‘The Beast’ Review: Bertrand Bonello’s Trippy Sci-Fi Offers A Lynchian View Of The Past, Present And Future – Venice Film Festival

Seeing the Northern Lights is something on the top of most people’s bucket lists and Iceland is one of the best places to spot them during the winter months. For a limited time Icelandair is offering a holiday package deal with flights, accommodation and tours all included for less than £500 per person.

Jaden Thompson The Newport Beach Film Festival, which will run from Oct. 12-19 this year, has announced their opening and closing night films. Marco Perego’s “The Absence of Eden,” which stars Zoë Saldana, will open the festival on Oct.

Amy Nicholson “The Royal Hotel,” the setting of Kitty Green’s ulcer-inducing thriller, is a sun-baked bar in a rural Australian mining town surrounded by terrain so monotone that Canadian backpackers Hanna (Julia Garner) and Liv (Jessica Henwick) can’t keep their eyes open on the way in. The two young women arrive at their barmaid jobs with a sense palpable disorientation. They’ve quite literally woken up in Oz, and they don’t know the people, the customs, the nicknames for the local ales, or the way out.

Moving cities can be difficult. It takes a leap of faith, a lot of expense, and you might not be any happier after moving.

Chris Willman Senior Music Writer and Chief Music Critic Jazz and animation make for strong bedfellows in “They Shot the Piano Player,” a film from Spanish directors Fernando Treuba and Javier Mariscal that represents an intriguing hybrid in all sorts of ways. It’s a love letter to the bossa nova movement that peaked in the 1960s, while at the same time it’s a sobering procedural that looks into the state murder of a musician that occurred as fascistic regimes rose to power in Latin America in the ’70s.

You’ve seen Women Talking, welcome to Women Swearing: Wicked Little Letters, Thea Sharrock’s fantastically funny feature puts Jessie Buckley and Olivia Colman together in the filthiest pairing since Derek met Clive in the late 1970s. Set in 1920, it’s based on a story that, per the credits, is “more true than you’d think”, which, when you get to the end of it, is quite a claim. Think what a hip, modern and actually funny Carry On spoof of Call the Midwife might look like, scripted by the Coen brothers, shot with a little visual nod to Wes Anderson, and dictated by a screenwriter with Tourette Syndrome.

Jessica Kiang For around half of the entire last century, there was a semi-official policy enacted by the Swiss state to forcibly separate the children of “itinerant” parents from their families. The program, known as “Kinder der Landstrasse” (“Children of the Road”), was ostensibly designed for the protection of such children from the perils of vagrancy and criminality which the state imagined rife among the traveller population.

EXCLUSIVE: Amid some uncertainty over the level of pre-sales business possible at Toronto and the AFM due to the strikes, a handful of packages are beginning to emerge.

This is Day 128 of the WGA strike and Day 55 of the SAG-AFTRA strike.

East Rutherford, NJ’s MetLife Stadium, Rock and Roll Hall of Famer Bruce Springsteen alluded to one of the few unfortunate breaks in his illustrious career.The music quieted and The Boss told the humorous story of how he was kicked out of his first band, The Rogues, way back in 1965.He laughed it off with “Sopranos” cast member and longtime E Street Band guitarist Steven Van Zandt but clearly this chip on his shoulder had a lasting impact.58 years later, no one in music works harder to put on a truly great show and this unparalleled effort does not go unnoticed.Starting at 7:55 p.m. as fans straggled into the massive New Jersey stadium with their $50 “Born In The U.S.A.” souvenir t-shirts, Springsteen and the E Street Band kicked the evening off with the rockin’, larger-than-life “Lonesome Day” and entertained the packed venue.Then, for nearly 2.5 hours, there was nary a break for the long-running ensemble.

Maya Hawke is telling me about her short-lived attempt to call her father ‘Ethan’ on the set of their new film, “Wildcat.” We’re escaping the downpour at a cozy neighborhood restaurant in Chelsea, and sitting across from the striking father-daughter duo is like having a front-row seat to the royal family of art-house cinema. “I started using his name — ‘Ethan’ — to be like, ‘I’m a professional,’” the 25-year-old “Stranger Things” actress says. “And then I realized it was actually more distracting to people.

Ben Croll Bertrand Bonello’s sci-fi drama “The Beast,” which premiered at the Venice Film Festival on Sunday, follows a star-crossed duo, trying — and failing — to make love work across three timelines. Moving between 1910, 2014 and 2044, the film mixes period drama, speculative sci-fi and bouts of genuinely chilling horror — particularly in a middle section set in contemporary Los Angeles. There, aspiring actress Gabrielle (Léa Seydoux) catches the attention of Louis (George MacKay), a self-described incel with a violent hatred for women.

You didn’t expect French filmmaker Bertrand Bonello to make a conventional sci-fi, did you? Good, because “The Beast” is far from it. It all starts in 2044 with beautiful actress Gabrielle (Léa Seydoux) in desperate need of a job.

Thanks to science fiction, we all have a basic grip on the theory of the multiverse: the idea that there are innumerable parallel worlds in which the chances and choices of the past – the roads not taken, whether by ourselves or the dinosaurs – have split off into alternative stories, endlessly bifurcating into other pasts, other futures that must be peopled, most provocatively, with other versions of ourselves. It is an idea that has proved rich pickings for comic-book adventures, where peril can come from any available universe and there is always a chance of confronting a doppelganger, but German director Timm Kröger has returned to the theory – which dates back to the 1950s – to explore how mysterious, sinister and terrifyingly vast a proposal it really is. This is a theory of everything where everything – that familiar word – is infinite. Where nothing, in fact, is ever going to be “everything.”

Guy Lodge Film Critic It does rather feel as if the universe — or at least the French film industry — is trying to tell us something when 2023 has turned up not one but two loose Gallic adaptations of Henry James’s “The Beast in the Jungle.” That 1903 novella was about a man, John Marcher, who fails to fully live his life because he’s seized by premonitions of catastrophe that never visibly come to pass. It feels glumly relevant in an age of climate change, artificial intelligence and other obvious but indefinite signals of human demise; perhaps we should count this highly specific cinematic mini-trend as another.

Jessica Kiang Imagine that one of Hitchcock’s villains — say, the guy missing the tip of a pinkie in “The 39 Steps,” or the shrink who runs the institute in “Spellbound” — did not simply come from a place of murderous intent but from a different place altogether, perhaps another dimension. Imagine that villain’s supranatural malfeasance backdropped by jagged mountains, captured in black-and-white so crisp it could cut, and widescreen frames so wide whole Alpine ranges fit comfortably inside them. And imagine it all unfolding to a deliberately overpowering score, like Bernard Herrman and Scott Walker conceived a baby during a sonic boom.

Early in his new film “The Pigeon Tunnel,” Errol Morris creates one of the most vivid images of a career packed with them: a man in a suit walking through a meadow filled with mirrors. He’s always had a gift for finding specific and memorable visual metaphors for the stories he tells and the themes he’s drawn to; here, what’s noteworthy isn’t just the mirrors but the way the man keeps moving away from them.

As summer comes to an end, one thing we have to look forward to is the absolutely gorgeous autumn scenery in Scotland.

The 1975 has confirmed they will be going on tour in 2024 and they're kicking off with a show in Scotland.

Tributes have been paid to a husband and wife who died alongside their three-year-old grandson in a horror car crash.