‘The Burial’ Trailer: Oscar Winners Jamie Foxx & Tommy Lee Jones Lead A Legal Drama Debuting At TIFF

Sophia Scorziello editor Just a few months after Macro lined up a new $90 million round of investment, Hollywood went on strike. Charles D. King, Macro’s CEO and founder, has been using his entrepreneurial drive to make the best of a tough situation.

The pipeline from music video to feature film director isn’t discussed enough. Many beloved filmmakers started with music videos and commercials from Spike Jones to Gus Van Sant to David Fincher.  Joining the ranks now is Aristotle Torres, who is known for beginning his career as the creative director for his college classmate J.

EXCLUSIVE: Zola Mashariki, the former Fox Searchlight and BET exec who has headed up Audible Studios for the last two years, is leaving the Amazon-owned company.

Rita Ora is heading to Hollywood.

Britney Spears‘ younger sister, Jamie Lynn Spears, has joined the cast. Jamie Lynn’s casting reveal comes at a time when her mega-famous older sister is dealing ith a lot of drama in her life.The “Sweet Magnolias” star shared her excitement to join the cast of “DWTS” via social media after being announced on “Good Morning America.” The “Zoey 101” star has been partnered with pro dancer Alan Bersten for the season.

TORONTO – Considering the explicit gravity of her previous films, “The Burial” is an unexpected detour for filmmaker Maggie Betts. Likely considered a dramatic comedy by most, the MGM release centers on a 1995 lawsuit where a Mississippi small businessman, Jeremiah Joseph O’Keefe (Tommy Lee Jones), took the Loewen Group, a Canadian funerals services company, to court.

Peter Debruge Chief Film Critic While it’s easy to imagine lawyers screaming “objection, your honor!” to the exaggerated courtroom theatrics of “The Burial,” good luck convincing audiences that this David v. Goliath legal showdown between a small-time Southern funeral home operator and an unethical Canadian billionaire should have played out any other way.

The Burial is a not-so-great title; it sounds like a horror film. I hope it doesn’t keep people away from this highly entertaining, crowd-pleasing movie that otherwise is an example of what good old fashioned Hollywood filmmaking can still be all about in the right hands. It feels bigger than life, but it is based on some pretty big lives indeed.

L.A. Confidential Oscar-winning scribe Brian Helgeland had cracked a sequel with the original author James Ellroy to the City of Angels film noir — but no one bit, not even the pic’s original studio, Warner Bros.

Time and again, we’ve seen that trying to smash the entirety of a life—especially that of a notable person—into the running time of a feature film is a fool’s errand, resulting in puddle-deep characterization, painfully expositional dialogue and narratives that offer little more than bullet points. But these movies win Oscars, so financiers see them as something resembling a low risk, and here we are.

For an hour, Finestkind is the kind of movie they don’t make any more, and just when you’re starting to adapt to its gentle, circadian rhythms (which is about halfway through), it becomes the kind of movie they make all the time. Though it just about works, it’s a curious hybrid of emotional felladrama and  gangster realism, something writer Brian Helgeland has essayed before, notably with his script for Clint Eastwood’s Mystic River. A few years back, this could have been a Malpaso production too, and it’s not hard to imagine Eastwood in the role played here by Tommy Lee Jones, an awards-friendly supporting role that gives the veteran actor his very own mini-Gran Torino.

Peter Debruge Chief Film Critic “Finestkind,” the name of both Brian Helgeland’s new film and the high-line fishing boat Tommy Lee Jones captains within it, is one of those words that New Englanders find hard to define, but seem to have no trouble using in a sentence. It means quality — of fish, of people, of principles — and it sets the bar for the shaggy family portrait Helgeland crafts around two half-brothers wrestling with their place in the blue-collar New Bedford community. The movie, alas, is just so-so, tripping over its own feet for the first couple reels until such time as the siblings cross the Northern Line to (illegally) dredge for scallops in Canadian waters, and then it gets good.

EXCLUSIVE: We’re getting an exclusive first look at Paramount+’s Finestkind from Oscar winner Brian Helgeland, starring Jenna Ortega, Tommy Lee Jones, Ben Foster and Toby Wallace, ahead of its premiere Friday at the Toronto Film Festival. The film is set for a November premiere exclusively on Paramount+.

The trailer for Amazon’s Prime Video movie The Burial has arrived.

Sophia Scorziello editor Jamie Foxx suits up for the latest trial – er, trailer – of Prime Video’s “The Burial.” The court room dramedy, which also stars Tommy Lee Jones, Jurnee Smollett and Alan Ruck, is set to premiere Sept. 11 at the Toronto International Film Festival.

An unlikely pair are taking on big business.

“This fella tried to bully me out of business,” Jeremiah O’Keefe says. “I don’t think I should be expected to stand for it.” His wife reminds him, “You’ve never sued anybody before in your whole life.”

Jamie Foxx had a beautiful beachy weekend with a new woman in his life! Well, not “new” as it turns out…

Amid reports that ex Jamie Foxx is on a mission to win her back, Katie Holmes has been seen beaming with smiles. Last week, as she left her New York City gym, the 44-year-old actress thought to herself,  “__________________.”

Jamie Foxx is slowly getting back to work.