‘Talk To Me’ Tops ‘Hereditary’ As A24’s Highest-Grossing Horror; ‘Bottoms’ Nails Nationwide Expansion – Specialty Box Office

J. Kim Murphy Audiences don’t seem to intend to attend the latest “Expendables.” The fourth entry in the ensemble action franchise is notching a series-low opening day from 3,518 theaters with about $3 million, a figure that includes a meagre $750,000 in Thursday previews. Produced by Millennium Media and released by Lionsgate, “Expend4bles” is projecting a debut that’ll fall well short of the $15 million to $17 million range that had been expected heading into the weekend, and also behind the $15.8 million sum that “The Expendables 3” put up nine years ago.

Naman Ramachandran Disney’s Hercule Poirot film “A Haunting in Venice” debuted atop the U.K. and Ireland box office with £2.1 million ($2.7 million), according to numbers released by Comscore. In its second weekend, in second place, Warner Bros.’ “The Nun II” collected £1.1 million for a total of £3.8 million.

Bollywood’s Jawan and star Shah Ruhk Khan livened up a slow specialty market, grossing close to $2.5 million in 776 locations in week two for a cume close to $12.2 million. The Yash Raj actioner is no. 6 at the domestic box office.

Rebecca Rubin Film and Media Reporter It’s another close race at the box office. The Warner Bros. thriller “The Nun II” is projected to ever-so-slightly outpace the competition with $14.7 million in its second weekend.

Barbie‘s still big!

In its latest milestone, Christopher Nolan’s Oppenheimer has passed the $900M mark worldwide. The estimated total through Friday is $903M, including $586M from the international box office. With Saturday and Sunday numbers, that global cume is projected to reach $912M. This will make it the highest grossing biopic ever at the global box office, ahead of Bohemian Rhapsody. 

Disney has kept Kenneth Branagh’s 20th Century Studios Hercule Poirot franchise going following its inception at Fox with 2017’s Murder on the Orient Express, but recent installments have yet to reach that first pic’s box office heights.

John Hopewell Chief International Correspondent “The Eternal Memory,” Chilean documentarian Maite Alberdi’s follow-up to the Oscar-nominated “The Mole Agent,” is smashing box office records in Chile. Bowing Thursday Aug. 24 in 70 theaters and shooting straight to No.

Patrick Frater Asia Bureau Chief The South Korean box office got a new chart topper with mystery drama “Sleep,” but the weekend was a sleepy affair. “Sleep” earned $2.97 million over the weekend, according to Friday to Sunday data from Kobis, the tracking service operated by the Korean Film Council (Kofic). Over its full opening five days, it grossed $3.97 million. The film, which had its world premiere in Cannes in May, is the tale of a newly-married couple whose relationship is challenged by the man’s nightly disturbances, in which he claims that someone else is inside him. “Sleep” is directed by Jason Yu and produced by Lewis Kim at Lewis Pictures. The top-ranked new release meant that “Oppenheimer” slipped to second place after three weeks on top.

Refresh for latest…: There’s a lot to unpack this weekend at the international box office, including a flying start for Warner Bros/New Line’s The Nun II, Indian superstar Shah Rukh Khan continuing to outdo himself and a major milestone afoot for Christopher Nolan’s Oppenheimer. Meanwhile, Barbie has danced past $1.4B worldwide.

The specialty market had a Shah Rukh Khan-nice weekend as Yash Raj Films’ Jawan pulled in an estimated $6.2 million in 813 theaters — a per-theater average $7.6k — taking the no. 4 spot at the North American box office. That’s a $7.56 million cume for the Bollywood action thriller including Thursday shows.  

Jawan, a Hindi action thriller with Bollywood royalty Shah Rukh Khan set opening day records in India that are echoing Stateside. The Yas Raj Films release grossed more than $1.36 million in Thursday previews at 827 locations, meaning it was the no. 2 movie across North America behind wide release The Equalizer 3 with Denzel Washington.

Rebecca Rubin Film and Media Reporter Denzel Washington’s bloody assassin-thriller “The Equalizer 3” debuted at the top of box office charts with $34.5 million over the weekend and an estimated $41 million through Monday’s Labor Day holiday. It’s the second-biggest Labor Day opening weekend in modern times, though the holiday isn’t known for bringing people to the movies. After the record-holder Marvel’s 2021 blockbuster “Shang-Chi and the Legend of the Ten Rings” ($75 million for the three days, $94.6 million through Monday), the next highest-grossing Labor Day debut is Rob Zombie’s 2007 “Halloween” remake ($26 million for the three days, $30 million through Monday).

Variety said the receipts were boosted by showtimes in premium large format auditoriums, and the flick is on track for the second-highest Labor Day weekend opening in historyThe Post praised the movie stating that unlike the first two “dark” and “pathologically unpleasant” films, the third “lives up to the ever-deepening talent of its leading man.”The summer’s biggest blockbuster, “Barbie,” continued to pull in audience, netting $2.5 million Friday.

MGM’s raunchy high school comedy Bottoms by Emma Seligman, a surprising teen girl version of Fight Club, is punching into a lot more theaters this week, expanding from 10 to 715 nationwide. The numbers so far look solid and MGM might be hoping for anything in the $2.5 million-plus range over the three days.

Oppenheimer is continuing to perform at the box office!

Brent Lang Executive Editor “Barbie” and “Gran Turismo” are both claiming victory at the box office in a showdown that has a lot to do with movie accounting and shifting definitions of the meaning of an opening weekend. Warner Bros., which backed “Barbie,” is claiming that the film won the weekend for the fifth time, earning $15.1 million over last Friday, Saturday and Sunday. However, Sony, which produced “Gran Turismo,” is claiming that its film topped box office charts with $17.4 million.

Patrick Frater Asia Bureau Chief Chinese crime action film “No More Bets” headed the mainland China box office for the fourth consecutive weekend, cementing its place as one of the biggest films in the world this year. Between Friday and Sunday, it earned $33.5 million (RMB241 million), according to data from specialist consultancy firm Artisan Gateway. Global data provider Comscore ranked that as the third highest performance of the weekend anywhere in the world, narrowly behind “Barbie’s” $35.3 million. The latest increment advanced “No More Bets’” cumulative score to $469 million (RMB3.37 billion). “Papa,” a comedy about parental efforts to improve their son’s education, held an unchanged second place in its second week.

Emma Seligman’s Bottoms is looking at an estimated weekend gross of $516k on ten screens with a possible leading $51,625 per-theater average for the raunchy, teenage high school girl take on Fight Club.

according to IMDB’s Box Office Mojo.The flick, which CNN said “moves, ironically, too slow to deliver as a big-screen attraction,” tells the true story of Jann Mardenborough, a teenage Gran Turismo player who became a professional race car driver. “Barbie,” which is now officially the highest-grossing movie of the year in North America, remained in second place, with $4 million in sales.She beat out “Blue Beetle,” which earned $2.6 million and landed in third place.The DC Comics film, which was in the No.