Tahar Rahim to Play French Music Legend Charles Aznavour in Biopic ‘Monsieur Aznavour’ (EXCLUSIVE)

Naman Ramachandran Documentary “The First Code,” which explores how Ukrainian techies are an integral pillar of the global IT industry, will debut in the spring. The film, from EASE (the European Association of Software Engineering), chronicles the birth and formation of Ukrainian IT, from the creation of the first computer by Ukrainian engineers in the 1950s to the present day, where it has become a powerful industry and an important front in the war with Russia. The film was made based on interviews with representatives of leading Ukrainian IT companies, including EPAM Ukraine, 3DLOOK, ELEKS, Looksery, Techiia holding, Sigma Software Group, SoftServe, Uklon, Infopulse Ukraine and Preply. The V. M. Glushkov Institute of Cybernetics of the National Academy of Sciences of Ukraine and the Minister of Digital Transformation of Ukraine, Mykhailo Fedorov, have also participated in the film.

Elsa Keslassy International Correspondent While the market for foreign-language cinema has shrank, the packed opening of the Rendez-Vous with French cinema in New York hosted by Film at Lincoln Center and Unifrance on March 1 underscored American audiences’ enduring love for Gallic fare. At least when it comes to New Yorkers. Some of France’s brightest writers/filmmakers, including Alice Winocour (“Paris Memories”), Rebecca Zlotowski (“Other People’s Children”), Sebastien Marnier (“The Origin of Evil”) and Cesar-winning star Virginie Efira and famous actor Melvil Poupaud traveled to New York with Unifrance, the French film promotion org. On top of presenting their movies, some talents on the ground took part in masterclasses at Film at Lincoln Center, Columbia University and Brooklyn College, as well as a creative workshop with emerging filmmakers participating in the Gotham Marcie Bloom Fellowship in Film.

Rising tennis star Ben Shelton takes a silly photo with a young fan during Kids’ Day during the Mexican Open tennis tournament – aka Abierto Mexicano de Tenis – in Acapulco, Mexico on Sunday (February 26).

Elsa Keslassy International Correspondent Music Box is unveiling the trailer for “Revoir Paris,” a French drama boasting a Cesar-winning performance by Virginie Efira. The movie, which bowed at Cannes’ Directors Fortnight and played at Toronto, will have its New York premiere on June 23 at Film at Lincoln Center and IFC Film Center. A meditation on healing, the film tells the story of Mia (Efira), a married translator who survived a mass shooting in a Paris restaurant, and feels haunted by the trauma, yet unable to recollect memories of the tragic attack. Determined to reconstruct the sequence of events and reestablish a sense of normalcy, Mia finds herself repeatedly returning to the bistro where the shooting happened. In the process she forms bonds with fellow survivors, including banker Thomas (Benoît Magimel) and teenager Félicia (Nastya Golubeva). Efira, who just won a Cesar Award for her role in the film, stars opposite Magimel, the Cesar-winning actor of “Pacifiction,” as well as Grégoire Colin (“Both Sides of the Blade”) and Golubeva (“Annette”).

Leo Barraclough International Features Editor Berlinale competition film “Music” opens with gray clouds racing across the face of a Greek mountain as a storm prepares to break. It is a suitably dramatic prelude to the tumultuous events that will unfold, albeit rendered in an understated manner by German director Angela Schanelec, who won the Berlinale best director award in 2019 for “I Was at Home, But.” As the storm lifts, an abandoned baby boy is rescued a paramedic, who names him Jon. Years later, Jon, now a young man, kills another man, accidentally, and ends up in prison. Here, he is tended to by a female guard, Iro, as his eyesight begins to deteriorate. When he is released, the two get married and have a child. But several years later, his wife discovers a terrible secret.

Ludwig Göransson Composer Ludwig Göransson won an Oscar in 2019 for his “Black Panther” score, and is again nominated for the original song Academy Award for “Lift Me Up” from the sequel, “Black Panther: Wakanda Forever,” along with Rihanna, Tems and director-writer Ryan Coogler. In the film, Coogler wrestles with the loss of Chadwick Boseman, T’Challa, the original Black Panther, the impact of that loss on the other characters, including T’Challa’s sister Shuri (Letitia Wright) and introduces audiences to a new, underwater civilization in the Gulf of Mexico, Talokan, led by Namor (Tenoch Huerta). Göransson reflects on how the song came together: Four years ago, while I was recording in Senegal, I was introduced to a beautiful West African instrument called the kora. The first seeds of “Lift Me Up” came from that trip, and I used a part of the melody in the first “Black Panther” when T’Challa travels to the ancestral plain for the first time and sees his father who has passed on. Hearing it now in a song meant to memorialize Chadwick Boseman himself has been both devastating and cathartic.

EXCLUSIVE: Biotech entrepreneur Jonathan Lim’s recently launched production and financing entity City Hill Arts has unveiled the first still from The Penguin & The Fisherman — one of its first feature projects, starring 3x César Award nominee Jean Reno (Léon: The Professional), which has now wrapped production.

Elsa Keslassy International Correspondent Less Is More (LIM), a European development scheme for limited-budget feature films has unveiled its selection of 16 projects, four of which are from Ukrainian writers and filmmakers. The initiative is backed by the MEDIA Programme of the European Union. The French national board (CNC) has come on board to support this year’s special spotlight on Ukrainian projects, alongside the banner Terrarium. The programs, which develops first, second and third feature projects, is organized by the Groupe Ouest, a film org created in 2006 in Brittany, in Northwest France, and headed by Antoine Le Bos and Charlotte Le Vallégant.

Brad Pitt has regrets, but he’s not letting them ruin his happiness.A source tells ET, «Brad has a lot of regrets about his past, but he is doing his best to move forward and live in the moment. He is happy right now.»Pitt certainly has a lot of reasons to be happy — one of them being Ines de Ramon. “Brad and Ines are enjoying their relationship and taking things day by day. Brad is a romantic and a true gentleman.

American distribution following its world premiere at the Berlin Film Festival. Cinema Guild will release the film in theaters following its North American festival premiere later this year. The film tells the story of a a pair of wayward young people who abandon theirnewborn child on a stormy night in the mountains of Greece. Taken in by a family of farmers, Jon grows up without knowing his father or mother. Years later, after a tragic accident, he is sent to prison, where he meets Iro. The two form a connection, expressed through music, that will, by turns, haunt them and uphold them the rest of their days. Freely inspired by the story of Oedipus, Schanelec’s latest is as terrifying as myth and as gentle as a folk song.

Elsa Keslassy International Correspondent “Lie With Me,” a romance drama headlined by French stars Guillaume de Tonquebec and Victor Belmondo, has lured a raft of theatrical distributors at the Berlinale’s EFM. Represented in international markets by Be For Films and directed by Olivier Peyon, the movie is based on Philippe Besson’s book “Arrête avec tes mensonges.” The autobiographical novel was originally published in France by Editions Julliard in 2017 and won pair of awards including the Maison de la Presse prize in 2017. After selling several key territories earlier this year, Be For Films has now closed deals for the U.S. (Cinephobia Realising), Germany/Austria (24 Bilder), Brazil (Imovision), Poland (Tongariro), Greece (Cinobo) and Turkey (Bir Films).

Elsa Keslassy International Correspondent Elsa Zylberstein, one of the most famous – and bankable — faces of French cinema, known for her Cesar-winning performance in “I’ve Loved You For So Long,” is preparing to emerge as a major film producer. Having recently set up banners in France and the U.S., Zylberstein is actively developing a raft of films and series, working with the likes of Oscar-winning Syrian filmmaker Feras Fayyad (“The Cave”), Ted Braun (Darfur Now”) and Oscar-winning screenwriter Christopher Hampton (“The Father”), among others. These include “Kingdom of Hope,” a movie about Elise Boghossian, a French acupuncturist and humanitarian worker in a war zone who has healed children victims of ISIS . The movie will be directed by Fayyad, who is based in Berlin, and is being penned by Braun, based on Boghossian’s autobiographical book “Au royaume de l’espoir, il n’y a pas d’hiver.”

Elsa Keslassy International Correspondent Atlas V, the Emmy-award winning VR company, is expanding into the U.S. with the strategic appointment of Michael Masukawa. The banner has just been signed by CAA and is aiming to build a presence in the U.S. Atlas was just nominated for three Emmy awards and won one with its interactive animation “Madrid Noir.” Atlas V’s track record in the North American festival circuit also includes multiple selections at Sundance’s New Frontier, Tribeca and SXSW (where it won two awards). The company also previously won two Peabody prizes and two Webby awards. Masukawa is joining Atlas V from Secret Location, an immersive content studio owned by Hasbro and eOne. At Atlas V, he will be in charge of developing partnerships, raising project financing, producing projects and negotiating distribution deals for Atlas V’s content. He will also find opportunities for sister companies Astrea and Albyon, the first being focused on distribution and the second one on development of immersive experiences.

Leo Barraclough International Features Editor When Frank Doelger, a six-time Emmy award-winning showrunner, whose credits include “Game of Thrones,” “John Adams” and “Rome,” was preparing to adapt Frank Schätzing’s 900-page novel “The Swarm” into an eight-part eco-thriller, he resolved to place it in a different genre. Whereas the novel read like a “disaster movie,” Doelger wanted the series to be a “monster movie” — but with a twist, the monster was us. In the first few episodes of the show, which premieres at the Berlin Film Festival on Sunday, seemingly random, unconnected events occur in different parts of the world in which marine creatures start behaving in abnormal ways that threaten the lives of those who come in contact with them. After each event, scientists are given the task of finding the cause of the change in behavior, and they slowly start to wonder whether the events are connected, and ask what is triggering them.

Elsa Keslassy International Correspondent Emily Atef, who is presenting her latest film, “Someday We’ll Tell Each Other Everything,” in competition at the Berlin Film Festival, just moved to Paris to direct “La Maison,” a series depicting a fictional family-owned French luxury fashion empire. While discussing “Someday We’ll Tell Each Other Everything” ahead of its world premiere, Atef told Variety that “La Maison” will be filled with a lot of drama and tragicomedy. “It’s very Shakespearean. There’s so much beauty and luxury with old mansions in Brittany, Parisian ‘hotel particuliers,’ and then behind all that there’s so much human poverty, and you see them ripping each other appart for power,” said Atef, who will direct the pilot and three more episodes.

Elsa Keslassy International Correspondent The César Awards are characterized as France’s answer to the Oscars. And just like their awards show cousin halfway across the world, the Césars are embroiled in controversy after failing to nominate any women directors.  This year’s Academy Awards were slammed by advocacy groups after ignoring the likes of Gina Prince-Bythewood (“The Woman King”) and Sarah Polley (“Women Talking”) in favor of an all-male contingent of auteurs. The Césars have followed suit with an all-male group of directing nominees, despite a banner year for French female filmmakers. It’s one that saw directors from Alice Diop (“Saint Omer”) to Claire Denis (“Stars at Noon”) dominating the festival circuit and scoring prizes, only to come up short when the Césars unveiled their contenders on Jan. 25. The omission has sparked a debate about gender equity and sexism in the French film business, as well as social media protests emblazoned with the hashtag #CesarsSoMale, an allusion to the #OscarsSoWhite campaign that erupted in 2015 when the Academy nominated an all-white group of acting nominees. 

Paul Rudd has some clear thoughts about other characters in the Marvel Cinematic Universe.During a Thursday night appearance on, the 53-year-old action star played a round of Plead the Fifth, where host Cohen tried to get him to shade his co-stars.«Which of the Marvel superheroes has the lamest powers… and is it Hawkeye?» Cohen quipped, referencing Jeremy Renner's arrow-slinging vigilante.Rudd laughed at the question before agreeing, saying, «Yeah, it's totally [Hawkeye]. I mean, he shoots arrows, come on. And I thought talking to ants was weird.»Despite the Marvel confession, Rudd has nothing but love for actor Renner.

Elsa Keslassy International Correspondent Best Friend Forever has boarded Ramata-Toulaye Sy’s debut feature “Banel & Adama,” a lushly lensed Senegalese female emancipation drama. Now in post, the movie is expected to have its world premiere later this year. ‘Banel & Adama’ is set a remote village of Northern Senegal where Banel and Adama are fiercely in love. Longing for a home of their own, they have decided to live apart from their families. When Adama refuses his blood duty as future chief and informs the village council of his intentions, the whole community is disrupted and chaos ensues. Sy studied at France’s prestigious film school La Femis and previously directed the short film “Astel” which played at Toronto, New Directors/New Films and Clermont, where it won the Special Jury award, among 80 festivals to date. Ramata, meanwhile, previously co-wrote “Our Lady of the Nil” which played at Toronto, and “Sibel” which played at Locarno and Toronto.

Elsa Keslassy International Correspondent Brazilian animated feature “Perlimps,” Alê Abreu’s follow up to Oscar-nominated “Boy and the World,” has been sold in key territories by Best Friend Forever ahead of the European Film Market. “Perlimps” has been picked up for Japan (Child Film and New Deer), China (DDDream), CIS and baltics (Kinologistica), Sweden (Njutafilm) and Portugal (Films4you). BFF is in advanced discussions to close German Speaking territories, Benelux, Spain, Italy and North America. As previously announced, UFO Distribution will release the feature in France. “Perlimps” was just released last week in Brazil by leading independent outfit Vitrine Filmes and Sony Pictures, which holds Latin American rights.

BreAnna Bell Ri-Karlo Handy has signed with A3 Artists Agency for representation in their alternative programming, digital media, licensing and branding division. With over 25 years of experience producing and editing scripted and unscripted original content, Handy currently serves as the showrunner for NBC’s “Harlem Globetrotters: Play It Forward.” Through his company, Sunwise Media, he’s also the brain behind all content for fintech firm, Greenwood, including their branded iHeart Podcast “Money Moves” which is sponsored by MasterCard. The multi-platform media company has also landed several creative partnerships, through which it is currently developing a number of projects.