‘Theater Camp’s Show Goes On Amid ‘Barbenheimer’ Weekend – Specialty Box Office

Patrick Frater Asia Bureau Chief “Meg 2: The Trench,” the second instalment in the Chinese-financed giant shark franchise, was the top film worldwide over the weekend. But in its China home market “Meg 2” was beaten by strong previews of “No More Bets.” Nevertheless, the arrival of two popular films at the top of the chart meant that China enjoyed its third highest box office weekend of the year, with a $185 million haul. That score is the strongest weekend of 2023 outside the Chinese New Year holiday season.

Patrick Frater Asia Bureau Chief Ryu Seung-wan’s female-led crime caper “Smugglers” topped the South Korean box office for a second weekend, ahead of new release title “Ransomed.” “Smugglers” enjoyed a strong hold in its second weekend of release and commanded 42% market share. It delivered $7.09 million, a drop of only 20% on its opening weekend, giving a 12-day cumulative of $26.2 million, according to data from Kobis, the tracking service operated by the Korean Film Council (Kofic).

Meg 2: The Trench is out now, and the numbers are in!

CatVideoFest, which is just what it sounds like, joined notable indie debuts and festival favorites Shortcomings and Passages, the re-release of Shiva Baby and juggernaut Talk To Me in another weekend of varied specialty fare, both new and holding over. Indies are helping drive a buoyant box office. They’re also waiting for the Barbenheimer tsunami to recede as bit as these unusual blockbusters vacuum up the arthouse/adult audiences.

Naman Ramachandran The U.K. and Ireland box office soared to £160.7 million ($205.1 million) in July thanks to “Barbie” and “Oppenheimer,” according to numbers released by Comscore. The July box office was 78% higher than June and 27% higher than July 2022.

Naman Ramachandran Warner Bros.’ “Barbie” and Universal’s “Oppenheimer” continued their domination of the U.K. and Ireland box office with a combined £21.4 million ($27.3 million) after their second weekend, per numbers from Comscore. Greta Gerwig’s “Barbie” topped the charts for the second week in a row with £13.2 million, and now has a total of £47.9 million.

Patrick Frater Asia Bureau Chief “Creation of the Gods I: Kingdom of Storms,” the first part of Wuershan’s big-budget “Fengshen Trilogy,” topped the mainland China box office for the second weekend and expanded its week-on-week haul by 35%. ‘Barbie’ also showed signs of resilience in a market where it opened a week earlier in a disappointing fifth place. “Creation of the Gods I” grossed $57.6 million.

Patrick Frater Asia Bureau Chief There is female empowerment in Korean cinemas, but it is coming more from local characters, than global hit “Barbie.” Female-led crime action film “Smugglers” dominated the weekend at the South Korean box office and pushed aside “Mission: impossible – Dead Reckoning Part One” which had headed the chart for the previous two sessions. “Smugglers” earned $9.31 million between Friday and Sunday, according to data from Kobis, the tracking service operated by the Korean Film Council (Kofic), giving it a nearly 54% market share. Over its full five opening days, the film has built up a cumulative total of $13.1 million.

A24’s supernatural horror Talk To Me by first time filmmakers Danny and Michael Philippou blew past box office projections grossing over $10 million on 2,340 screens opening weekend. The breakout by the first-time filmmaker brothers and popular YouTubers from Australia was no. six at the domestic box office.

The Barbenheimer hype continues.

Imax blew past Wall Street forecasts with sales up 32% at $98 million for the second quarter ended in June. Adjusted EPS was 26 cents a share – up 271%.

Naman Ramachandran Greta Gerwig’s “Barbie” and Christopher Nolan’s “Oppenheimer” were the dominant forces at the U.K. and Ireland box office this weekend, with a combined debut take of £29.4 million ($37.6 million), per numbers from Comscore. Warner Bros.’ “Barbie” led the way with a mighty £18.5 million, while Universal’s “Oppenheimer” collected £10.8 million.

AMC Entertainment set a new post-Covid record for global admissions revenue this past weekend with Barbie and Oppenheimer leading a charge that drew 7.8 million moviegoers to theaters.

Barbie‘s historic opening weekend at the box office proves we’re all living in Barbieland.

The runaway box office success of “Barbie” has set a new record that finds director Greta Gerwig making Hollywood history.

“Barbie” is shaping up to be the biggest movie of 2023.

Rebecca Rubin Film and Media Reporter Three cheers for Director Barbie. Greta Gerwig cemented box office history as her cotton candy-colored blockbuster “Barbie” scored a massive $155 million in its opening weekend, marking the biggest debut ever for a film directed by a woman. “Captain Marvel,” which was co-directed by Anna Boden and Ryan Fleck, previously held the title with $153 million in 2019. “Wonder Woman,” from filmmaker Patty Jenkins, stood as the record-holder for a movie solely directed by a woman with $103 million in 2017. “Barbie” has notched several other box office records, including the biggest opening weekend of the year — besting “The Super Mario Bros. Movie” ($146 million).

The Barbenheimer numbers are in!

Oppenheimer and Barbie have moviegoers back in theaters but those attending a showing at AMC Burbank 16 in California were evacuated from the establishment following a fire.

“Barbie” is shaping up to be the biggest movie of 2023.