MBC Studios is developing a series adaptation of popular Saudi writer Osamah Almuslim’s best-selling debut horror novel Khawf (Fear).
15.11.2023 - 12:23 / deadline.com
Paul Ridd, a long-term acquisitions exec at Picturehouse Cinemas, has been named director of the Edinburgh International Film Festival (EIFF).
Ridd joins Edinburgh in December from his current role as head of acquisitions at Picturehouse. His first edition — the festival’s 77th anniversary — will take place in August 2024. He takes over from Kate Taylor, who quietly left the festival after leading this year’s smaller, one-off edition as part of the city’s wider cultural festival.
As director, Ridd will be responsible for creating, developing, and running the business, implementing the fundraising strategy, and delivering a budget and a multi-year plan for the festival. In addition, he will work collaboratively with the board to lead the organization’s overall strategic direction and sustainability, develop the strategy and vision, and build a new team.
Picturehouse releases during Ridd’s time at the company included Francis Lee’s God’s Own Country, Audrey Diwan’s Happening, Charlotte Regan’s Scrapper, and most recently Justine Triet’s Palme D’Or winner Anatomy Of A Fall. Ridd has also acted as a program advisor to the BFI London Film Festival since 2018 and an international consultant for the Karlovy Vary International Film Festival since 2019.
Ridd’s tenure will follow a prolonged period of turbulence at Edinburgh, which included a brief closure after its owner, the Centre for the Moving Image, collapsed. Execs at the CMI appointed administrators in October 2022. At the time of administration, a statement from the CMI said a “perfect storm” of rising costs and falling admissions numbers due to the pandemic had been exacerbated by the current cost of living crisis. As part of the CMI’s closure, its two celebrated
MBC Studios is developing a series adaptation of popular Saudi writer Osamah Almuslim’s best-selling debut horror novel Khawf (Fear).
Saudi Arabia‘s Red Sea International Film Festival is midway through its third edition, running November 30 to December 9 in the palatial surroundings of the seafront Ritz Carlton in the port city of Jeddah.
John Bleasdale Guest Contributor Some of the most powerful figures in Saudi film gathered at the Ritz Carlton in Jeddah for a cocktail party hosted by Film AlUla and Stampede Ventures in partnership with Variety last night. Figures such as Saudi producer and film industry pioneer Faisal Baltyuor and Egyptian producer Mohamed Hefzy were spotted along with Zeinab Abu Alsamh, general manager of MBC Studios Saudi Arabia. Stampede Ventures head Greg Silverman was celebrating the $350 million three-year deal just signed with Film AlUla, which will bring 10 projects to the region.
Naman Ramachandran Andrew Haigh’s “All of Us Strangers” was the big winner at the 2023 British Independent Film Awards (BIFAs) with seven wins. “All of Us Strangers” won best British independent film, Haigh won best director and best screenplay and Paul Mescal won best supporting performance, adding to its three craft awards, announced in November, for cinematography, editing and music supervision.
Will Smith has revealed that the development of I Am Legend 2 is moving at pace, with both him and Michael B. Jordan on board and a first script delivered.
Halle Berry and Gwyneth Paltrow are among the high-profile names that have been added to the popular ‘In-Conversation’ sidebar section at the third edition of Saudi Arabia’s Red Sea Film Festival. Scroll down for the full list of attendees.
Justine Triet’s Anatomy of a Fall has given her an experience unlike any other she’s had over her 15-year career — one that includes winning the Palme d’Or at the Cannes Film Festival. “I would say that the job I’ve been doing since May is a job that I had never done before. It’s a new craft entirely,” she says. Anatomy of a Fall, which she co-wrote with her partner Arthur Harari, eschews the traditional courtroom drama to explore familial relationships when an ambitious, sexually self-assured novelist, played by Sandra Hüller, is put on trial for the suspicious death of her husband Samuel at their home in the French Alps.
With only one month left in 2023, it’s time for major publications and critics (and, of course, John Waters) to make their annual top 10 lists of the year’s best movies. And as usual, legendary French film mag Cahier du Cinema leads the charge with its ten best films of 2023.
The Marrakech Film Festival celebrated its 20th edition this year, arriving at the landmark some 22 years after its 2001 launch due to the missed years of the pandemic.
Former Mister Smith sales executive Antone Saliba has launched management and production company Untamed Talent, with the backing of Dubai-based Front Row Productions.
Saudi Arabia’s Red Sea Film Festival launched its third edition on Thursday with a characteristically starry red carpet featuring the likes of Michelle Williams, Johnny Depp, Sharon Stone and Will Smith.
Ben Croll The Marrakech Film Festival’s industry-focused Atlas Workshops will complement its existing support for development and production with the Atlas Distribution Award – a brand-new initiative meant to fuel wider domestic and international distribution for the Moroccan, Arab and Pan-African films presented at the festival. Taking inspiration from similar European schemes, the Marrakech Foundation will offer financial incentives to regional distributors releasing festival-selected titles.
With his role as musical icon Leonard Bernstein in Netflix’s Maestro racking up strong critical acclaim since the film’s premiere at Venice in September, Bradley Cooper adds another laurel with the Santa Barbara International Film Festival naming him the honoree of its Outstanding Performer Of The Year Award. It will be presented to the star at a tribute at the Arlington Theatre on February 8, 2024.
Nick Vivarelli International Correspondent Though the Red Sea Film Festival will feature a slew of films from the Middle East and North Africa (MENA) region – including 11 feature films from Saudi Arabia – there is a rich roster of international fare set to launch locally from Jeddah. Kaleem Aftab, the festival’s director of international programming, says they received lots more submissions for this year’s third edition.
Leo Barraclough International Features Editor AGC Intl., the international sales and distribution arm of Stuart Ford’s fast-growing independent content studio AGC Studios, has picked up world rights from Image Nation Abu Dhabi, MBC Studios and VOX Studios on Yasir Al Yasiri‘s “HWJN,” and from O3 Medya and Dhafer L’Abidine’s Double A Productions on L’Abidine’s “To My Son.” Saudi fantasy romance ‘HWJN’ will open the Red Sea Film Festival on Nov. 30, while the emotional family drama “To My Son” will premiere in Red Sea’s Arab Spectacular section.
Stuart Ford’s AGC International has picked up world rights to two Arab-produced titles, HWJN by Yasir Al-Yasiri and To My Son byDhafer L’abidine, ahead of their debuts at Saudi Arabia’s Red Sea Film Festival.
Mammoth Film Festival, running from Feb. 29 to March 4, will honor “Drunk History” host Derek Waters during the ceremony for his film and television contributions. He will receive the Golden Mammoth Film Festival Award.
John Hopewell Chief International Correspondent Co-organized by the Cannes Film Festival and Market and Argentina’s INCAA film-TV agency, late November’s Ventana Sur market looks set to have at least one star: Cannes head Thierry Fremaux himself. Presenting the Cannes Film Week, a extraordinary showcase of 2023 winners led this year by Justine Triet’s Cannes Palme d’Or winner “Anatomy of a Fall” and bowing on Nov.
Naman Ramachandran The Edinburgh International Film Festival has tapped Picturehouse Entertainment head of acquisitions Paul Ridd as its new director. Ridd will join in December. His first festival, the event’s 77th anniversary, will take place in August 2024, with specific dates to be announced.
a Q&A with the actor on Sunday.“What do you think about [the] crash scenes?” Driver was asked by the audience following the screening. “They looked pretty harsh, drastic and, I must say, cheesy for me.