‘The Super Mario Bros. Movie’ Crossing $1 Billion at Global Box Office

John Hopewell Chief International Correspondent Buenos Aires-based Meikincine has swooped on international sales rights to “The Extortion,” the biggest Argentine box office hit to date of 2023, in a deal with Warner Bros. Discovery Latin America.  “The Extortion” is backed by a pedigreed combo of Particular Crowd, part of Warner Bros. Discovery Latin America, Oscar winner Juan José Campanella’s 100 Bars, “Argentina, 1985” producer Infinity Hill and producer-service company Cimarrón Cine. Headlined by Guillermo Francella, memorable in Campanella’s Academy Award winning “The Secret in Their Eyes” and star of Pablo Trapero’s “The Clan,” “The Extortion” turns on Alejandro, a pilot with a secret. Blackmailed by sinister intelligence service agents, he is plunged into a world of intrigue and corruption from which he will battle to escape alive. 

Refresh for latest…: After crossing the $300M mark globally through Monday last week, Disney/Marvel’s Guardians of the Galaxy Vol. 3 has thrust to another milestone. The James Gunn-directed threequel handily crossed the half a billion mark in the sophomore frame and now sits at an estimated $528.8M global through Sunday. Of that, $213.2M is from domestic and $315.6M at the international box office. 

J. Kim Murphy President Joe Biden commented on the ongoing strike by the Writers Guild of America on Monday evening, offering remarks ahead of a screening of the new Disney+ series “American Born Chinese” at the White House. President Biden’s comments drew a round of applause from the crowd, as he called for a “fair deal” to be reached “as soon as possible.” The White House had previously declined to issue a comment on the situation last week, after the Writers Guild of America called for a strike on the evening of May 1, when contract negotiations with the Alliance of Motion Picture and Television Producers fell apart. “Nights like these are a reminder of the power of stories and the importance of treating storytellers with the dignity, respect and value they deserve,” the President stated. “I sincerely hope that the writers strike in Hollywood gets resolved — and the writers are given the fair deal they deserve, as soon as possible. This is an iconic, meaningful American industry. We need the writers — and all the workers — and everyone involved to tell the stories of our nation. And the stories of all of us.”

J. Kim Murphy “Guardians of the Galaxy Vol. 3” formally kicked off the summer blockbuster season Friday. While Disney’s domestic numbers have yet to come in, analysts indicate the film drew about $48 million on its opening day, a figure that includes $17.5 million in Thursday previews. “Vol. 3” is on track to land within its expectations heading into the weekend, which had pegged the Disney release to take root with a $110 million to $120 million debut through Sunday. That would be enough to notch the second-highest opening of the year, behind only the $146 million that “The Super Mario Bros. Movie” coined over a three-day frame. However, it’s still roughly a quarter down from the $146.5 million debut earned by “Guardians of the Galaxy Vol. 2” back in 2017.

Naman Ramachandran Universal’s “The Super Mario Bros. Movie” ruled the U.K. and Ireland box office collecting £3.06 million ($3.8 million) in its fourth weekend for a total of £45.7 million, per numbers from Comscore. In its second weekend, Studiocanal’s “Evil Dead Rise” earned £1.05 million in second place for a total of £3.3 million. There were a couple of strong debuts in the top five. eOne’s “The Unlikely Pilgrimage Of Harold Fry” bowed in third place with £784,698, while DG Tech’s Tamil-language magnum opus “Ponniyin Selvan: 2,” also released in the Telugu and Hindi languages, debuted in fourth position with £618,244. Rounding off the top five, in its fifth weekend, was eOne’s “Dungeons And Dragons: Honor Among Thieves” with £575,796.

The Super Mario Bros. Movie has surpassed the $1billion (£800m) mark at the global box office.It hit the ground running with its release last month, and had the biggest opening weekend ever for an animated film at the box office.Yesterday (April 30), it crossed $1billion and is now the 10th biggest animated film in history globally, beating out the $942.5million (£754million) that Minions: The Rise Of Gru grossed in 2019.It pulled in $487.5million (£389.8million) in North America alone and a further $533million (£426.6million) internationally.Only four other movies have achieved this post-pandemic including Spider-Man: No Way Home, Top Gun: Maverick, Jurassic World Dominion and Avatar: The Way Of Water.It comes after Shigeru Miyamoto – a creator of the Super Mario Bros.

Patrick Frater Asia Bureau Chief “The Super Mario Bros Movie” and a local sports movie “Dream” gave the South Korean box office some bounce on their first weekend on release. Opening in Korea on Wednesday, some three weeks after the beginning of its international and North American campaigns, “Super Mario” earned $4.67 million between Friday and Sunday, according to data from Kobis, the tracking service operated by the Korean Film Council (Kofic). The film has a cumulative of $5.76 million over its opening five days, plus previews. The film’s weekend numbers are the second highest opening tally recorded by any film this year in Korea. And its weekend score represented a comfortable 40% market share.

vids that go hard,” stayed online for at least seven hours before being taken down by Twitter moderators. Forbes reports that the video was watched at least 9 million times.

Owen Gleiberman Chief Film Critic I have a little ritual when it comes to animated films. I try to go into them not knowing who the cast members are. That’s not always possible, of course. For the most part, though, I do my best to ignore the publicity and let the voices I hear surprise me — because if you don’t know who the actors are, you respond, I think, in a less biased and more spontaneous way. “The Super Mario Bros. Movie” made my crusade easy, since the film has no opening credits. From the earliest moments, I had no idea who was voicing any of the characters. But I did know this: When the villain, a gigantic fire-breathing horned turtle named Bowser, showed up in his studded-leather arm bands, lowered his fire-red eyebrows into a gleaming, gap-toothed grin of the most insidious megalomania and began to push and order people around, all I could think was, “I like this dude.” 

As has been the case since the start of April, Universal/Illumination’s “The Super Mario Bros. Movie” has lapped the box office competition, becoming the first animated film of the 2020s to gross $1 billion worldwide while competitors search for vastly smaller opening weekends among niche audiences. \Another strong hold of just a 33% drop has given the film a fourth weekend total of $40 million domestic and $108 million worldwide, pushing the film’s overall totals to $490 million domestic and $1.02 billion global.

J. Kim Murphy Actor Matthew Lawrence opened the April 28 episode of his Brotherly Love podcast on a serious note, reflecting on the #MeToo movement and his own experience with sexual harassment in Hollywood. On the show, co-hosted by his brothers, fellow actors Joey and Andrew Lawrence, the 43-year-old actor recounts his experience refusing to engage with a director involved with a Marvel project, who asked Lawrence to take his clothes off during a meeting. “There’s been many times in my life where I’ve been propositioned to get a huge role,” Lawrence says on the podcast. “I lost my agency because I went to the hotel room” where, the actor alleges, a prominent director “showed up in his robe, asked me to take my clothes off, said he needed to take Polaroids of me and said if I did X, Y and Z, I would be the next Marvel character.”

Rebecca Rubin Film and Media Reporter “The Super Mario Bros. Movie” achieved the high score at the domestic box office, earning a massive $58.23 million in its third weekend of release. The animated family film easily fend off this weekend’s new releases, including a promising start for supernatural horror sequel “Evil Dead Rise” and tepid debuts for action-war thriller “Guy Ritchie’s the Covenant” and A24’s anxiety-inducer “Beau Is Afraid.” After three weeks on the big screen, “Mario” has grossed $434.33 million in North America and $871 million globally to stand even higher as the biggest movie of the year. Those ticket sales, down just 37% from the weekend prior, rank as the highest third weekend for any animated film domestically (surpassing 2018’s “Incredibles 2” with $46.4 million in its third weekend of release) and the seventh-biggest third weekend ever (overtaking 2021’s “Spider-Man: No Way Home” with $56 million in its third weekend of release).

J. Kim Murphy “Evil Dead Rise” might not be able to vanquish the soon-to-three-peat box office champion “The Super Mario Bros. Movie,” but the horror entry is still chainsawing off its own solid opening on domestic charts. The Warner Bros. release earned $10.3 million from 3,402 locations on Friday, a figure that includes $2.5 million in previews. It’s an auspicious start for the horror entry, which now has a strong chance of outperforming its projections, which had pegged the film with a $15 million to $20 million debut heading into the weekend. That’s not too shabby of a haul for a production originally slated to release directly on HBO Max. “Evil Dead Rise” is the fifth installment in Warner Bros. and New Line’s outlandish horror franchise, as well as the first in 10 years. “Rise” is tracking slightly behind its predecessor, which scored an $11.8 million opening day in April 2013, on its way to a $25.7 million debut.

Universal/Illumination’s “The Super Mario Bros. Movie” has broken yet another box office record for animation with an estimated $58 million in its third weekend. Just like last weekend, “Mario” has posted the highest total ever seen for an animated film in its third weekend and, at the moment, the seventh highest third weekend for any film.

Jordan Moreau Nothing can keep the dead down. “Evil Dead Rise,” the latest movie in the horror franchise created by Sam Raimi, has made $2.5 million in Thursday previews at the domestic box office. It’s a strong start for a horror movie in April, but it won’t be enough to stop the mushroom-powered, meteoric rise of “The Super Mario Bros. Movie,” which is projected to earn another massive haul with $45 million to $50 million in its third weekend. Universal and Illumination’s hit Nintendo adaptation already has $724 million globally and will soon pass “Minions: The Rise of Gru” as the highest-grossing animated movie in the post-pandemic era. “Evil Dead Rise” is expected to scare up between $15 million and $20 million in its opening weekend, with some predictions as high as $25 million. It’s the fifth movie in Warner Bros. and New Line’s “Evil Dead” franchise, which began way back in 1981 with Raimi’s original, low-budget horror hit starring Bruce Campbell as zombie killer Ash Williams. The previous entry, simply titled “Evil Dead,” made $97.5 million from a $17 million budget in 2013.

New Line and Warner Bros’ Evil Dead Rise freaked out $2.5M last night from previews that began at 7PM at 3,000 locations.

Jack Black‘s ballad ‘Peaches’ from The Super Mario Bros. Movie has entered the Billboard Hot 100.The track, which is sung by Black’s character Bowser to Princess Peach, voiced by Anya Taylor-Joy, has debuted at Number 83 on the chart with 5.8million US streams and 6,000 downloads in its first week.

J. Kim Murphy Todd Haimes, a major force of New York theater who rescued the Roundabout Theater Company and developed it into one of the country’s premier nonprofit theaters, died Wednesday in New York City due to complications of osteosarcoma, a form of bone cancer.

Exhibition cries for a supply of films at the box office, but a flood of titles means nothing if there isn’t any marketing money put behind it. Last weekend there were five wide releases going up against Illumination/Universal’s beast Super Mario Bros Movie. Did it even make a difference? Was a proper amount spent to get audiences in seats? Or did the studios cut their losses and only pony up so much to promote them?

Rebecca Rubin Film and Media Reporter “The Super Mario Bros. Movie” will rule again in its third weekend at the box office. In maintaining the No. 1 spot in North America, the family film is expected to take down two newcomers, the supernatural horror sequel “Evil Dead Rise” and action-war thriller “Guy Ritchie’s the Covenant,” as well as A24’s mind-bender “Beau Is Afraid,” which is expanding nationwide. Universal and Illumination’s animated “Mario” adventure has grossed $366.3 million domestically to date. In the next few days, it will surpass “Minions: The Rise of Gru” ($369 million) as the highest-grossing animated film of the pandemic era. With $724 million globally, it already stands as the biggest movie of the year so far. Now in its third outing at the domestic box office, “Mario” is looking to bring in roughly $45 to $50 million, a massive result at this point in its theatrical run.