Typically, when you see horror films that are “based on a true story” or “inspired by true events,” it’s a very loose interpretation of what that means. That said, there is one event that happened in the U.K.
07.09.2023 - 14:03 / variety.com
Sophia Scorziello editor Jamie Foxx suits up for the latest trial – er, trailer – of Prime Video’s “The Burial.” The court room dramedy, which also stars Tommy Lee Jones, Jurnee Smollett and Alan Ruck, is set to premiere Sept. 11 at the Toronto International Film Festival.
“The Burial” is adapted from Jonathan Harr’s 1999 New Yorker article of the same name, and tells the story of personal injury lawyer Willie E. Gary (Foxx) and his mission to help funeral home owner Jeremiah Joseph O’Keefe (Jones) in a contract dispute against Loewen funeral company.
With Gary’s help, O’Keefe sets out to sue Raymond Loewen’s (Bill Camp’s) company, and audiences dive into the depths and deceit of the funeral industry while getting a glimps at Gary’s ambitious, uncoventional background. In an interview with People, film director Maggie Betts said of casting Foxx, “The real Willie Gary has a huge, larger-than-life personality, and I knew Jamie had the talent, charisma and range to bring this complex and multi-faceted persona to the screen.” “He was a perfect match for the role, and he brought so much more humanity and vulnerability to the character than I could have ever expected which, as a director, was very exciting to work with.” She added, “The film is triumphant and inspiring, and will leave audiences laughing, cheering and feeling deeply.” “The Burial” is written by Betts and Doug Wright and is produced by Foxx, Celine Rattray, Trudie Styler, Datari Turne, Jenette Kahn, Adam Richman and Bobby Shriver.
Following its TIFF premiere, “The Burial” premieres in select theaters on Oct. 6 before hitting Prime Video on Oct.
13. Watch the full trailer below.
.Typically, when you see horror films that are “based on a true story” or “inspired by true events,” it’s a very loose interpretation of what that means. That said, there is one event that happened in the U.K.
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TORONTO – Considering the explicit gravity of her previous films, “The Burial” is an unexpected detour for filmmaker Maggie Betts. Likely considered a dramatic comedy by most, the MGM release centers on a 1995 lawsuit where a Mississippi small businessman, Jeremiah Joseph O’Keefe (Tommy Lee Jones), took the Loewen Group, a Canadian funerals services company, to court.
Peter Debruge Chief Film Critic While it’s easy to imagine lawyers screaming “objection, your honor!” to the exaggerated courtroom theatrics of “The Burial,” good luck convincing audiences that this David v. Goliath legal showdown between a small-time Southern funeral home operator and an unethical Canadian billionaire should have played out any other way.
The Burial is a not-so-great title; it sounds like a horror film. I hope it doesn’t keep people away from this highly entertaining, crowd-pleasing movie that otherwise is an example of what good old fashioned Hollywood filmmaking can still be all about in the right hands. It feels bigger than life, but it is based on some pretty big lives indeed.
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How can one small business stand up to corporations? It might seem an unlikely question for a funeral home, but even that industry faces these issues. Maggie Betts’ “The Burial” looks at what happens when a small funeral home encounters corporate entities determined to corner the market on death care. The film, premiering at the 2023 Toronto Film Festival, finds a skilled acting duo in leads, Tommy Lee Jones and Jamie Foxx.
An unlikely pair are taking on big business.
“This fella tried to bully me out of business,” Jeremiah O’Keefe says. “I don’t think I should be expected to stand for it.” His wife reminds him, “You’ve never sued anybody before in your whole life.”
Want to watch something a little different on Apple TV+ this fall? How about “The Super Models,” a new documentary series that charts the careers of four of the biggest models ever: Naomi Campbell, Cindy Crawford, Linda Evangelista, and Christy Turlington. The four-part series looks back on when these four women first entered the modeling scene together in 1970s NYC, becoming worldwide sensations in the process.
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