Elsa Zylberstein Prepares to Emerge as Major French Producer, Sets Elise Boghossian Biopic and Esther Perel Series (EXCLUSIVE)

Elsa Keslassy International Correspondent Mk2 films has enlisted leading distributors around the world for “Reality,” Tina Satter’s feature debut starring Sydney Sweeney, on the heels of its buzzy world premiere at the Berlinale. The movie, which bowed in the Panorama section, stars Sweeney (“White Lotus,” “Euphoria”) as Reality Winner, a 25 year-old whistleblower who spent five years in prison during the Trump administration. A former U.S. Air Force member and National Security Agency translator, Winner was convicted for leaking a confidential report on Russian election interference to the media. The film is based on Satter’s 2019 stage play “Is This a Room” and contains verbatim dialogue from the unedited transcript of a FBI audio recording. “Reality” captures the tense and surreal 90 minutes of FBI’s interrogation with Winner at her home in 2017.

Elsa Keslassy International Correspondent Daniel Brühl (“All Quiet on the Western Front,” “Captain America: Civil War”) is set to star as late fashion designer Karl Lagerfeld in “Kaiser Karl,” the anticipated Disney+ original series which Gaumont (“Lupin”) is currently producing. The show is currently shooting in France, Monaco and Italy. The six-part series will chronicle the rise of Karl Lagerfeld through the world of 1970s Parisian high fashion. In 1972, a 38-year-old Karl Lagerfeld aspired to become the most famous French fashion designer, at a time when Yves Saint Laurent reigned supreme. Lagerfeld went on to become the head designer and creative director of Chanel, Fendi and his own label.

Elsa Keslassy International Correspondent Cannes’ Marché du Film has named Spain its Country of Honor for the upcoming 2023 edition which will take place May 16-24 during the 76th edition of the Festival de Cannes. The Marché du Film will work with ICEX Spain Trade & Investment and ICAA – Institute of Cinematography & Audiovisual Arts to showcase Spanish talent and content, ranging from cinema to documentary, animation and extended reality. Spain follows India which became Cannes’ first official Country of Honor in 2022. The industry event launched the initiative last year to spotlight and celebrate different nations at each market edition. Spain’s cinema sector has been having a banner 2023. Last month, Estibaliz Urresola Solaguren’s debut feature “20,000 Species of Bees” won three awards at the Berlinale, while Albert Serra’s “Pacifiction” won two Cesar awards, and Rodrigo Sorogoyen’s “The Beasts” won the Cesar award for best foreign film. Recent successes last year also include Carla Simón’s “Alcarràs” which won last year’s Golden Bear at the Berlin Film Festival and Alberto Mielgo’s “The Windshield Wiper” which won best animated short film at The Academy Awards).

Elsa Keslassy International Correspondent While the market for foreign-language cinema has shrank, the packed opening of the Rendez-Vous with French cinema in New York hosted by Film at Lincoln Center and Unifrance on March 1 underscored American audiences’ enduring love for Gallic fare. At least when it comes to New Yorkers. Some of France’s brightest writers/filmmakers, including Alice Winocour (“Paris Memories”), Rebecca Zlotowski (“Other People’s Children”), Sebastien Marnier (“The Origin of Evil”) and Cesar-winning star Virginie Efira and famous actor Melvil Poupaud traveled to New York with Unifrance, the French film promotion org. On top of presenting their movies, some talents on the ground took part in masterclasses at Film at Lincoln Center, Columbia University and Brooklyn College, as well as a creative workshop with emerging filmmakers participating in the Gotham Marcie Bloom Fellowship in Film.

Elsa Keslassy International Correspondent Sony Pictures Classics has bought “The Teachers’ Lounge,” Ilker Çatak’s drama which world premiered at the Berlin Film Festival, for North America, Latin America and Eastern Europe (excluding Hungary). “The Teachers’ Lounge” marks the fourth feature from Çatak, who co-wrote the screenplay with Johannes Duncker. The movie played in the Panorama section and won the Europa Cinemas Label award for Best European film, as well as the CICAE Arthouse Cinema Award. Produced by Ingo Fliess and shot by award-winning cinematographer Judith Kaufmann (“Corsage”), “The Teachers’ Lounge” stars Leonine Benesch (“The Crown”), Michael Klammer, Rafael Stachowiak, and Eva Löbau.

Elsa Keslassy International Correspondent Music Box is unveiling the trailer for “Revoir Paris,” a French drama boasting a Cesar-winning performance by Virginie Efira. The movie, which bowed at Cannes’ Directors Fortnight and played at Toronto, will have its New York premiere on June 23 at Film at Lincoln Center and IFC Film Center. A meditation on healing, the film tells the story of Mia (Efira), a married translator who survived a mass shooting in a Paris restaurant, and feels haunted by the trauma, yet unable to recollect memories of the tragic attack. Determined to reconstruct the sequence of events and reestablish a sense of normalcy, Mia finds herself repeatedly returning to the bistro where the shooting happened. In the process she forms bonds with fellow survivors, including banker Thomas (Benoît Magimel) and teenager Félicia (Nastya Golubeva). Efira, who just won a Cesar Award for her role in the film, stars opposite Magimel, the Cesar-winning actor of “Pacifiction,” as well as Grégoire Colin (“Both Sides of the Blade”) and Golubeva (“Annette”).

K.J. Yossman Apple TV+ have set a new soccer documentary, “Real Madrid: Until The End,” which is introduced by David Beckham. The three-part series, about iconic soccer team Real Madrid, goes behind the scenes to explore their incredible 2021-22 season. “Fueled by their fervent fans, they defy the odds and skeptics on their way to one of the most memorable finishes in football history, culminating in a record 14th Champions League title,” reads the logline. “The path to a 14th title has never been steeper,” Beckham says in the trailer. “Many doubted it but not this coach, not these players and definitely not these fans. This is no ordinary club. This is Real Madrid.” Beckham himself played for the club between 2003 and 2007.

Elsa Keslassy International Correspondent Ruben Östlund, the Oscar-nominated director whose latest film “Triangle of Sadness” won last year’s Palme d’Or at Cannes, will be back at the French festival to preside over the jury of its 76th edition. Östlund is a Cannes regular, having won the festival’s top prize twice, for “Triangle of Sadness” in 2022 and for “The Square” in 2017. Before that, he presented two films at Un Certain Regard, including “Force Majeure,” which won the Jury Prize. “I am happy, proud and humbled to be trusted with the honor of jury president for this year’s competition at the Festival de Cannes,” said Östlund, who will be the first Swede to head the jury in 50 years, following the footsteps of Ingrid Bergman. “Nowhere in the film world is the anticipation as strong as when the curtain rises on the films in competition at the  festival.”

Elsa Keslassy International Correspondent The race is wide open at this year’s Cesar Awards, much like its American cousin, the Oscars, with no obvious best picture winner. Although Louis Garrel’s “The Innocent” and Dominik Moll’s thriller “The Night of the 12th” are leading nominations at 48th Cesar Awards, it’s uncertain that they will also walk away with the biggest prizes. Like the Oscars, the Cesars were also embroiled in controversy due to its failure to nominate female directors. The omission came as a surprise especially because 2022 was banner year for French female filmmakers, including Alice Diop (“Saint Omer”) and Claire Denis (“Stars at Noon”) who the festival circuit and scoring prizes.

Elsa Keslassy International Correspondent Less Is More (LIM), a European development scheme for limited-budget feature films has unveiled its selection of 16 projects, four of which are from Ukrainian writers and filmmakers. The initiative is backed by the MEDIA Programme of the European Union. The French national board (CNC) has come on board to support this year’s special spotlight on Ukrainian projects, alongside the banner Terrarium. The programs, which develops first, second and third feature projects, is organized by the Groupe Ouest, a film org created in 2006 in Brittany, in Northwest France, and headed by Antoine Le Bos and Charlotte Le Vallégant.

Elsa Keslassy International Correspondent “Lie With Me,” a romance drama headlined by French stars Guillaume de Tonquebec and Victor Belmondo, has lured a raft of theatrical distributors at the Berlinale’s EFM. Represented in international markets by Be For Films and directed by Olivier Peyon, the movie is based on Philippe Besson’s book “Arrête avec tes mensonges.” The autobiographical novel was originally published in France by Editions Julliard in 2017 and won pair of awards including the Maison de la Presse prize in 2017. After selling several key territories earlier this year, Be For Films has now closed deals for the U.S. (Cinephobia Realising), Germany/Austria (24 Bilder), Brazil (Imovision), Poland (Tongariro), Greece (Cinobo) and Turkey (Bir Films).

Elsa Keslassy International Correspondent While Sweden’s Ruben Östlund grabbed some Oscar nominations and took home Cannes’ Palmed’Or last year, two other Scandinavian filmmakers basked in the international spotlight following their Cannes competition premieres: Ali Abbasi with “Holy Spider” and Tarik Saleh with “Cairo Conspiracy” (previously titled “Boy From Heaven”). Abbasi, an Iranian-born Danish helmer, and Saleh, a Swedish director whose father is Egyptian, are part of an exciting new generation of Nordic helmers who are shaking up traditional Scandinavian cinema. These filmmakers are delivering singular and timely movies shot abroad or in different languages, weaving together genres and political elements.

Elsa Keslassy International Correspondent Atlas V, the Emmy-award winning VR company, is expanding into the U.S. with the strategic appointment of Michael Masukawa. The banner has just been signed by CAA and is aiming to build a presence in the U.S. Atlas was just nominated for three Emmy awards and won one with its interactive animation “Madrid Noir.” Atlas V’s track record in the North American festival circuit also includes multiple selections at Sundance’s New Frontier, Tribeca and SXSW (where it won two awards). The company also previously won two Peabody prizes and two Webby awards. Masukawa is joining Atlas V from Secret Location, an immersive content studio owned by Hasbro and eOne. At Atlas V, he will be in charge of developing partnerships, raising project financing, producing projects and negotiating distribution deals for Atlas V’s content. He will also find opportunities for sister companies Astrea and Albyon, the first being focused on distribution and the second one on development of immersive experiences.

Elsa Keslassy International Correspondent Matt Damon revealed he was in the “early stages” on a project about Ukraine during the press conference for “Kiss the Future” at the Berlin Film Festival. Damon is a producer on the documentary which chronicles the struggle of Sarajevo citizens during the Bosnian War. World premiering in the Berlinale Special section, the politically minded documentary is directed by Nenad Cicin-Sain and based on “Fools Rush in: A Memoir” the memoir of Bill Carter, an aid worker. It shows how his determination resulted in the enlistment of the world’s largest rock band, U2, to help shine a light. Fifth Season and WME handling worldwide sales. Asked if he was considering following the footsteps of Sean Penn with “Superpower” with a film on the war in Ukraine, he said he’s “watched as everyone has with horror that unfolded there in the last year,” and although they “don’t have anything on it right now there isn’t any doubt that we’ll be doing.”

Elsa Keslassy International Correspondent Emily Atef, who is presenting her latest film, “Someday We’ll Tell Each Other Everything,” in competition at the Berlin Film Festival, just moved to Paris to direct “La Maison,” a series depicting a fictional family-owned French luxury fashion empire. While discussing “Someday We’ll Tell Each Other Everything” ahead of its world premiere, Atef told Variety that “La Maison” will be filled with a lot of drama and tragicomedy. “It’s very Shakespearean. There’s so much beauty and luxury with old mansions in Brittany, Parisian ‘hotel particuliers,’ and then behind all that there’s so much human poverty, and you see them ripping each other appart for power,” said Atef, who will direct the pilot and three more episodes.

Elsa Keslassy International Correspondent The César Awards are characterized as France’s answer to the Oscars. And just like their awards show cousin halfway across the world, the Césars are embroiled in controversy after failing to nominate any women directors.  This year’s Academy Awards were slammed by advocacy groups after ignoring the likes of Gina Prince-Bythewood (“The Woman King”) and Sarah Polley (“Women Talking”) in favor of an all-male contingent of auteurs. The Césars have followed suit with an all-male group of directing nominees, despite a banner year for French female filmmakers. It’s one that saw directors from Alice Diop (“Saint Omer”) to Claire Denis (“Stars at Noon”) dominating the festival circuit and scoring prizes, only to come up short when the Césars unveiled their contenders on Jan. 25. The omission has sparked a debate about gender equity and sexism in the French film business, as well as social media protests emblazoned with the hashtag #CesarsSoMale, an allusion to the #OscarsSoWhite campaign that erupted in 2015 when the Academy nominated an all-white group of acting nominees. 

Elsa Keslassy International Correspondent LevelK has unveiled the trailer for “Dancing Queen,” Aurora Gossé’s coming-of-age film world premiering in the Generation section at the Berlin Film Festival. Penned by Silje Holtet, the dance-filled movie is produced by Thomas Robsahm, whose credits include the Oscar-nominated Norwegian romantic comedy “The Worst Person in the World.” Newcomer Liv Elvira Kippersund Larsson stars as Mina, a slightly overweight underdog who falls head over heels in love and sets off to become at hip hop dancer to win his heart. The movie also stars Anders Baasmo (“In Order of Disappearance”) and Andrea Bræin Hovig (“An Affair), among others.

Elsa Keslassy International Correspondent Emily Atef, the outspoken French-German filmmaker, may have stepped into a minefield with her latest movie, “Someday We’ll Tell Each Other Everything,” which looks to be one of the Berlinale’s most divisive movies in competition. With such a cute title, one might expect a flowery romance drama, but the movie goes far to break deep-entrenched taboos about female sexuality. Based on Danielle Krein’s novel, the film is set in the summer of 1990, shortly after the fall of the Berlin wall, in the countryside of former East Germany. Marlene Burow plays Maria, who is about to turn 19, lives with her boyfriend at his parents’ farm. She engages into a passionate and lustful affair with Henner (Felix Kramer), a reclusive neighbor who is twice her age.

Elsa Keslassy International Correspondent Best Friend Forever has boarded Ramata-Toulaye Sy’s debut feature “Banel & Adama,” a lushly lensed Senegalese female emancipation drama. Now in post, the movie is expected to have its world premiere later this year. ‘Banel & Adama’ is set a remote village of Northern Senegal where Banel and Adama are fiercely in love. Longing for a home of their own, they have decided to live apart from their families. When Adama refuses his blood duty as future chief and informs the village council of his intentions, the whole community is disrupted and chaos ensues. Sy studied at France’s prestigious film school La Femis and previously directed the short film “Astel” which played at Toronto, New Directors/New Films and Clermont, where it won the Special Jury award, among 80 festivals to date. Ramata, meanwhile, previously co-wrote “Our Lady of the Nil” which played at Toronto, and “Sibel” which played at Locarno and Toronto.

Elsa Keslassy International Correspondent Brazilian animated feature “Perlimps,” Alê Abreu’s follow up to Oscar-nominated “Boy and the World,” has been sold in key territories by Best Friend Forever ahead of the European Film Market. “Perlimps” has been picked up for Japan (Child Film and New Deer), China (DDDream), CIS and baltics (Kinologistica), Sweden (Njutafilm) and Portugal (Films4you). BFF is in advanced discussions to close German Speaking territories, Benelux, Spain, Italy and North America. As previously announced, UFO Distribution will release the feature in France. “Perlimps” was just released last week in Brazil by leading independent outfit Vitrine Filmes and Sony Pictures, which holds Latin American rights.