‘Saltburn’s Bloody Good Expansion Buoyed By Coasts, Nabs Top Ten Weekend Spot – Specialty Box Office

J. Kim Murphy Oompa loompa doopity doo — here is a box office opening for you. “Wonka” is off to a promising start in North America after earning $14.4 million across Friday and preview screenings.

Naman Ramachandran Warner Bros.’ “Wonka,” starring Timothee Chalamet, has debuted atop the U.K. and Ireland box office with £8.9 million ($11.2 million), according to numbers from Comscore. In its third weekend, Disney’s “Wish” climbed up to £1.9 million in second place for a total of £5.8 million.

The filmed version of Broadway’s Waitress: The Musical was a surprise hit at the box office this past weekend and now the movie will stay in theaters longer than expected!

With awards shows’ ratings dropping annually, many have pinned that on mainstream viewers tuning out because their favorite tentpoles are overlooked in the Best Picture categories.

Patrick Frater Asia Bureau Chief Two Hollywood films “Wonka” and “Migration” opened in Chinese cinemas over the latest weekend. But neither did enough business to appear among the box office top five. Instead, the weekend crown went to “The Invisible Guest,” a Chinese remake of the 2016 Spanish mystery thriller about a woman who must work with a police officer to clear her name after her lover is found dead in a locked room. It earned a modest $12.6 million (RMB89.6 million), according to data from consultancy Artisan Gateway.

according to IMDB’s Box Office Mojo.The Japanese animated fantasy, which The Washington Post called a “magical, otherworldly tale,” is expected to enjoy a $10.7 to 12 million opening weekend, Deadline reported.It is the only entirely foreign film to lead the weekend box office this year, the first since August 2022’s “Dragon Ball Super: Super Hero.”In second place was “Godzilla Minus One,” with a $2.25 million take. The film, which is the 37th in the Godzilla franchise, now holds the title ofBiggest Single-Day Domestic Box Office For A Foreign Live-Action Film, according to Screen Rant.Queen Bey was dethroned this week as Beyoncé’s film, which was in first place last week, fell down to third.Her documentary concert movie “Renaissance: A Film by Beyoncé” took injust $1.6 million, a drop of 75% since last Friday.“Trolls Band Together,” which debuted on Nov.

Elsa Keslassy International Correspondent Justine Triet‘s “Anatomy of a Fall” missed out on being chosen as France’s Oscar entry, but the movie has been a critical and commercial hit — including in the U.S., where it’s become the highest-grossing specialized foreign-language release post-pandemic, according to distributor Neon. Released in the States on Oct. 13, “Anatomy of a Fall” has pulled in $3.5 million so far, putting it ahead of Joachim Trier’s “The Worst Person in the World” and on track to match last year’s Palme d’Or winner “Triangle of Sadness,” another Neon movie.

Saltburn, the gothic romance thriller from Oscar winner Emerald Fennell, will be available to stream worldwide on Prime Video on Dec. 22. The news comes after the Jacob Elordi, Barry Keoghan, Rosamund Pike, Richard E. Grant, and Carey Mulligan movie had an amazing post-Thanksgiving hold at the box office of -10% in its third weekend with $1.678M at 1,566 theaters.

Patrick Frater Asia Bureau Chief Political drama thriller “12.12: The Day” dominated the South Korean box office for a second weekend with a $13 million haul. Its second weekend outing topped its first session, when it earned $11.2 million, according to data from Kobis, the tracking service operated by the Korean Film Council (Kofic). And the film (aka “Seoul Spring”) increased its share of the weekend’s total cinema market to a crushing 81%. Separately, ComScore calculated that the film’s single country receipts made it the seventh highest grossing film in the world over the weekend. After two weekends on release, “12.12: The Day” has garnered $34.2 million, making it already the sixth ranking film in Korea this year and the third biggest Korean-produced picture.

Naman Ramachandran Sandeep Vanga Reddy’s blood-soaked Bollywood epic “Animal,” starring Ranbir Kapoor, emerged as the No. 1 film globally with $42.1 million, according to data published by ComScore. “Animal” released across 38 global territories.

Renaissance: A Film By Beyoncé is a hit!

Three very different movies, original, with arthouse cred and in theaters for weeks, are drawing audiences showing welcome depth and breadth in the specialty market as awards season kicks off. Nicolas Cage’s nerdy character sees his life collapse when he randomly starts appearing in people’s dreamsas Dream Scenario has a solid expansion, Saltburn is attracting young crowds on the coasts, The Holdovers drawing elusive older demos to theaters.

Rebecca Rubin Film and Media Reporter Queen Bey is the new box office queen. “Renaissance,” a concert film written, directed and produced by Beyoncé, topped the domestic box office with $21 million in its opening weekend, slightly ahead of expectations. These ticket sales rank as one of the best debuts for a concert film, joining the company of Taylor Swift’s “The Eras Tour” (far and away the biggest with $92.9 million), 2008’s “Hannah Montana & Miley Cyrus: Best of Both Worlds Concert” ($31.1 million), 2011’s “Justin Bieber: Never Say Never” and 2009’s “Michael Jackson: This Is It” ($23.2 million).

according to IMDB’s Box Office Mojo.The documentary concert film written, directed and produced by Beyoncé Knowles-Carter, is expected to enjoy as much as a $24-million-dollar opening, according to Deadline.Variety said the movie, which chronicles her 2023 tour, “highlights the pursuit of perfection with dazzling results.”Japanese adventure “Godzilla Minus One,” which also debuted Friday, landed in second, with earnings of $4.72 million. The Hollywood Reporter called the flick, the 37th in the Godzilla franchise “one of the best Godzilla films ever.“The Hunger Games: The Ballad of Songbirds & Snakes,” which was in the No.

Renaissance: A Film by Beyoncé” is taking over the box office after grossing $11.5 million on its opening day from 2,539 locations, a figure that includes a strong $5.1 million in Thursday previews. Putting that next to the massive October debut of “Taylor Swift: The Eras Tour,” it’s shaping up to be the first year on record that two concert documentaries have opened at the top of domestic charts.

AMC Entertainment’s second concert film theatrical release, Renaissance: A Film by Beyonce, fired up last night with $5M previews from showtimes that began at 7PM. While that figure is higher than the Thursday night previews for AMC’s Taylor Swift: The Eras Tour which did $2.8M, you’ll remember that previews for that Sam Wrench-directed movie were announced literally two days before its release.

Having won an Oscar for her gritty first film about a revenge murder, Emerald Fennell’s second movie, out this week, reminds us that she doesn’t believe in happy endings. Saltburn is about a vengeful college student who aspires to an even wider death toll.

“The Hunger Games: The Ballad of Songbirds and Snakes” stayed at No. 1 at the box office on Black Friday, retaining the top spot in its second week on the screens.

Emerald Fennell’s dark comedy Saltburn takes a massive jump from to over 1,500 screens today as Bradley Cooper’s Maestro, Hayao Miyazaki’s latest The Boy and the Heron, animated They Shot The Piano Player and other festival favorites launch awards season runs this Thanksgiving specialty weekend.

Patrick Frater Asia Bureau Chief Mystery-horror film “Five Nights at Freddy’s” landed on top of the South Korean cinema box office. But fellow new release title “The Hunger Games: The Ballad of Songs and Snakes” managed only a fourth placed start. “Five Nights” earned $1.78 million between Friday and Sunday, according to data from Kobis, the tracking service operated by the Korean Film Council.