‘Barbenheimer’ Powered U.K. Box Office to Record $205 Million July

Naman Ramachandran “Barbie” is now the all-time box office champion in Ireland with an €8.85 million ($9.57 million) gross. Greta Gerwig’s film has swept past previous champions “Avatar” (€8.75 million) and “Titanic” (€8.39 million) in the country’s all-time top 10 chart. “Spider-Man: No Way Home” occupies fourth place with €7.57 million; “Star Wars: The Force Awakens” fifth with €6.76 million; “The Lion King” sixth with €6.55 million; “Avengers: Endgame” seventh with €6.42 million; “Joker” eighth with €6.4 million; “Mamma Mia!” ninth with €6.39 million; and “The Dark Knight” 10th with €6.31 million.

Oppenheimer has become the highest-grossing film ever to not reach the top spot at the box office.Christopher Nolan‘s historical drama — which sees Cillian Murphy star as Robert J. Oppenheimer, the real-life American physicist who played a pivotal role in the creation of the atomic bomb — has been a critical and commercial success following its release in cinemas last month.The film recently became the most successful WWII-related film of all time after surpassing $500million (£392m) at the global box office.

Barbie has become the highest-grossing film in Warner Bros. history in the US, overtaking Christopher Nolan’s 2008 film The Dark Knight.As reported by Variety, Barbie has crossed $537.5million at the domestic box office to take the record.

Naman Ramachandran Warner Bros.’ “Barbie” and Universal’s “Oppenheimer” continued ruling the U.K. and Ireland box office for a fourth consecutive weekend. Greta Gerwig’s “Barbie” topped the charts yet again with £4.4 million ($5.6 million) for a total of £78.2 million, per numbers from Comscore.

Brent Lang Executive Editor “The Last Voyage of the Demeter” sank without a trace over its opening weekend, going to a watery grave with just $6.5 million. The period horror film, which centers on one chapter of Bram Stoker’s “Dracula,” namely the bit where his coffin gets transported from Transylvania to England, was distributed by Universal. It’s the studio’s second stab at reviving the world’s most famous vampire, with last spring’s “Renfield,” a campy take on the bloodsucker, also collapsing at the box office.

Rebecca Rubin Film and Media Reporter “Meg 2: The Trench,” the second Jason Statham-led shark thriller, is swimming to $112 million in its international box office debut, bringing its global total to $142 million. It’s a strong start for the $130 million-budgeted film, which was co-financed by Warner Bros. and China Media Capital.

Brent Lang Executive Editor “Meg 2: The Trench” sunk its pearly whites into $3.2 million in Thursday previews, as the followup to the 2018 Jason Statham hit is hoping to premiere to $30 million. Critics have feasted on the film, giving it a dreadful 28% “rotten” rating on Rotten Tomatoes, but the pulverizing reviews may not have much impact on audiences who don’t turn up to these type of movies out of a desire to see a pioneering work of cinema. Instead, they’ll get a chance to witness a 75-foot-long megalodon, and other sea creatures who prefer human flesh to plankton, make short work of a group of scientists.

Despite a strong opening for “Teenage Mutant Ninja Turtles: Mutant Mayhem”, the plastic-and-pink “Barbie” remains the crowned winner of Wednesday night’s box office.

Rebecca Rubin Film and Media Reporter “Teenage Mutant Ninja Turtles: Mutant Mayhem” collected $10.2 million on opening day, including $3.85 million from Tuesday’s preview screenings. Paramount and Nickelodeon’s animated adventure is getting a jump on the weekend by debuting on Wednesday. This weekend’s other new release, the Warner Bros.

Naman Ramachandran Warner Bros.’ “Barbie” and Universal’s “Oppenheimer” continued their domination of the U.K. and Ireland box office with a combined £21.4 million ($27.3 million) after their second weekend, per numbers from Comscore. Greta Gerwig’s “Barbie” topped the charts for the second week in a row with £13.2 million, and now has a total of £47.9 million.

International cinema chain Vue says it has recorded its “best ever week” in large part due to the Barbie and Oppenheimer releases ten days ago.

Rebecca Rubin Film and Media Reporter It’s a “Barbenheimer” world, and we’re just living in it. The collective force of “Barbie” and “Oppenheimer” continued to rule the box office in their second weekends of release, providing another needed jolt as two Hollywood strikes threaten the fragile exhibition industry. Greta Gerwig’s cotton candy-colored fantasy comedy again led the way, adding a massive $93 million between Friday and Sunday.

EXCLUSIVE: The UK box office is booming thanks to Barbenheimer.

Naman Ramachandran Greta Gerwig’s “Barbie” and Christopher Nolan’s “Oppenheimer” were the dominant forces at the U.K. and Ireland box office this weekend, with a combined debut take of £29.4 million ($37.6 million), per numbers from Comscore. Warner Bros.’ “Barbie” led the way with a mighty £18.5 million, while Universal’s “Oppenheimer” collected £10.8 million.

Elsa Keslassy International Correspondent While Greta Gerwig’s girl-power blockbuster “Barbie” is ruling over the French box office, another much younger female-led franchise, “Miraculous: Ladybug & Cat Noir” has managed to pull approximately €8 million ($8.9 million) at the local B.O., from more than 1.1 million tickets, since bowing on July 5. Budgeted around $80 million and directed by Jeremy Zag, “Miraculous: Ladybug & Cat Noir” ranks as one of France’s most ambitious animated films to date. Featuring eight original songs, a queer storyline and a postcard-worthy Parisian backdrop, the musical film broke ground as the first female-powered superhero movie set in the French capital. Even as it faces stiff competition from “Barbie” and Christopher Nolan’s “Oppenheimer,” “Miraculous: Ladybug & Cat Noir” has enough legs to match or surpass recent non-U.S. animated hits such as “Ballerina,” which sold 1.8 million tickets in France. It garnered 318,144 admissions on its opening day in theaters, a record for a French animated film. In Germany, the movie sold 586,148 tickets in three weeks and is currently the leading family title at the box office.

Naman Ramachandran Greta Gerwig’s “Barbie” and Christopher Nolan’s “Oppenheimer” are attracting a record number of punters back to the cinemas in the U.K. and India. In the U.K. the Vue cinema chain said that it witnessed its biggest weekend in four years and second biggest weekend in history by admissions, with “Barbie” on track to become the biggest film of 2023, ahead of “Super Mario Bros.” Vue saw more than a fifth of its customers booking tickets to see both films. Over 2,000 sessions sold out for “Barbie,” delivering the largest ever opening weekend for an original, non-franchise film for the U.K. and Ireland market box office.

Cillian Murphy praised Oppenheimer costar Florence Pugh — and their graphic sex scenes.

Moviegoers were thinking pink this weekend!

, Greta Gerwig's movie exceeded box-office expectations and outsold Christopher Nolan's . The trade publication projects that Barbie opened with $155 million — and is one of the biggest opening weekends of the year. With the global numbers, — starring Margot Robbie and Ryan Gosling — capped out at $337 million. It wasn't a bad weekend for Nolan's historic drama, starring Emily Blunt, Matt Damon and Cillian Murphy.

Greta Gerwig’s Barbie and Christopher Nolan’s Oppenheimer handed UK cinema chain Vue its second biggest weekend in history as cinemagoers flocked in record numbers to catch the Barbenheimer double bill.