‘Renfield’ Review: Drained

Marlo Hampton feels drained after filming season 15 . «Mm, mm, mm… the season drained me,» she cracks to ET, imitating her own would-be catchphrase from a season 14 group trip that's gone viral as a sound on TikTok. «It did drain me,» she reiterates. «In the beginning, for sure it did.

Love Island's Tasha Ghouri has opened up about the impact of her hearing condition and wearing a cochlear implant during music festivals, as she admitted: "I get so drained." Tasha, 24, who was born deaf in both ears, was Love Island's first ever deaf contestant when she appeared on the show in the summer of last year, where she fell in love with Andrew Le Page.They remain together to this day. Since leaving the villa, Tasha has raked in the brand deals with huge companies such as L'Oreal and Ann Summers, but she's perhaps best-known for her savvy sense of style.

Charna Flam Count Dracula’s bold extravagance has never been an oversight for costume designers, but “Renfield’s” Lisa Lovaas wanted to add a bit of “rockstar flair” to Nicolas Cage’s take on the Prince of Darkness. While Lovaas still aimed for a “current but timeless” wardrobe for the iconic vampire, she pulled inspiration from David Bowie as well as classic versions of Dracula. As the film concludes and Renfield seeks his revenge on Dracula, Lovaas wanted to pay homage to former versions of the vampire in an unexpected way. Audiences’ last glimpse at the horror icon is him at his most extravagant, in an ultra-luxe deep burgundy velvet suit.

Rebecca Rubin Film and Media Reporter “The Super Mario Bros. Movie” left its box office competitors in the dust, scoring a massive $87 million in its second weekend of release. Ticket sales declined just 41% from its debut, resulting in the best sophomore outings ever for an animated film. So far, the video game adaptation has grossed $347.8 million in North America and $678 million globally. “Mario” stayed strong even as several new movies entered the theatrical race, to varying results. In a surprise finish, Universal’s wacky horror-comedy “Renfield,” which sees Nicolas Cage as Count Dracula and Nicholas Hoult as his rebelling henchmen, landed in fourth place with a disappointing $7.7 million from 3,375 locations. The film arrived behind Sony’s R-rated demonic thriller “The Pope’s Exorcist,” which also fell slightly short of expectations with $9.1 million.

The acting life isn’t always glamorous. Sometimes, you have to sacrifice for the part. Submitted for your approval is one Nicolas Cage, who has revealed a major regret captured on film while out promoting his current horror comedy, Renfield, which features Cage as Dracula and Nicholas Hoult as the title servant, R.M. Renfield.

Nicholas Hoult has been in a few films you might have heard of. He’s been a young version of X-Men’s blue mutant The Beast, and was in George Miller’s Mad Max: Fury Road.

Jenelle Riley Deputy Awards and Features Editor This article first appeared as part of Jenelle Riley’s Acting Up newsletter – to subscribe for early content and weekly updates on all things acting, visit the Acting Up signup page. Sometimes, you find startling accuracy in the most unlikely places. Codependency and toxic relationships have long been fodder for film and television, but lately there’s been a batch of quality entertainment that does an excellent job of depicting the reality of an unhealthy relationship — and the struggle to break free from one. Surprisingly, it’s comedic entertainment that seems to be doing it best as of late. Take the first season of the Apple TV+ comedy “Shrinking,” which depicts a therapist (Jason Segel) trying to help a client (Heidi Gardner) break up with her verbally and emotionally abusive husband. It’s a character arc that rings only too true, expertly captured by “Saturday Night Live” breakout Gardner. Over on HBO Max, the animated series “Harley Quinn” has spent three seasons showing how its titular character starts a new life out from under the shadow of the ultimate toxic boyfriend, the Joker. While it’s a fantastical story that uses heroes and villains with superpowers, the metaphor is apt — Harley Quinn has no identity outside of her famous paramour and has to rebuild her life, and self-worth, on her own.

Five wide releases hit theaters this weekend, but Illumination and Universal’s Super Mario Bros. Movie will reign supreme with a second weekend, -60% of $58M. Already the plumbers have plunged a running stateside total through nine days of $260M, with $300M+ this weekend in sight.

Jazz Tangcay Artisans Editor When director Chris McKay was making “Renfield” he turned to production designer Alec Hammond (“Donnie Darko”) to help deliver a fresh and updated take on the Dracula story, by taking “a big monster movie, rooting it in the classic movies, but subverting any expectations.” The film starring Nicolas Cage as Dracula and Nicholas Hoult as his faithful sidekick Renfield, begins in 1931, in black-and-white. It was important, Hammond says, to set up Cage’s world in the historic context of harkening back to classic Dracula movies before jumping to the present day. The Charity Hospital in New Orleans, which had been abandoned since Hurricane Katrina, was the perfect location for Hammond to set Dracula and Renfield’s modern-day lair.

Jordan Moreau Universal’s latest monster movie, the blood-sucking “Renfield,” is sinking its teeth into the domestic box office with $900,000 from 2,750 theaters in Thursday previews. It expands to 3,375 locations on Friday. This modern take on Dracula won’t be able to drive a stake through the heart of last week’s box office champion, “The Super Mario Bros. Movie.” The animated, family-friendly video game adaptation will get another high score at the box office this weekend, with an expected $58 million to $66 million in its sophomore outing. “Renfield,” starring Nicolas Cage as Dracula and Nicholas Hoult as his lowly servant, is projected to make just $10 million in its opening weekend. Considering the horror-comedy carries a $65 million price tag, it’s not a great start to its run. It will also have to battle the fellow R-rated horror “The Pope’s Exorcist,” which opened to $850,000 in previews and is also on track to earn $10 million this weekend. The upside to the Sony horror movie, starring Russel Crowe as the Vatican’s lead exorcist, is that it only cost the company $18 million.

The new Dracula movie Renfield is now in theaters and it’s expected to be the biggest new release of the weekend.

Stuck in a movie theater seat watching “Renfield” plod along, the answer is a resounding meh.As the Count from “Sesame Street” would say, “‘Renfield’ gets TWO stars! Ah, ah, ah.”Cage — whose career has become so goofy he recently played a parody version of himself who gets kidnapped by a Spanish drug lord — is as funny and self-aware as the evil old vampire. Crazy, it would seem, has become Cage’s new normal. But don’t come looking for a wacky sendup of the story in the vein of Mel Brooks’ “Young Frankenstein.” It’s actually not even as hilarious as that director’s much-worse 1995 movie “Dracula: Dead and Loving It,” and outside of a few basic details the film has little to do with Bram Stoker’s book.“Renfield,” directed by Chris McKay, has more in common with the (far better) “Zombieland” series, with high-body-count action sequences, quick-cut comedy and an unlikely, socially awkward hero. That would be Robert Montague Renfield (Nicholas Hoult), Count Dracula’s beleaguered “familiar,” who has been gifted an unnaturally long life in exchange for bringing the vamp fresh victims.

“Renfield,” an outrageous new take on Bram Stoker’s “Dracula,” told from the point of view of the count’s perpetually put-upon manservant (played here by Nicholas Hoult), the notion of being too over-the-top is considered and then hastily breezed by. In the opening sequence alone, an ancient curse is placed on the dark prince (played, with much scenery-chewing, by Nicolas Cage); when Dracula is freed he turns into a vaporous mist and explodes a priest from the inside. Then Dracula catches on fire and is turned into a crispy skeleton.The sequence is telling both for its bold tonal shifts and for the manic approach to action.

Few characters manage the passage of time quite like Dracula. From the character’s iconic beginnings as a Universal Studios monster to more recent attempts to craft a shared universe, Dracula adaptations often offer the clearest reflection of both the film industry and broader societal trends.

The “Super Mario Bros. Movie” reigns supreme at the box office.

Jenelle Riley Deputy Awards and Features Editor Brandon Scott Jones loves horror films — but despite starring in the CBS series “Ghosts” as forgotten Revolutionary War soldier Captain Isaac Higgintoot, the actor and writer has yet to appear in the horror genre. That all changes with the April 14 release of “Renfield,” starring Nicolas Cage as the legendary Dracula and Nicholas Hoult as his put-upon underling. Jones plays Mark, the leader of a co-dependency support group who advises Renfield — with no idea just how toxic his relationship with Dracula truly is. Jones will also be seen in the third season of “The Other Two,” hitting HBO Max on May 4, reprising his role as Curtis, the confidante to aspiring actor Cary.

Rebecca Rubin Film and Media Reporter Expect “The Super Mario Bros. Movie” to capture the high score at the box office… again. Despite the release of two new movies — Universal’s wacky Dracula horror-comedy “Renfield” and Sony’s R-rated demonic thriller “The Pope’s Exorcist” — Universal and Illumination’s animated adaptation of the popular Nintendo video game looks to loom large in its second weekend of release. After its towering $146 million debut, “Mario” is estimated to bring in $58 million to $66 million, a 55-60% decline from its opening. The PG blockbuster, which cost $100 million and brought back the all-important demographic of family audiences, has generated $204.6 million in North America and $375 million globally since opening last Wednesday. It’s already the fourth-highest grossing animated movie in pandemic times, following “Minions: The Rise of Gru” ($939 million), “Puss in Boots: The Last Wish” ($480 million) and “Sing 2” ($408 million).

There have been so many variations and film versions of Bram Stoker’s classic Dracula, from 1926’s Nosferatu to Tod Browning’s 1931 Dracula to Francis Coppola’s well-regarded take with Gary Oldman to even comedic satires like Love at First Bite with George Hamilton taking on the role. Now in Universal’s latest effort to rescue its horror classics and make them new again, we have the perfectly cast Nicolas Cage as the Prince of Darkness. Even he has done an offshoot before, in 1988’s Vampire’s Kiss. However this time around the film is not centered on Dracula himself, but rather his beleaguered servant, henchman, whatever you choose to call him, Renfield, and it is another Nicholas, as in Hoult, who has the title role this time in Renfield. Cage’s part, though meaty, is actually supporting as the emphasis turns to the long-suffering assistant who was tasked with bringing his boss’ prey directly to him, consuming bugs of all sorts in order to get superhuman powers to conquer them, and basically taking the fall for anything this narcissistic vampire does not find to his liking.

Owen Gleiberman Chief Film Critic In one of the many jacked-up, bodies-leaping-and-flying, vampire-meets-action-film sequences that punctuate “Renfield,” Dracula (Nicolas Cage), jutting into the movie well before we expect him to, does all the throat-ripping damage he can in a montage that culminates in drapes being thrown open, the sunlight flooding in, and the vampire, in his red bathrobe, bursting into flame. It looks like the climax of many a vampire film, and it leaves Dracula a charred husk. But has he been killed? No way! As Renfield (Nicholas Hoult), Dracula’s self-described slave and disciple, explains to us in voice-over, when something like this happens it takes a lot of work to return Dracula to his previous state; it takes many victims for him to feed upon. But with enough blood and enough time, he can claw his way back to his old robust undead form.

In 2017 Universal debuted their ambitious plans for a series of reboots of their popular 1930s and 1940s horror films. Dubbed the Universal “Dark Universe,” it yielded only two features — 2017’s “The Mummy” with Tom Cruise and 2020’s “The Invisible Man” starring Elisabeth Moss — before being scrapped.