‘Perfect Days’ Wins Best Film at Asia Pacific Screen Awards as Japan, Korea, Kazakh Titles Dominate

Patrick Frater Asia Bureau Chief Leading Korean star Jung Woo-sung (“A Moment to Remember”) will star opposite Shin Hyun-been (“Hospital Playlist”) in “Tell Me That You Love Me,” an original series for Genie TV. The show is a remake of the hit Japanese series of the same name that first aired at Tokyo Broadcasting Systems linear channel in Japan some 28 years ago in 1995. The new show will upload to Genie’s own streaming service on Nov. 27 and the same day in Japan on Disney+.

Patrick Frater Asia Bureau Chief Leading Japanese indie film company Gaga Corporation has seen a controlling share stake sold to Genda Inc., a fast-moving entertainment conglomerate with its roots in arcade gaming. Genda is buying the 78% share holding owned by Gaga chairman Tom Yoda’s T.Y. Limited company.

Patrick Frater Asia Bureau Chief Mystery-horror film “Five Nights at Freddy’s” landed on top of the South Korean cinema box office. But fellow new release title “The Hunger Games: The Ballad of Songs and Snakes” managed only a fourth placed start. “Five Nights” earned $1.78 million between Friday and Sunday, according to data from Kobis, the tracking service operated by the Korean Film Council.

Patrick Frater Asia Bureau Chief Nicole Kidman is providing $50,000 of her own money for a TV industry award named in honor of an Australian executive who died earlier this year. The Australian Academy of Cinema and Television Arts (AACTA) is to present the newly-created Brian Walsh Award for Emerging Talent at its annual award ceremony in February. The award aims to discover and nurture the next generation of Australian actors.

Patrick Frater Asia Bureau Chief “Concrete Utopia,” South Korea’s Oscar contender, was Wednesday named best film at the country’s annual Grand Bell Awards. It also won prizes for best actor, best supporting actress, art direction, sound mixing and visual effects.

Patrick Frater Asia Bureau Chief Leading Korean content firms including CJ ENM and Webtoon are joining forces with Asian-focused streamer Rakuten Viki as it launches a “worldwide celebration of Korean drama” at the end of the month. The International K-Drama Day event on Nov.

Patrick Frater Asia Bureau Chief Australian and New Zealand indie distributor Umbrella Entertainment will launch Brollie, a free of charge, ad-supported streaming service later this month. It will lean on Umbrella’s library of classic content and claims to be the first free streaming platform specializing in Australian film and TV content.Brollie will launch on Nov. 23 with over 300 titles including: “Babadook” (dir.

Patrick Frater Asia Bureau Chief Two independent management companies in the Asian music scene, MoFo Music and IAMAD, have merged to create a new music production and artist management group, MAD MoFo. The new entity will be led by Hong Kong-based Kelvin Avon and Sydney, Australia-based Philippe-Marc Anquetil. Both are both multi-award winning and multi-platinum selling international producers, songwriters and managers. At the same time, MAD MoFo has announced the launch of a Series A fundraising.

Patrick Frater Asia Bureau Chief “The Marvels” topped the South Korean box office on its opening weekend, but failed to lift cinema activity out of its recent slump. “The Marvels” opened with $2.35 million between Friday and Sunday, and a market share of nearly 42%, according to data from Kobis, the tracking service operated by the Korean Film Council (KOFIC). Over its five-day opening run the film pulled in a total of $3.4 million. Those scores were enough to take top place from “The Boy and the Heron,” which had been number one for the two previous weekends, but not enough to increase cinemagoing in Korea.

Patrick Frater Asia Bureau Chief Taiwanese production companies DaMou Entertainment and KOKO Entertainment unveiled a starry local cast for “Fired Up,” their Taiwan remake of hit Korean series “Itaewon Class.” At an event held within the Taiwan Creative Content Fest (TCCF) on Thursday, the two companies also confirmed plans for a second season of “The World Between Us,” a 2019 drama series that premiered on Taiwan’s Public Television Service and regional streamer Catchplay. “Fired Up” will star Mandarin-language pop star Eric Chou, Golden Horse Film Award nominee Angela Yuen, Shao Yu-wei, Huang Guan-zhi, Cosmos Lin, Ben Wu and Sean Lin in leading roles. The show is co-directed by kao Pin-chuan and Tseng Ying-ting, working from a script headed by Chien Li-ying (“Wave Makers”). “Itaewon Class” is a story about an ex-convict who sets up his own business after release from jail.

Patrick Frater Asia Bureau Chief “The Boy and the Heron” supposedly the final feature film by Japanese animation maestro Miyazaki Hayao, placed on top of the south Korean box office for a second weekend. It held off challenges from a clutch of new releases, including “Taylor Swift: The Eras Tour” and “Talk to Me.” “The Boy and the Heron” collected $2.49 million between Friday and Sunday, according to data from Kobis, the tracking service operated by the Korean Film Council (Kofic).

Japan has dominated this year’s Asia Pacific Screen Awards (APSA), with German filmmaker Wim Wenders’ latest Tokyo-set pic and Ryusuke Hamaguchi’s Drive My Car follow-up taking the top prizes. 

Patrick Frater Asia Bureau Chief Australia’s Rialto and the U.K’s Vertigo Releasing have joined forces to launch Galaxy Pictures, a new film distribution company in Australia and New Zealand. The company will focus on “broad-appeal, star-driven commercial pictures that cater to consumers attuned to an increasingly digital landscape.” The two companies have already been cooperating for the past three years and handle 120 titles.

Patrick Frater Asia Bureau Chief Japanese drama film “Mountain Woman,” which was one of the standouts titles at last year’s Tokyo International Film Festival, is to be represented for global sales by EST N8. Inspired by “The Legends of Tono,” which is Japanese folklore from the Tohoku region, the film depicts a small Japanese village overrun by famine. The burden falls upon Rin, a woman whose connections with the spirit and natural worlds allow her to rise amidst familial conflicts.

Patrick Frater Asia Bureau Chief A TIFFCOM seminar on Thursday demonstrated both a sense of incredulity that Japanese animation “Suzume” could have enjoyed such wide international success and conveyed the depth of passionate behind-the-scenes strategizing that made it happen. Since its release in Japan at the end of 2022 and international expansion in spring of 2023, following a Berlin festival competition slot, “Suzume,” a fantasy drama about a girl who helps avert natural disasters, sold more than 47 million tickets worldwide. “And most of those people don’t even speak Japanese,” said the session’s moderator Sudo Tadashi, journalist and professor at the Japan University of Economics. Sunami Kazuki, MD of producer CoMix Wave Films and the Takeda Akihiro, an executive attached to the president’s office at the film’s worldwide distributor Toho, said that “Suzumi’s” success was not a foregone conclusion. Its success was years in the making and based on the growing performance of director Makoto Shinkai’s previous movies as well as growing international understanding of the Japanese anime genre. At the beginning of their collaboration, Shinkai and CoMix had little expectation that Shinkai’s works could appeal to non-Japanese distributors and audiences. But, within Asia at least, fans are tuned in to certain kinds of content from other countries. “We also owe this success to the cumulative impact of Studio Ghibli and ‘Demon Slayer 2’,” said Sunami. Shinkai’s 2013 film “The Garden of Words” was initially a Japan-only theatrical release, but it registered in China after Japanese box office success.

Patrick Frater Asia Bureau Chief Leading Chinese filmmaker Zhang Yimou has a tough guy exterior – leather jackets, black shirts and a square jaw that has earned him acting awards alongside his top-level credentials as cinematographer and director of “Hero,” “The Road Home” – but on a visit to the Tokyo International Film Festival this week he was all smiles and frank talk. Zhang received a lifetime achievement award on Monday. On Tuesday the festival gave a gala screening to his historical blockbuster “Full River Red.” And at a Wednesday masterclass, Zhang was more gushed usable details about his process and frank advice for newcomers. “To be a film director you need to be physically in good shape. No smoking and no drinking,” he advised. “I generally adopt a two-stage process,” he explained.

Patrick Frater Asia Bureau Chief Ichiyama Shozo assumed control of the program of the Tokyo International Film Festival after a long programming career that included Tokyo and the slightly more indie Tokyo Filmex events. He is also a regular producing partner of Chinese art-house darling Jai Zhangke. These influences have shaped his approach to this year’s Tokyo IFF lineup, he told Variety.

Patrick Frater Asia Bureau Chief Japan’s Nikkatsu studio is pitching “River” at the top of its TIFFCOM sales slate. The film – on which it shares rights with Third Window Films – is a time loop comedy from Yamaguchi Junta, director of “Beyond The Infinite Two Minutes.” The one-hundred-year-old Fujiya inn stands in a quiet region of Kyoto. An employee is standing in front of the Kibune river at the back of the building when she is called back to work.

Patrick Frater Asia Bureau Chief Iranian drama film “Empty Nets” was Monday named winner of the AFF Feature Fiction Award at the Adelaide Film Festival. Directed by Behrooz Karamizade, it collected an A$10,000 ($6,320) cash prize.

Wim Wenders introduced the cast and crew of “Perfect Days” at an outdoor stage, giving the opening ceremony of the 36th Tokyo International Film Festival a moment of European cool. Inside the Tokyo Takarazuka Theater, Wenders was brought on stage twice more. “I had a dream that with ‘Perfect Days,’ I’d make a film that would play at the Cannes Film Festival. I dreamed that it would win the best acting prize.