the SAG-AFTRA strike.

Marta Balaga Venice Film Festival’s red carpet swapped glamour for politics on Saturday, hosting a flash mob in solidarity with the Iranian people, fighting against repression, as well as filmmakers who are being oppressed – and arrested – because of their work. Such as “Leila’s Brothers” director Saeed Roustaee, recently sentenced to six months in prison for showing the film in Cannes. He has also been banned from making movies.

The cast, producers and collaborators of Roman Polanski’s The Palace showed their support for the filmmaker here in Venice today during a press conference for the movie that world premieres out of competition this evening. 

Tony Leung Chiu-wai has starred in three movies that have scooped the top prize Golden Lion at the Venice Film Festival, and today he is receiving his very own Golden Lion for Lifetime Achievement. 

Mads Mikkelsen and his son Carl Jacobsen Mikkelsen make quite a dashing pair!

When Andy Kaufman passed away in May 1984, it was the final full stop in a life that seemed to be endlessly self-regenerating. Or was it? Rumors that this was another of his bizarre stunts were rife at the time, so much so that one of the mourners at the comedian’s funeral poked the body that lay in the casket to see if it would move.

Back in 2009, Yorgos Lanthimos led the so-called Greek Weird Wave with the Oscar-nominated Dogtooth, an unsettling exploration of a family of teenagers kept from the world by their father in a gated estate that they could never leave. The family is rich, so they can have anything they want except the wide world and their freedom; even sex can be bought in. 

They don’t make them like this any more, except when they do. Bastarden (disappointingly renamed The Promised Land in English) is a historical epic out of Denmark that has all the virtues of a midday movie remembered from childhood, the kind of thing you watched when your mother kept you home with a bad cold: a setting sometime in the olden days, a lawless frontier, sword fights and a gaggle of delectably evil baddies. Those seamy aristocrats and their henchmen, given to torturing, murdering and raping their oppressed tenants, are just lining up to have the tables turned, giving them a rich dose of their own torturing, murdering medicine. Hooray!

We’re back, Insiders. Jesse Whittock here. After a week away, we’ve got you covered for all the big news as festival season gears up once again. We’ve been mob-handed in Venice while diligently covering all the major TV and film news around the world. Let’s begin…

Caleb Landry Jones hits the red carpet with longtime girlfriend Katya Zvereva for the premiere of Dogman during the 2023 Venice Film Festival on Thursday (August 31) in Italy.