‘Snow Leopard,’ Pema Tseden’s Final Film, Wins Tokyo Film Festival Grand Prix

Daniel Ricciardo seemingly threw some shade at his former teammate Max Verstappen while attending the Las Vegas F1 Grand Prix over the weekend.

Martin Dale Contributor Victor Erice’s “Close Your Eyes” won best film at the 17th edition of Leffest Lisboa Film Festival, which announced awards Saturday night. Marking Erice’s first feature film since his 1992 docudrama “The Quince Tree Sun” and garnering almost universal positive reviews – Variety called it “an aching ode to film, time and memory” – following its world premiere at Cannes, “Close Your Eyes” has screened at Toronto, Busan, BFI London and New York.

At the Award Ceremony of the 27th Tallinn Black Nights Film Festival (PÖFF), awards were presented to the winners of the festival’s five competition programmes and PÖFF’s youth and children’s film sub-festival Just Film.The jury of the Official Selection Competition, headed by Trine Dyrholm, selected Emma Dante’s drama Misericordia as their favourite, handing the film the Grand Prix for Best Film. Dante adapted her own play of the same name, telling the story of three prostitutes who live in the wasteland by the sea, where a village of outcasts has emerged. Its star Simone Zambelli also scooped the Best Actor Award.

The most expensive sporting event in North America was almost undone by the failure of a few screws.

Brad Pitt’s new Formula One movie has been set back after hours of footage, worth tens of millions, has been scrapped.The Once Upon A Time In Hollywood actor has spent the last year shooting, Apex, a movie about a retired racing driver who comes out of retirement to train up a rising star. However, the breaks have been put on the movie, directed by Top Gun: Maverick’s Joseph Kosinski after some changes were made following the SAG-AFTRA union protest.In July, the actors – which include Damson Idris and Javier Bardem – and the producers joined Mercedes driver Lewis Hamilton in attending the British Grand Prix at Silverstone.

Paul Ridd, a long-term acquisitions exec at Picturehouse Cinemas, has been named director of the Edinburgh International Film Festival (EIFF).

a Q&A with the actor on Sunday.“What do you think about [the] crash scenes?” Driver was asked by the audience following the screening. “They looked pretty harsh, drastic and, I must say, cheesy for me.

Christopher Vourlias Sofia Exarchou’s “Animal” won the Golden Alexander at the 64th Thessaloniki Film Festival on Sunday, marking the first time in 30 years that a Greek film took home the top honors at the country’s longest-running film event. Exarchou’s sophomore feature, which premiered at the Locarno Film Festival, was praised by Variety’s Jessica Kiang as “a poignant portrait of life amid the sequins and the seediness of a Greek resort.” The film follows a group of entertainers at an all-inclusive island resort preparing for the busy tourist season who are forced to wrestle with the dark reality that the show must go on as the sultry Mediterranean nights turn violent.

Marta Balaga India Donaldson picked up the Polish Film Institute Award for her upcoming feature “Good One” at the American Film Festival in Wrocław, coming with a $50,000 cash prize for post-production in Poland. “It’s an affirmation of how we have been working and what we have been working towards,” Los Angeles-based Donaldson told Variety after the ceremony. “Good One” – presented during AFF’s industry event U.S.

EXCLUSIVE: Stars Collective, a Los Angeles-based film finance and mentorship arm, has announced the launch of Stars Asian International Film Festival – a new capsule film showcase to take place in Los Angeles November 12-16. 

Elsa Keslassy International Correspondent Pia Lundberg, a Swedish film industry veteran, is set to succeed Jonas Holmberg as the new artistic director of Göteborg Film Festival, Scandinavia’s leading film-TV event. Lundberg most recently served as counsellor for cultural affairs at the Embassy of Sweden in London for the last five years.

Japan has dominated this year’s Asia Pacific Screen Awards (APSA), with German filmmaker Wim Wenders’ latest Tokyo-set pic and Ryusuke Hamaguchi’s Drive My Car follow-up taking the top prizes. 

Patrick Frater Asia Bureau Chief Two films from Japan, Wim Wenders’ “Perfect Days” and Hamaguchi Ryusuke’s “Evil Does Not Exist,” won the top prizes at the Asia Pacific Screen Awards on Friday. Multiple other honors went to films from Korea and Kazakhstan. The 16th edition of the APSA Awards was held on the Gold Coast, Queensland, Australia and recognized films from eight countries. “Perfect Days,” a gentle comedy drama about a toilet cleaner in Tokyo finding happiness in the everyday, premiered in Cannes and more recently was selected as Japan’s Oscar contender and as the opening title of the Tokyo International Film Festival.

This year’s Tokyo Film Festival closes this evening with the world premiere of Godzilla Minus One, the latest edition in Toho’s monster franchise, directed by filmmaker Takashi Yamazaki. 

Family drama Snow Leopard, directed by the late Tibetan filmmaker Pema Tseden, has won the Tokyo Grand Prix, the top prize at this year’s Tokyo International Film Festival. Scroll down for the full list of winners.

Nick Vivarelli International Correspondent WestEnd Films has scored multiple sales, including to North America, on British director Patrick Dickinson’s drama “Cottontail,” which stars Japan’s Lily Franky (“Shoplifters”) and Ciaran Hinds. The film, first announced at the AFM in 2019, won the prize for best first feature last week at the Rome Film Festival, where it had its world premiere.

Very little has been heard from Indonesian filmmaker Mouly Surya since her buzzy 2017 Cannes title Marlina the Murderer in Four Acts. 

“Ticket sales have gone up 27%, and we’re only at the midway point, so I’m quite happy,” Ando Hiroyasu, Tokyo Film Festival (TIFF) Chairman, told Deadline as he shuttled between engagements at this year’s busy and buzzy comeback edition. 

Veteran Hong Kong actor Tony Leung passed through the Tokyo Film Festival this afternoon, where he led a masterclass session following a screening of 2046, his sixth collaboration with filmmaker Wong Kar-Wai. 

As the Tokyo Film Festival returns with a focus on international expansion, this year’s MPA seminar hosted as part of the festival industry program was centered around how to make the country a more attractive production environment for international producers.