Korea Box Office: ‘Sleep’ Sleepwalks Into Weekend Top Spot

Patrick Frater Asia Bureau Chief Paramount+ has unveiled three new Korean TV shows which it will launch in selected international territories including North America, the U.K. and parts of continental Europe.

Naman Ramachandran Disney’s Agatha Christie adaptation “A Haunting in Venice” stayed atop the U.K. and Ireland box office for the second successive weekend with £1.4 million ($1.8 million), per numbers from Comscore. The film, directed by Kenneth Branagh, where he plays detective Hercule Poirot, now has a total of £4.9 million after two weekends in release.

Patrick Frater Asia Bureau Chief Locally-made fantasy drama “Sleep” headed the Korean box office charts for the third successive weekend. But theaters were comatose ahead of bigger new releases timed for the Chuseok holiday season. “Sleep” earned just $1.06 million between Friday and Sunday, with a 27.5% market share, according to data from Kobis the tracking service operated by the Korean Film Council. Its cumulative after 19 days in cinemas now stands at $9.50 million. The film’s three weekends at the top of the chart have coincided with low power competition and a month-long decline in cinema attendance.

Patrick Frater Asia Bureau Chief Steven Yeun has bucked stereotypes and carved a new niche as sexy Asian leading man with his roles in “Burning” and “Beef.” Justin Chon transitioned from a supporting role in “Twilight” to directing “Gook,” “Jamojaya” and half of Apple TV+’s “Pachinko.” And Busan-born Daniel Dae Kim has expanded from “Lost” and “Hawaii” to becoming one of Hollywood’s leading producers. The stateside successes of Korean-born and Korean American talent are growing and are worth celebrating. But the Busan International Film Festival’s planned party is being dialed down a notch under the impact of the twin writers’ and SAG Actors strikes in the U.S. Busan’s ‘Special Program in Focus: Korean Diasporic Cinema’ will go ahead with a screening schedule including six films, public talk sessions that include Oscar-winning actor Youn Yuh-jung, Lee Isaac Chung, director of Oscar-winning film “Minari,” and John Cho, the Seoul-born “Star Trek” and “Searching” star.

Patrick Frater Asia Bureau Chief The Paramount+ streaming service will launch in Japan in December as a free-of-charge addition to cable and internet provider J:COM’s platform and to pay-TV service Wowow. Paramount+ originals including “Tulsa King,” “Mayor of Kingstown” and “Star Trek: Strange New Worlds” will be available at the launch of the service and for the first time in Japan. Japan will be the second country in East Asia where the service becomes available, following a launch in South Korea in June last year.

Patrick Frater Asia Bureau Chief A+E Networks is continuing its investment in Korean entertainment content with “A Good Day to Be a Dog,” a fantasy romantic comedy that will upload from Oct. 11. Within Korea, the show will play on public broadcaster MBC and Lifetime Korea, releasing at the rate of one episode per week, every Wednesday.

Patrick Frater Asia Bureau Chief Netflix and SK Broadband, one of South Korea’s largest internet service providers, said that they were ending all their lawsuits and would instead create a strategic partnership to provide better entertainment experiences to Korean customers. The legal dispute began in 2020 over whether content providers that generate large amounts of traffic should pay “network usage fees” in addition to the bills paid by the household end users, or whether that would go against the principle of net neutrality and lead to higher costs for consumers. Netflix said that it could offer a technological solution to traffic volume that it had provided to ISPs in other countries and to rival ISPs in Korea. But SK Telecom and its subsidiary SK Broadband held out and appeared to gain support for their position in the Korean parliament. “This strategic partnership with Netflix originates from the philosophy of SK Telecom and SK Broadband, where customer value is prioritized, and comes as part of our efforts to provide customers with an enhanced media service environment,” said SK Telecom’s Choi Hwanseok, VP of corporate strategy. “The partnership with SK Telecom, a leader in Korea’s telecommunication and innovative technology industries, holds special significance as it enables Netflix to enhance entertainment experiences for a broader Korean audience,” said Tony Zameczkowski, Netflix VP of APAC partnerships. “By teaming up with Netflix, SK Telecom and SK Broadband aim to help customers enjoy Netflix shows and films on mobile devices and IPTV (B tv) with easier access and payment options.

Patrick Frater Asia Bureau Chief “Cobweb,” the Kim Jee-woon-directed satire that debuted at Cannes this year, has been cleared for theatrical release in its native Korea later this month. On Monday it saw off an injunction that sought to derail its hometown debut. The film is a tongue in cheek tribute to the Korean movies of the 1970s and plays partly as a film within a film, jumping from color to black and white as it does so. It stars Song Kang-ho (“Parasite,” “Broker”) as director Kim, who needs just two more days of reshoots to craft a new ending to his latest film (also called “Cobweb”) so that it will no longer be the trashy potboiler everyone thought he was making.

Patrick Frater Asia Bureau Chief Byun hee-bong, a veteran South Korean actor who appeared in several films by Oscar-winning director Bong Joon Ho, has died age 81. Byun died on Monday after complications related to a return of the pancreatic cancer that had previously occurred and been treated, according to the semi-official Yonhap News agency. The precise circumstances of his demise were not disclosed. He was born in Jangseon, South Jeolla Province, and started work at an unspecified time in live theater before becoming a voice performer for state TV network MBC in 1966. His TV work in the 1980s and 1990s included series including: 1981’s ”The First Republic”; 1985’s “The Joseon Dynasty 500 Years: Seouljungmae”; and 1999’s “The Legendary Doctor Hur Jun.” His first reliably recorded feature film work was in Bong’s breakout 2000 film “Barking Dogs Never Bite.” Byun appeared in significant roles in three other films by Bong: the cultish “Memories of Murder,” in 2003; 2006 Cannes presentation and box office hit “The Host”; and “Okja,” the creature feature which marked Netflix’s film production debut in Korea and which also appeared Cannes. Byun picked up half a dozen best supporting actor nominations in Korea and regionally in Asia for his role as Hie-bong in “The Host,” converting two of those into wins, at the Asia Pacific Film Festival and Korea’s Blue Dragon Awards.

Patrick Frater Asia Bureau Chief Two Hollywood new releases, “A Haunting in Venice” and “Teenage Mutant Ninja Turtles Mutant Mayhem” failed to make much of an impression on the South Korean box office in their opening weekend. Instead, local fantasy drama “Sleep” headed the chart for a second time. “Sleep” earned $2.38 million in its second weekend, a creditably modest 20% weekend-on-weekend decline, according to data from Kobis, the tracking service operated by the Korean Film Council (Kofic).

In its latest milestone, Christopher Nolan’s Oppenheimer has passed the $900M mark worldwide. The estimated total through Friday is $903M, including $586M from the international box office. With Saturday and Sunday numbers, that global cume is projected to reach $912M. This will make it the highest grossing biopic ever at the global box office, ahead of Bohemian Rhapsody. 

Patrick Frater Asia Bureau Chief Korean crime-action webtoon “Knuckle Girl” is being adapted as an original film production for Amazon’s Prime Video. It is structured as a Korea-Japan co-venture. The narrative revolves around a promising woman boxer, Ran, who takes on school bullies and participates in illegal bouts.

Patrick Frater Asia Bureau Chief Oscar-winning Korean actor Youn Yuh-jung (“Minari,” “Pachinko”) will headline the Actors’ House section of the upcoming Busan International Film Festival, it was announced on Thursday. Introduced in 2021, Actors’ House is a special series that connects audiences and film enthusiasts with iconic actors from the current generation through its in-depth discussions. “There’s much anticipation to hear her words of wisdom, as she’s known for her insightful observations,” said the festival. Others this year include: Han Hyo-joo, Song Joong-ki and Korean-American actor and author John Cho.

Refresh for latest…: There’s a lot to unpack this weekend at the international box office, including a flying start for Warner Bros/New Line’s The Nun II, Indian superstar Shah Rukh Khan continuing to outdo himself and a major milestone afoot for Christopher Nolan’s Oppenheimer. Meanwhile, Barbie has danced past $1.4B worldwide.

Oppenheimer has surpassed a Marvel blockbuster to become the third highest-grossing film of 2023.Christopher Nolan‘s historical drama — which sees Cillian Murphy star as Robert J. Oppenheimer, the real-life American physicist who played a pivotal role in the creation of the atomic bomb — has become one of the director’s most successful films to date.Oppenheimer has already set record for the most successful WWII-related film of all time, but with ticket sales continuing to soar, it’s now set another impressive milestone.As revealed by Box Office Mojo, Oppenheimer has surpassed Guardians of the Galaxy Vol. 3 to become the third highest-grossing movie at the 2023 global box office.At the time of writing (September 7), the film has grossed $854,078,950 worldwide, surpassing Guardians of the Galaxy Vol. 3‘s $845,536,306.It also remains the third-highest-grossing release of the year behind Barbie and The Super Mario Bros. Movie, which have both brought in over $1.35billion.Other accolades include overtaking John Wick Chapter 4 as the biggest R-rated film of 2023, becoming Universal’s highest-grossing R-rated movie, and surpassing Marvel’s Guardians of the Galaxy Vol. 3 and Fast X with its ticket sales.Oppenheimer is officially Nolan’s third-biggest film from across his career, and has overtaken his hit 2010 film, Inception – which grossed $837million.

Patrick Frater Asia Bureau Chief Kim Jee-woon’s black comedy “Cobweb,” which debuted this year at Cannes, is set for a U.S. theatrical release in early 2024.

Patrick Frater Asia Bureau Chief An investigation into allegations of sexual harassment by a former director of the Busan International Film Festival has not reached a conclusion, several months after it began, the festival said on Tuesday. The festival has said that it is urging former director Huh Moonyoung to cooperate with an external investigator. The festival held its annual lineup presentation on Tuesday in an online format, announcing the bulk of its film selections, juries, anticipated guests, honorary prize-winners and technical arrangements such as screening venues and ticketing. As part of the presentation, current management again apologized for several months of turmoil, which it admitted had scared off sponsors and caused its operating budget to shrink. The turmoil began in May when the festival appointed Cho Jongkook, a close friend of chairman Lee Yong-kwan, to a power-sharing position with festival director Huh Moonyoung. That move was opposed by certain Korean industry guilds, which threatened to boycott the festival in support of Huh.

Patrick Frater Asia Bureau Chief The Busan International Film Festival put aside many of its recent internal and local political problems to Tuesday unveil a large selection ranging from bleeding edge art titles to international festival favorites. “The difficult times are not behind us, but hard work has made this year’s festival better than ever,” said programmer and interim festival chief Nam Dong-chul, speaking at an online press conference. International guests expected to attend the festival include Luc Besson, Chinese superstar Fan Bingbing, Japanese directors Hamaguchi Ryusuke and Kore-Eda Hirokazu, Iranian filmmaker Mohsen Makhmalbaf, and Korean Americans Justin Chon (“Gook”) and Lee Isaac Chung (“Minari”). Hong Kong-based superstar Chow Yun-fat has been named as Busan’s Asian Filmmaker of the Year and will be in person to receive the award.

Patrick Frater Asia Bureau Chief “Oppenheimer” remained the top performing film in South Korea for the third successive weekend. It earned $2.04 million for a 19-day cumulative total of $22.4 million. The row of wins for “Oppenheimer” demonstrates again Korean audiences appreciation of top acting skills.

Though Labor Day is upon us domestically — and its somewhat equivalents in many overseas markets to mark the end of summer — the hits keep coming as holds this session were strong on the season’s leaders while a new entry surprised. To wit, and starting with the latter: Sony/Escape Artists’ The Equalizer 3 blazed to a $60.6M global start this weekend, to clock the franchise’s best opening ever. Of that, the $26.1M debut in 49 international box office markets was also a new record bow for the Denzel Washington-led series.