Be For Films Sells French Romance Drama ‘Lie With Me’ to U.S., More Territories (EXCLUSIVE)

Tara Karajica Cinephil has sold Valerie Kontakos’ documentary “Queen of the Deuce,” which charts the rise of Chelly Wilson, the queen of the porn industry in 1970s New York, to several key territories. The film premiered at Doc NYC and is now playing in the International Competition at the Thessaloniki Intl. Documentary Festival. Greece’s ERT, Canada’s Doc Channel, Switzerland’s Radio Télévision Suisse and Israel’s Channel 8 came on board at the funding stage. It has now been acquired by Spanish streamer FilmIn, Swedish broadcaster UR, and U.S. theatrical distributor Greenwich Entertainment. The film follows Wilson from pre-World War II Greece to New York, where she rose to become a major figure on the porn circuit in Times Square from the late 1960s to the mid 1980s. She is shown to be a trailblazing, taboo-breaking entrepreneur and an unconventional matriarch. It is presented as an empowering story of survival, as well as an alternative take on cultural history at a time of the rise of feminism, the sexual revolution and the emergence of the gay liberation movement.

Elsa Keslassy International Correspondent Mk2 films has enlisted leading distributors around the world for “Reality,” Tina Satter’s feature debut starring Sydney Sweeney, on the heels of its buzzy world premiere at the Berlinale. The movie, which bowed in the Panorama section, stars Sweeney (“White Lotus,” “Euphoria”) as Reality Winner, a 25 year-old whistleblower who spent five years in prison during the Trump administration. A former U.S. Air Force member and National Security Agency translator, Winner was convicted for leaking a confidential report on Russian election interference to the media. The film is based on Satter’s 2019 stage play “Is This a Room” and contains verbatim dialogue from the unedited transcript of a FBI audio recording. “Reality” captures the tense and surreal 90 minutes of FBI’s interrogation with Winner at her home in 2017.

Elsa Keslassy International Correspondent Daniel Brühl (“All Quiet on the Western Front,” “Captain America: Civil War”) is set to star as late fashion designer Karl Lagerfeld in “Kaiser Karl,” the anticipated Disney+ original series which Gaumont (“Lupin”) is currently producing. The show is currently shooting in France, Monaco and Italy. The six-part series will chronicle the rise of Karl Lagerfeld through the world of 1970s Parisian high fashion. In 1972, a 38-year-old Karl Lagerfeld aspired to become the most famous French fashion designer, at a time when Yves Saint Laurent reigned supreme. Lagerfeld went on to become the head designer and creative director of Chanel, Fendi and his own label.

Leo Barraclough International Features Editor Autlook Filmsales has sold “Smoke Sauna Sisterhood,” which won the directing award for Anna Hints in the World Cinema Documentary section at Sundance, to more than 20 territories in North America, Europe and Australia. Deals are confirmed with Neue Visionen in Germany, Trigon in Switzerland, Against Gravity in Poland, Fidalgo in Norway, Ost For Paradise in Denmark, Vedetta in Benelux, Filmtrade in Greece and Cyprus, FilmIn in Spain, Alambique in Portugal, Filmladen in Austria, Pasaka Films in Lithuania, Artcam in Czech Rep. and Slovak Rep., Best Film in Latvia, Mozinet in Hungary, and Madman in Australia and New Zealand. The rights in U.S. have been picked up by Greenwich Entertainment and in Canada by Sherry Media Group. The theatrical release in Estonia is by ACME Film.

Elsa Keslassy International Correspondent Sideshow and Janus Films have bought North American rights for “Orlando, My Political Biography,” Paul B. Preciado’s film which won four awards at the Berlinale. In “Orlando, My Political Biography,” Preciado sheds light on Virginia Woolf’s “Orlando,” the first novel in which the main character changes sex in the middle of the story.  A century later, Preciado, who is a trans writer and activist, decides to send a film letter to Woolf, telling her that Orlando has come out of her fiction and is living a life she could have never imagined. Preciado organizes a casting and gathers 26 contemporary trans and non-binary people, from 8 to 70 years old, who embody Orlando.

Heather Rae El Moussa is glad former “Selling Sunset” villain Christine Quinn has left the show.

Elsa Keslassy International Correspondent While the market for foreign-language cinema has shrank, the packed opening of the Rendez-Vous with French cinema in New York hosted by Film at Lincoln Center and Unifrance on March 1 underscored American audiences’ enduring love for Gallic fare. At least when it comes to New Yorkers. Some of France’s brightest writers/filmmakers, including Alice Winocour (“Paris Memories”), Rebecca Zlotowski (“Other People’s Children”), Sebastien Marnier (“The Origin of Evil”) and Cesar-winning star Virginie Efira and famous actor Melvil Poupaud traveled to New York with Unifrance, the French film promotion org. On top of presenting their movies, some talents on the ground took part in masterclasses at Film at Lincoln Center, Columbia University and Brooklyn College, as well as a creative workshop with emerging filmmakers participating in the Gotham Marcie Bloom Fellowship in Film.

Naman Ramachandran Anubhav Sinha’s upcoming social drama “Bheed,” starring Rajkummar Rao and Bhumi Pednekar, is a rarity in contemporary Indian cinema in that it is made completely in black and white. Images from the film, which is set during the 2020 Indian pandemic lockdown and tells the hard-hitting story of migrant workers stranded without basic necessities while trying to go home to their villages, are deliberately evocative of the 1947 partition of the Indian subcontinent into India and Pakistan and people were uprooted from their homes in the largest migration in history. Sinha said: ” ‘Bheed’ is a story of the most perilous times which changed everything for humanity. The key objective of shooting the film in black and white was to showcase how the visuals of the social disparity during India’s lockdown were strikingly similar to what people went through during the 1947 India partition. This story is about people whose lives changed in a snap and the colors from their lives were lost when the border was drawn within the country.”

Elsa Keslassy International Correspondent Music Box is unveiling the trailer for “Revoir Paris,” a French drama boasting a Cesar-winning performance by Virginie Efira. The movie, which bowed at Cannes’ Directors Fortnight and played at Toronto, will have its New York premiere on June 23 at Film at Lincoln Center and IFC Film Center. A meditation on healing, the film tells the story of Mia (Efira), a married translator who survived a mass shooting in a Paris restaurant, and feels haunted by the trauma, yet unable to recollect memories of the tragic attack. Determined to reconstruct the sequence of events and reestablish a sense of normalcy, Mia finds herself repeatedly returning to the bistro where the shooting happened. In the process she forms bonds with fellow survivors, including banker Thomas (Benoît Magimel) and teenager Félicia (Nastya Golubeva). Efira, who just won a Cesar Award for her role in the film, stars opposite Magimel, the Cesar-winning actor of “Pacifiction,” as well as Grégoire Colin (“Both Sides of the Blade”) and Golubeva (“Annette”).

John Hopewell Chief International Correspondent Celebrated actor Nigel Havers and French journalist Sophie Davant will join Warner Bros. International Television Production (WBITVP) and ZDF Studios to celebrate 10 years and a now 10 territory roll-out of antique auction show “Cash or Trash.”  The property is produced by WBITVP and distributed internationally by ZDF Studios. Celebrations will take place as part of WBITVP’s Formats Showcase, held March 2 at BAFTA during this year’s London TV Screenings.  Havers (“Chariots of Fire,” “Finding Alice”) and Davant host the adaptations of “Cash or Trash,” on BBC One (“The Bidding Room”) and French public TV channel France 2 (“Affair Conclue”).

Elsa Keslassy International Correspondent Less Is More (LIM), a European development scheme for limited-budget feature films has unveiled its selection of 16 projects, four of which are from Ukrainian writers and filmmakers. The initiative is backed by the MEDIA Programme of the European Union. The French national board (CNC) has come on board to support this year’s special spotlight on Ukrainian projects, alongside the banner Terrarium. The programs, which develops first, second and third feature projects, is organized by the Groupe Ouest, a film org created in 2006 in Brittany, in Northwest France, and headed by Antoine Le Bos and Charlotte Le Vallégant.

Elsa Keslassy International Correspondent Elsa Zylberstein, one of the most famous – and bankable — faces of French cinema, known for her Cesar-winning performance in “I’ve Loved You For So Long,” is preparing to emerge as a major film producer. Having recently set up banners in France and the U.S., Zylberstein is actively developing a raft of films and series, working with the likes of Oscar-winning Syrian filmmaker Feras Fayyad (“The Cave”), Ted Braun (Darfur Now”) and Oscar-winning screenwriter Christopher Hampton (“The Father”), among others. These include “Kingdom of Hope,” a movie about Elise Boghossian, a French acupuncturist and humanitarian worker in a war zone who has healed children victims of ISIS . The movie will be directed by Fayyad, who is based in Berlin, and is being penned by Braun, based on Boghossian’s autobiographical book “Au royaume de l’espoir, il n’y a pas d’hiver.”

Elsa Keslassy International Correspondent Oscar-winning actor Helen Mirren refused to address the controversy around her casting as Israel’s iconic Prime Minister Golda Meir in Guy Nattiv’s biopic during the movie’s press conference at the Berlinale. When asked to comment on the backlash and the issue of authentic casting, Mirren left it to Nattiv and her co-star Lior Ashkenazi (“Footnote”) to stand up for her while she smiled shyly. Mirren is neither Israeli nor Jewish, and critics have argued that she shouldn’t have been cast as Israel’s most important female figure. Nattiv said that when he met Mirren, he instantly felt like he was in the presence of a “family member” — an “aunt” who had the “Jewish chops to portray Golda.”

John Hopewell Chief International Correspondent Coming of age thriller “The Gymnasts,” one of the most recent titles from Europe’s public broadcaster partnership The Alliance, has been licensed to over 30 territories, London-based super indie All3Media International confirmed on Monday at the Berlinale Series Market.     Based on Ilaria Bernardini’s bestselling novel “Corpo Libero” (“The Girls Are Good”), the six-part series is produced by the Oscar-winning team at Indigo Film, behind “The Great Beauty,” in co-production with ZDF Neo’s German company Network Movie.  The series has been made in collaboration with Rai Fiction and Paramount+, and in association with All3Media International.

Elsa Keslassy International Correspondent Atlas V, the Emmy-award winning VR company, is expanding into the U.S. with the strategic appointment of Michael Masukawa. The banner has just been signed by CAA and is aiming to build a presence in the U.S. Atlas was just nominated for three Emmy awards and won one with its interactive animation “Madrid Noir.” Atlas V’s track record in the North American festival circuit also includes multiple selections at Sundance’s New Frontier, Tribeca and SXSW (where it won two awards). The company also previously won two Peabody prizes and two Webby awards. Masukawa is joining Atlas V from Secret Location, an immersive content studio owned by Hasbro and eOne. At Atlas V, he will be in charge of developing partnerships, raising project financing, producing projects and negotiating distribution deals for Atlas V’s content. He will also find opportunities for sister companies Astrea and Albyon, the first being focused on distribution and the second one on development of immersive experiences.

Elsa Keslassy International Correspondent Emily Atef, who is presenting her latest film, “Someday We’ll Tell Each Other Everything,” in competition at the Berlin Film Festival, just moved to Paris to direct “La Maison,” a series depicting a fictional family-owned French luxury fashion empire. While discussing “Someday We’ll Tell Each Other Everything” ahead of its world premiere, Atef told Variety that “La Maison” will be filled with a lot of drama and tragicomedy. “It’s very Shakespearean. There’s so much beauty and luxury with old mansions in Brittany, Parisian ‘hotel particuliers,’ and then behind all that there’s so much human poverty, and you see them ripping each other appart for power,” said Atef, who will direct the pilot and three more episodes.

Elsa Keslassy International Correspondent The César Awards are characterized as France’s answer to the Oscars. And just like their awards show cousin halfway across the world, the Césars are embroiled in controversy after failing to nominate any women directors.  This year’s Academy Awards were slammed by advocacy groups after ignoring the likes of Gina Prince-Bythewood (“The Woman King”) and Sarah Polley (“Women Talking”) in favor of an all-male contingent of auteurs. The Césars have followed suit with an all-male group of directing nominees, despite a banner year for French female filmmakers. It’s one that saw directors from Alice Diop (“Saint Omer”) to Claire Denis (“Stars at Noon”) dominating the festival circuit and scoring prizes, only to come up short when the Césars unveiled their contenders on Jan. 25. The omission has sparked a debate about gender equity and sexism in the French film business, as well as social media protests emblazoned with the hashtag #CesarsSoMale, an allusion to the #OscarsSoWhite campaign that erupted in 2015 when the Academy nominated an all-white group of acting nominees. 

Elsa Keslassy International Correspondent Emily Atef, the outspoken French-German filmmaker, may have stepped into a minefield with her latest movie, “Someday We’ll Tell Each Other Everything,” which looks to be one of the Berlinale’s most divisive movies in competition. With such a cute title, one might expect a flowery romance drama, but the movie goes far to break deep-entrenched taboos about female sexuality. Based on Danielle Krein’s novel, the film is set in the summer of 1990, shortly after the fall of the Berlin wall, in the countryside of former East Germany. Marlene Burow plays Maria, who is about to turn 19, lives with her boyfriend at his parents’ farm. She engages into a passionate and lustful affair with Henner (Felix Kramer), a reclusive neighbor who is twice her age.

Elsa Keslassy International Correspondent Best Friend Forever has boarded Ramata-Toulaye Sy’s debut feature “Banel & Adama,” a lushly lensed Senegalese female emancipation drama. Now in post, the movie is expected to have its world premiere later this year. ‘Banel & Adama’ is set a remote village of Northern Senegal where Banel and Adama are fiercely in love. Longing for a home of their own, they have decided to live apart from their families. When Adama refuses his blood duty as future chief and informs the village council of his intentions, the whole community is disrupted and chaos ensues. Sy studied at France’s prestigious film school La Femis and previously directed the short film “Astel” which played at Toronto, New Directors/New Films and Clermont, where it won the Special Jury award, among 80 festivals to date. Ramata, meanwhile, previously co-wrote “Our Lady of the Nil” which played at Toronto, and “Sibel” which played at Locarno and Toronto.

Elsa Keslassy International Correspondent Brazilian animated feature “Perlimps,” Alê Abreu’s follow up to Oscar-nominated “Boy and the World,” has been sold in key territories by Best Friend Forever ahead of the European Film Market. “Perlimps” has been picked up for Japan (Child Film and New Deer), China (DDDream), CIS and baltics (Kinologistica), Sweden (Njutafilm) and Portugal (Films4you). BFF is in advanced discussions to close German Speaking territories, Benelux, Spain, Italy and North America. As previously announced, UFO Distribution will release the feature in France. “Perlimps” was just released last week in Brazil by leading independent outfit Vitrine Filmes and Sony Pictures, which holds Latin American rights.