Angela Schanelec Gives Oedipus Myth a Post-Modern Makeover in Berlin Competition Title ‘Music,’ in Which Songs Are a Healing Balm (EXCLUSIVE)

Hilary Duff‘s husband Matthew Koma trolled a fan who asked if he was recording new music with his wife.

Typically, the discussion surrounding an Oscars category is littered with people figuring out who campaigned the most, which nominee has picked up enough other awards, and who deserves it more than the rest. But in the case of the 2023 Oscars Best Actress category, the awards discussion has been dominated by rules.

Michelle Yeoh is gaining attention for something she posted and deleted online, and it might have gone against the Academy rules as a nominee in the Best Actress category.

Typically, the discussion surrounding an Oscars category is littered with people figuring out who campaigned the most, which nominee has picked up enough other awards, and who deserves it more than the rest. But in the case of the 2023 Oscars Best Actress category, the awards discussion has been dominated by rules.

Escape to the Chateau star Angel Strawbridge is the definition of a powerhouse. Equipped with a strong work ethic, the mum-of-two has spent the past eight years rolling up her sleeves and renovating her French abode with the help of her husband Dick Strawbridge and their two children, Arthur and Dorothy.To mark International Women's Day, the TV star caught up with HELLO! about female empowerment.

Richard Gere is recovering.

can be found here.MAIN COMPETITIONGolden Bear for Best Film: “On the Adamant” (“Sur l’Adamant”), Nicolas PhilibertSilver Bear Grand Jury Prize: “Afire” (“Roter Himmel”), Christian PetzoldSilver Bear Jury Prize: “Bad Living” (“Mal Viver”), Joao CanijoSilver Bear for Best Director: Philippe Garrel, “The Plough”Silver Bear for Best Leading Performance: Sofia Otero, “20,000 Species of Bees”Silver Bear for Best Supporting Performance: Thea Ehre, “Till the End of the Night”Silver Bear for Best Screenplay: Angela Schanelec, “Music”Silver Bear for Outstanding Artistic Contribution: Hélène Louvart for the cinematography of “Disco Boy”ENCOUNTERSBest Film: “Here,” Bas DevosBest Director: “The Echo,” Tatiana HuezoSpecial Jury Award: “Samsara,” Lois PatiñoSpecial Jury Award: “Orlando, My Political Biography,” Paul B. PreciadoGWFF Best First Feature Award: “The Klezmer Project,” Leandro Koch, Paloma SchachmannSpecial Mention: “The Bride,” Myriam U.

American distribution following its world premiere at the Berlin Film Festival. Cinema Guild will release the film in theaters following its North American festival premiere later this year. The film tells the story of a a pair of wayward young people who abandon theirnewborn child on a stormy night in the mountains of Greece. Taken in by a family of farmers, Jon grows up without knowing his father or mother. Years later, after a tragic accident, he is sent to prison, where he meets Iro. The two form a connection, expressed through music, that will, by turns, haunt them and uphold them the rest of their days. Freely inspired by the story of Oedipus, Schanelec’s latest is as terrifying as myth and as gentle as a folk song.

Jessica Kiang Writing about music is like dancing about architecture, the maxim goes. And writing about “Music,” the latest beautiful and strange deep-niche arthouse artifact from uncompromising formalist Angela Schanelec, feels like a similarly doomed proposition. The limitations of language are seldom as apparent as when grappling with the silvery elisions and crisp, cryptic omissions of this glancing take on Sophocles’ “Oedipus Rex.” Schanelec is unlikely to vastly expand her fanbase here, but the tiny, fervent following she has accrued over the course of now 10 fantastically intricate features may be more than ever entranced by the fertile illogic of “Music,” a postmodern expression of a premodern text. 

Leo Barraclough International Features Editor Sales agency Memento Intl. has unveiled the first clip and poster from Liu Jian’s Berlin competition title “Art College 1994,” which world premieres on Feb. 24. The film is a portrait of youth set on the campus of the Chinese Southern Academy of Arts in the early 1990s. Against the backdrop of reforms opening China to the Western world, a group of college students live in full swing as they take their first steps into adulthood, where love and friendships are intertwined with artistic pursuits, ideals and ambitions. Caught between tradition and modernity, they now have to choose who they want to become. It is the director’s third animation feature after 2010’s “Piercing I” and “Have a Nice Day,” which premiered in competition at the Berlinale in 2017, and quickly built a cult following. “Have a Nice Day” was also honored with the best animated feature award at the Golden Horse Awards in Taiwan.

Leo Barraclough International Features Editor The Berlin Film Festival has returned to its first fully in person edition since 2020. But this year, the Berlinale has come back with a vengeance, and added something that it wasn’t especially known for in its pre-pandemic days: star power. Indeed, it’s been hard not to bump into a famous person in the German city — almost giving this previously mostly auteur driven gathering a vibe that more closely resembles the latest versions of Sundance or Toronto. Artistic director Carlo Chatrian told Variety Sunday that A-list names help raise awareness for the festival’s core mission – to celebrate movies and encourage audiences to return to theaters.

Naman Ramachandran Acclaimed “Phantom Thread” actor Vicky Krieps’ latest film, “Ingeborg Bachmann – Journey into the Desert,” directed by German cinema legend Margarethe von Trotta, has its world premiere in competition at the Berlin Film Festival. Krieps plays the titular Austrian Bachmann, one of the most renowned German-language poetry and prose writers of the 20th century. The film follows her life and career and her relationships with Swiss playwright (Ronald Zehrfeld), Austrian author Adolf Opel (Tobias Samuel Resch) and German composer Hans Werner Henze (Basil Eidenbenz) during a six-year period in her life from 1958. The actor was familiar with the writer from her formative years. “I knew about Bachmann because in Germany she’s very famous. I grew up with her in school,” Krieps told Variety. “I was very into poetry when I was younger, so I knew her poetry.” Krieps familiarized herself further with Bachmann’s work once she was cast.

Nick Vivarelli International Correspondent Paris-based Italian director Giacomo Abbruzzese says making the Berlin Film Festival competition cut with his first feature, “Disco Boy,” which toplines German star Franz Rogowski (“Passages,” ”Undine”), is “certainly a dream come true.” But he also points out that his remarkable debut was a long time coming.  A graduate of several film schools, including France’s prestigious Le Fresnoy, Abbruzzese started developing “Disco Boy” in 2013 following an encounter in a French disco with a classical dancer who had been a soldier.  

Leo Barraclough International Features Editor When Frank Doelger, a six-time Emmy award-winning showrunner, whose credits include “Game of Thrones,” “John Adams” and “Rome,” was preparing to adapt Frank Schätzing’s 900-page novel “The Swarm” into an eight-part eco-thriller, he resolved to place it in a different genre. Whereas the novel read like a “disaster movie,” Doelger wanted the series to be a “monster movie” — but with a twist, the monster was us. In the first few episodes of the show, which premieres at the Berlin Film Festival on Sunday, seemingly random, unconnected events occur in different parts of the world in which marine creatures start behaving in abnormal ways that threaten the lives of those who come in contact with them. After each event, scientists are given the task of finding the cause of the change in behavior, and they slowly start to wonder whether the events are connected, and ask what is triggering them.

Leo Barraclough International Features Editor Uncork’d Entertainment has acquired the North American rights for suspense sci-fi thriller “I’ll Be Watching” from Iuvit Media Sales at the European Film Market in Berlin. The film has also been picked up by Falcon Films in the Middle East and North Africa, while Dolphin Medien has taken German-speaking territory rights. The film is directed by Erik Bernard (“Free Dead or Alive”), and stars “The 100” stars Eliza Taylor and Bob Morley, along with Bryan Batt (“12 Years a Slave”), David Keith (“An Officer and a Gentleman”), Hannah Fierman (“VHS”), and Seth Michaels (“Red Notice”).

Leo Barraclough International Features Editor 101 Films Intl. has secured worldwide distribution rights for World War II adventure film “War Blade,” starring Joseph Millson (“Casino Royale,” “The Last Kingdom”), Paul Marlon (“Trigger Point”), Michael McKell (“Murder Investigation Team,” “Doctors”) and Rebecca Scott (“The Capture,” “Transhuman”). The sales company is presenting the film to buyers at the European Film Market in Berlin. The film was written and directed by Nicholas Winter (“Robin Hood: The Rebellion,” “Breathe,” “Bone Breaker”). “War Blade” follows Robert Banks, an agent of the British Special Operations Executive, who is tasked with rescuing a French resistance fighter from a hidden Nazi bunker. With the help of a German nurse and a ragtag group of allies, Banks must journey to the belly of the beast.

Leo Barraclough International Features Editor Russian documentary filmmaker Victor Kossakovsky and the production team behind his Oscar-shortlisted feature “Gunda” will follow up with the second instalment in his “Empathy Trilogy.” AC Independent will handle the North America sale and Cinephil will be selling international rights. They will be kicking off sales this week at the European Film Market in Berlin. The new film focuses on the health of the oceans and the effects of industrial fisheries. The “Empathy Trilogy,” of which “Gunda” formed the first part, looks at the sentience of non-human animals.

Leo Barraclough International Features Editor Kino Lorber has acquired all rights in the U.S. to “Diabolik,” “Diabolik – Ginko Attacks!” and “Diabolik — Who Are You?” from Beta Cinema at the European Film Market in Berlin. The movies are based on the smash-hit Italian comic-book series about a ruthless master thief, which has sold more than 150 million copies worldwide. The stylish crime-comic adaptations are written and directed by Marco and Antonio Manetti. “Grey’s Anatomy” and “Marvel’s Avengers” actor Giacomo Gianniotti stars in “Diabolik — Ginko Attacks!” and “Diabolik — Who Are You?,” and Luca Marinelli (“The Old Guard”) in the first installment, “Diabolik.” Monica Bellucci (“Matrix,” “The Apartment”) stars in the role of Altea, Miriam Leone (“The Invisible Witness,” “Medici”) as Eva Kant, and Valerio Mastandrea (“Perfect Strangers,” “Nine”) as Inspector Ginko.

Leo Barraclough International Features Editor AnnaSophia Robb has joined Kathy Bates, John Malkovich, Tim Blake Nelson, Stephen Root and Lewis Pullman in the cast of “Thelma.” The Exchange is selling the film at Berlin’s European Film Market. Robb starred in Hulu’s Emmy-winning series “The Act,” Hulu’s “Little Fires Everywhere” and HBO Max’s “The Carrie Diaries,” and is toplining Netflix’s upcoming “Rebel Ridge.” “Thelma” tells the true story of the 11-year battle by the mother of John Kennedy Toole, the Pulitzer Prize winning author of “A Confederacy of Dunces,” to get his novel published after his suicide.

Ángela Aguilar has already made special memories in her young and successful career, but in a few days, she will perform in front of royalty. The special honor will take place at the Ibero-American Patronage Awards 2023, which has a mission to promote patronage in the arts. The award ceremony will take place on February 20 at the Salón de Actos of the Royal Academy of Fine Arts in Madrid, and will be presided over by Queen Sofía, mother of King Felipe VI and mother-in-law of Queen Letizia.“She was invited by the Queen Sofia Foundation, where Queen Sofia is going to be,” her proud dad Pepe Aguilar explained in an interview.