Good afternoon Insiders, Max Goldbart here with your weekly dose of the biggest headlines, analysis and deep-dives of the week. Read on, and sign up here.
01.09.2023 - 12:05 / deadline.com
We’re back, Insiders. Jesse Whittock here. After a week away, we’ve got you covered for all the big news as festival season gears up once again. We’ve been mob-handed in Venice while diligently covering all the major TV and film news around the world. Let’s begin…
“A difficult time”: After a summer of blistering heat across mainland Europe, the Venice Film Festival opened this week to heavy rainfall and strong winds. But that didn’t halt proceedings, which began early Wednesday with the official jury presser, where we saw our first mention of the Hollywood strikes. Jury head Damien Chazelle arrived at the press conference sporting a ‘Writers Guild on Strike’ t-shirt and badge. Jury members Martin McDonagh and Laura Poitras, sitting in the front row, also donned the same t-shirt. “Today is the 121st day the writers have been on strike, and the 48th the actors have been on strike,” Chazelle said to open the presser, before later adding that the most significant issue relating to the strikes for him was “residuals and people being remunerated for each piece of art… A lot of people who would ordinarily be here aren’t able to be here. It’s a difficult time, particularly for crew and writers in Hollywood.”
Premieres: Official screenings opened later that day with the world premiere of Edoardo De Angelis’ Italian World War II submarine drama Comandante (pictured). Running in competition, the film took over the slot vacated by Luca Guadagnino’s tennis drama Challengers, which backed out amid the actors strike. In his Deadline review, Damon Wise described the pic as “woefully out of its depth” and a sign of the impact the SAG strike is having on the Lido. Strike talk continued the next day when Michael Mann and team Ferrari dro
Good afternoon Insiders, Max Goldbart here with your weekly dose of the biggest headlines, analysis and deep-dives of the week. Read on, and sign up here.
Peter Sarsgaard and Cailee Spaeny were among the winners at the 2023 Venice Film Festival!
Oscar winner Jessica Chastain and Emmy nominee Peter Sarsgaard are here in Venice today for the world premiere of Michel Franco’s Memory, which on Thursday was officially confirmed for an interim agreement. At the press conference today, Chastain, sporting a SAG-AFTRA On Strike t-shirt, was asked if she had considered not attending amid the ongoing labor action. She began by saying, “Yes, I was incredibly nervous to be here today, and actually there are some people on my team who advised me against it.” However, she opted to come in support of her union.
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Goosebumps, Disney+’s live-action series based on R.L. Stine’s bestselling Scholastic book series, is set to premiere on both Disney+ and Hulu on Friday, October 13. The 10-part series from Disney Branded Television and Sony TV, will drop the first five episodes as part of Disney+’s “Hallowstream” and Hulu’s “Huluween” celebrations, with subsequent new episodes streaming weekly. Additionally, the series’ first two episodes will air on Freeform on October 13th, as part of its “31 Nights of Halloween” programming.
Republic Pictures President Dan Cohen and producer Annabelle Dunne were among the main representatives of William Friedkin’s last film The Caine Mutiny Court-Martial at its posthumous world premiere at Venice Film Festival over the weekend.
Marta Balaga Venice Film Festival’s red carpet swapped glamour for politics on Saturday, hosting a flash mob in solidarity with the Iranian people, fighting against repression, as well as filmmakers who are being oppressed – and arrested – because of their work. Such as “Leila’s Brothers” director Saeed Roustaee, recently sentenced to six months in prison for showing the film in Cannes. He has also been banned from making movies.
Jane Campion, Damien Chazelle, Zar Amir Ebrahimi and Guy Nattiv joined a flash mob on the Venice Film Festival’s red carpet on Saturday in support of the Woman, Life, Freedom protests in Iran.
The Venice Film Festival began August 30 with opening-night movie , an Italian World War II drama, kicking off a lineup for the venerable fest’s 80th edition that includes world premieres of Michael Mann’s Ferrari, Bradley Cooper’s Maestro, Sofia Coppola’s Priscilla, Yorgos Lanthimos’ Poor Things, David Fincher’s The Killer, Ava DuVernay’s Origins, and new films from lightning-rod directors Roman Polanski, Woody Allen and Luc Besson.
Michael Mann’s Ferrari received a 7 1/2-minute standing ovation Thursday night after the lights went up on the film’s world premiere screening at the Venice Film Festival.
Venice Film Festival, Adam Driver and Michael Mann officially kicked off awards season with the world premiere of their racing drama “Ferrari,” which debuted in competition. The packed house at the Sala Grande Theatre showered Drive and Mann with a six-minute-standing ovation. Driver fought back tears at the tragic conclusion of the film.
Adam Driver spoke at a Venice Film Festival press conference earlier today (Thursday), using his platform to criticize a number of major movie studios over their refusal to play by union rules. Driver is in Venice to promote his appearance in the upcoming Michael Mann movie, Ferrari.
Michael Mann would seem a perfect fit for a biopic of Italian motorsports legend Enzo Ferrari, himself being a master technician and a director working at the high end of his commercial craft. The result, though, is a strangely tame beast, an introspective look at an in-between moment in its subject’s life, when his business hit the rocks, his marriage all but imploded and a series of fatal accidents kept his name in the papers for all the wrong reasons.
Owen Gleiberman Chief Film Critic In Michael Mann’s heady, intricately dark, raptly absorbing “Ferrari,” there’s a quiet scene that takes place the night before the Mille Miglia, the spectacular 1,500-kilometer motorsport endurance race. Enzo Ferrari (Adam Driver), the Italian sports-car magnate who needs to win the race (the survival of the company that bears his name depends on it), has five drivers who are scheduled to compete. In a kind of calm-before-the-storm ritual, several of them write notes to their romantic partners, telling them how much they love them, just in case they don’t survive the race.
Watching Michael Mann’s “Ferrari,” one may wonder whether it’s even possible to make a film about an Italian figure and have it not be at least 80% about style. An admittedly rather inane thought, but one made a little more legitimate by the central presence of Adam Driver as the titular Enzo Ferrari.
The Venice Film Festival is now underway, albeit without a lot of actors on the Lido thanks to the ongoing SAG-AFTRA strike. But Variety reports that “Ferrari” star Adam Driver is at the festival to support Michael Mann‘s latest film (as it’s not part of the AMPTP), and he didn’t hold back about certain companies refusing to meet guild demands.
Adam Driver is speaking out about the ongoing SAG-AFTRA and WGA strikes.
Nick Vivarelli International Correspondent It’s no secret that it’s taken decades of twists and turns in Hollywood to get Michael Mann’s anticipated “Ferrari,” which makes its world premiere at the Venice Film Festival Aug. 31, to the big screen. But what’s less known is that the journey of this biopic about Italian sports car builder and racing pioneer Enzo Ferrari originated with Italy’s storied Cecchi Gori Group before the company went bust.
Venice Film Festival. But the SAG-AFTRA strike made it impossible for the tennis drama, which MGM pushed to a 2024 release date, to come to the Lido. So instead, Venice kicked off with World War II drama “Comandante” by young Italian auteur Edoardo De Angelis.
The Venice Film Festival began August 30 with opening-night movie , an Italian World War II drama, kicking off a lineup for the venerable fest’s 80th edition that includes world premieres of Michael Mann’s Ferrari, Bradley Cooper’s Maestro, Sofia Coppola’s Priscilla, Yorgos Lanthimos’ Poor Things, David Fincher’s The Killer, Ava DuVernay’s Origins, and new films from lightning-rod directors Roman Polanski, Woody Allen and Luc Besson.