The transition into autumn can sometimes feel a little jarring, especially after months of late sunsets, al fresco dining and after-work drinks in a beer garden, but this time of year is often the most exciting for new restaurant and bar openings.
12.09.2023 - 12:51 / theplaylist.net
TORONTO – Considering the explicit gravity of her previous films, “The Burial” is an unexpected detour for filmmaker Maggie Betts. Likely considered a dramatic comedy by most, the MGM release centers on a 1995 lawsuit where a Mississippi small businessman, Jeremiah Joseph O’Keefe (Tommy Lee Jones), took the Loewen Group, a Canadian funerals services company, to court.
It was a case that quickly transformed from what was assumed to just be a “he said, he said” contract dispute into a revelation of true corporate greed. Continue reading ‘The Burial’ Review: Jamie Foxx Rules In This Uneven Courtroom Dramedy [TIFF] at The Playlist.
.The transition into autumn can sometimes feel a little jarring, especially after months of late sunsets, al fresco dining and after-work drinks in a beer garden, but this time of year is often the most exciting for new restaurant and bar openings.
Trish Deitch Before Melissa Etheridge became a stadium rock star, she spent four years playing lesbian bars in and around LA. That atmosphere—a small, rowdy roomful of happy drunken ladies—changed the way she wrote music and performed.
Jamie Foxx’s health and love life are both in a great place right now.
The Rolling Stones have previewed their new collaborative single with Lady Gaga and Stevie Wonder – listen to the clip below.The legendary band announced their 24th studio album ‘Hackney Diamonds’ on September 6 and shared its lead single ‘Angry’. Following on from 2005’s ‘A Bigger Bang’, the record will mark the Stones’ first collection of original music in 18 years.Earlier this month it was revealed that Gaga and Wonder both contributed to a song called ‘Sweet Sounds Of Heaven’.
Hollywood, by and large, portrays bars as the most fun and chummy places on earth. At “Cheers” and “Coyote Ugly,” everybody knows your name and you can grow into a better person by sexy dancing.Even Moe’s Tavern from “The Simpsons,” with all its seasoned boozehounds, has a base level of respectability and camaraderie.
TORONTO – There always seems to be this assumption in Hollywood that when the end of the world comes it will be quick. A nuclear holocaust will destroy the environment in hours or a massive space object will send civilization back into the dark ages in an instant.
Numerous clips have been shared online regarding how self-importantly Aaron Sorkin and company took themselves while they were making “The Newsroom,” a show that practically announced itself as the last stand for human rights and journalistic decency in the world. Holding that impossible standard high in its third season is Apple TV+’s expensive hit “The Morning Show,” a program that makes it feel like if morning news in America falls, then the apocalypse is just around the corner.
Peter Debruge Chief Film Critic While it’s easy to imagine lawyers screaming “objection, your honor!” to the exaggerated courtroom theatrics of “The Burial,” good luck convincing audiences that this David v. Goliath legal showdown between a small-time Southern funeral home operator and an unethical Canadian billionaire should have played out any other way.
The Burial is a not-so-great title; it sounds like a horror film. I hope it doesn’t keep people away from this highly entertaining, crowd-pleasing movie that otherwise is an example of what good old fashioned Hollywood filmmaking can still be all about in the right hands. It feels bigger than life, but it is based on some pretty big lives indeed.
BAFTA winner Jodie Comer came out of the gate so damn strong with her breakout turn in “Killing Eve,” and she’s shot up to the A-list ever since. Case in point, her new apocalyptic drama, executive produced by Benedict Cumberbatch, who also co-stars, is one of the most anticipated titles of the recently kicked off Toronto International Film Festival.
Released 20 years ago, Freaky Friday is a beloved movie that started a long-lasting friendship between its stars Jamie Lee Curtis and Lindsay Lohan. However, it almost looked very different!
TORONTO – The biggest surprise in Kristin Scott Thomas’ directorial debut, “North Star,” doesn’t occur in front of the camera. In this case, Scarlett Johansson, Sienna Miller, and Emily Beecham deliver exactly what you’d expect as three sisters reuniting for their mother’s latest marriage in the British countryside.
TORONTO: Does “Dicks: The Musical” even need a review? If you’ve seen the trailer you know exactly what you’re getting into, but we’re gonna give it our best shot. Already a cult movie musical before it even hits theaters (not a bad thing), this A24 production is adapted from UCB veterans Josh Sharp and Aaron Jackson‘s two-person stage show “F**king Identical Twins” which used to play in the basement of a New York City Gristedes supermarket before the pandemic.
The trailer for Amazon’s Prime Video movie The Burial has arrived.
How can one small business stand up to corporations? It might seem an unlikely question for a funeral home, but even that industry faces these issues. Maggie Betts’ “The Burial” looks at what happens when a small funeral home encounters corporate entities determined to corner the market on death care. The film, premiering at the 2023 Toronto Film Festival, finds a skilled acting duo in leads, Tommy Lee Jones and Jamie Foxx.
A new film by Hayao Miyazaki filmmaker (or anything from animation house Studio Ghibli) is always worth celebrating. And for Miyazaki’s first feature film in a decade, TIFF pulls out all the stops.
Sophia Scorziello editor Jamie Foxx suits up for the latest trial – er, trailer – of Prime Video’s “The Burial.” The court room dramedy, which also stars Tommy Lee Jones, Jurnee Smollett and Alan Ruck, is set to premiere Sept. 11 at the Toronto International Film Festival.
An unlikely pair are taking on big business.
“This fella tried to bully me out of business,” Jeremiah O’Keefe says. “I don’t think I should be expected to stand for it.” His wife reminds him, “You’ve never sued anybody before in your whole life.”
Numerous clips have been shared online regarding how self-importantly Aaron Sorkin and company took themselves while they were making “The Newsroom,” a show that practically announced itself as the last stand for human rights and journalistic decency in the world. Holding that impossible standard high in its third season is Apple TV+’s expensive hit “The Morning Show,” a program that makes it feel like if morning news in America falls, then the apocalypse is just around the corner.