‘The Boy And The Heron’ Trailer: Hayao Miyazaki’s First Feature In A Decade Opens TIFF Tonight, Hits American Theaters On December 8

“The Young and the Restless” spoilers show that hatred is building in Genoa City. No one can be trusted, and even the best-laid plans look to be on the verge of collapsing. Right now, it seems as if the residents of Genoa City appear to have one common enemy.

McKinley Franklin editor Hayao Miyazaki’s “The Boy and the Heron” will open Animation Is Film on Oct. 18 at the TCL Chinese Theatre in the festival’s first IMAX premiere, the organization announced Thursday. The Animation Is Film Festival, sponsored by Variety, will run from Oct.

Studio Ghibli has a new lead shareholder in the shape of Nippon Television Holdings.

Patrick Frater Asia Bureau Chief Studio Ghibli, the iconic Japanese cartoon firm behind Miyazaki Hayao’s recent “The Boy and the Heron” is selling a controlling stake to Japanese broadcaster NTV.

Front Row Filmed Entertainment has acquired Middle East and North African (MENA) rights for Japanese animation maestro Hayao Miyazak’s The Boy And The Heron.

From her time as Gossip Girl’s Serena Van Der Woodsen to her many, many incredible Met Gala outfits, Blake Lively has certainly made a name for herself as something of a fashion icon, and her latest beauty look is definitely going to set a few trends this autumn. Arriving for her front row seat at the Michael Kors spring/summer 2024 show at New York Fashion Week, Blake looked stunning with her oversized loose curls and latte makeup (another major trend at the moment).

Aquaman is back.

Brent Lang Executive Editor Elysian Film Group, Anonymous Content and Bleecker Street have jointly acquired the U.K. rights to “The Boy and the Heron,” the first film from legendary animator Hayao Miyazaki in a decade. Elysian Film Group will release the film in U.K.

Elysian Film Group, Anonymous Content, and Bleecker Street have jointly acquired UK rights to The Boy and the Heron, the latest feature from celebrated Japanese filmmaker Hayao Miyazaki.

It’s hard to make much sense of what’s unfolding as the first few minutes of Pawo Choyning Dorji‘s “The Monk and the Gun” pass by. However, what is clear is that this immediately comes out of the gate with a slice-of-life feeling in stark contrast to what one might expect from a film with this particular brand of odd title.

Naman Ramachandran Anand Patwardhan, the doyen of Indian documentary filmmaking, will premiere his new film, “Vasudhaiva Kutumbakam” (“The World Is Family”) at the Toronto Film Festival. The film focuses on Patwardhan’s parents and close family members and juxtaposes Mahatma Gandhi and the history of India’s independence movement with contemporary times. “As my parents began to age, I began filming to preserve their memory for myself but had no intention to make a film as such.

his last flick, “The Wind Rises,” and it’s assumed he won’t churn out another after this.However, should this be the end of the road for him, take heart that the Japanese director’s visual majesty and uncontrollable imagination are as fully present as ever. And so is his unparalleled understanding of what makes children tick. A filmmaker rarely goes out with his head held so high.“Heron” is not as perfect as some of Miyazaki’s past movies.

Bhutan has submitted Pawo Choyning Dorji’s The Monk and the Gun for the Best International Feature Film race at the 2024 Academy Awards.

French filmmaker Claire Denis has been announced as the jury president for the Official Section of the 71st San Sebastian Film Festival, running from September 22-30.

Brent Lang Executive Editor The Toronto International Film Festival kicked off its 48th edition with the North American premiere of “The Boy and the Heron,” the first feature from animation icon Hayao Miyazaki in a decade and the picture that is likely to serve as his cinematic swan song. The 82-year-old filmmaker isn’t doing any promotion for the film, so he wasn’t on hand at the Princess of Wales Theater on Thursday to look out at the adoring crowd of film lovers, who cheered every time his name or that of Studio Ghibli, his creative home, was invoked.

No one can predict if Japanese master Hayao Miyazaki’s output has finally come to an end, but there’s a solemn finality to “The Boy and the Heron” that suggests he’d be satisfied if that were the case this time. Its contemplation is that of an artist who’s come full circle and is now probing at the very meaning of his extensive oeuvre through a discerning lens.

Hayao Miyazaki wasn’t here in Toronto tonight to fire up TIFF at the international premiere of his movie, The Boy and the Heron, but 3x Oscar winner Guillermo del Toro was.

Peter Debruge Chief Film Critic More often than not, Hayao Miyazaki’s heroes have been young women — from Ponyo to Princess Mononoke, mischief-seeking Kiki to the two sisters spirited away by furry forest guardians in “My Neighbor Totoro.” That’s the most obvious departure the anime maestro’s fans will notice in “The Boy and the Heron”: It’s about a boy, Mahito Maki (voiced by Soma Santoki), grieving the loss of his mother during wartime. He’s surrounded by women, but this quest falls on the shoulders of a character who’s reportedly closer to Miyazaki than any of his previous protagonists.

In cinema, few names are as iconic as Hayao Miyazaki, and his latest adventure carries the weight of expectation. Drawing inspiration from the mysticism of Japanese folklore and grounded in the pain of personal loss, The Boy and the Heron, which opened the 2023 Toronto Film Festival, is a visual spectacle that rekindles the art of 2D animation in an era dominated by the digital.

he will likely send Sharon packing. But you know that won’t be an easy ending, and it will cause some major friction between Summer and Sharon.Y&R fans know Sharon will not take Summer stepping in on her man lightly.