‘Super Mario Bros’ Clears $260M U.S., 2nd Weekend Jumping To $58M; ‘Renfield’ Bites $900K Preview & ‘Pope’s Exorcist’ At $850K; More

Patrick Frater Asia Bureau Chief “The Super Mario Bros Movie” and a local sports movie “Dream” gave the South Korean box office some bounce on their first weekend on release. Opening in Korea on Wednesday, some three weeks after the beginning of its international and North American campaigns, “Super Mario” earned $4.67 million between Friday and Sunday, according to data from Kobis, the tracking service operated by the Korean Film Council (Kofic). The film has a cumulative of $5.76 million over its opening five days, plus previews. The film’s weekend numbers are the second highest opening tally recorded by any film this year in Korea. And its weekend score represented a comfortable 40% market share.

As has been the case since the start of April, Universal/Illumination’s “The Super Mario Bros. Movie” has lapped the box office competition, becoming the first animated film of the 2020s to gross $1 billion worldwide while competitors search for vastly smaller opening weekends among niche audiences. \Another strong hold of just a 33% drop has given the film a fourth weekend total of $40 million domestic and $108 million worldwide, pushing the film’s overall totals to $490 million domestic and $1.02 billion global.

according to IMDB’s Box Office Mojo. The movie based on the popular Nintendo game has earned more than $458 million in the US since opening on April 5 — and is projected to hit the $1 billion global milestone on Sunday, according to the Hollywood Reporter.

J. Kim Murphy “The Super Mario Bros. Movie” has pounded out some serious coinage. The animated adventure from Universal Pictures, Illumination Entertainment and Nintendo is becoming the first release of 2023 to cross the $1 billion mark at the global box office. While “Mario Bros.” isn’t projected to cross the coveted threshold until Sunday, Universal is confident enough in the projections to declare the weekend a victory. If estimates hold, the video game adaptation will reach the $1 billion mark in 24 days. First debuting on April 5, “The Super Mario Bros. Movie” has been a dominant force in theaters for the entire month. It still ranks as the top release on domestic charts, now in its fourth weekend of release.

Refresh for latest…: It was just a matter of time. With estimates through Sunday, Illumination/Nintendo/Universal’s The Super Mario Bros Movie is expected to cross $1B global tomorrow, becoming the first release of 2023 to the milestone, and the fifth of the pandemic era. It is getting there in 26 days. Wahoo!

Super Mario Bros. franchise – has said he is grateful for the bad press that the recent Super Mario Bros.

Rebecca Rubin Film and Media Reporter “The Super Mario Bros. Movie” achieved the high score at the domestic box office, earning a massive $58.23 million in its third weekend of release. The animated family film easily fend off this weekend’s new releases, including a promising start for supernatural horror sequel “Evil Dead Rise” and tepid debuts for action-war thriller “Guy Ritchie’s the Covenant” and A24’s anxiety-inducer “Beau Is Afraid.” After three weeks on the big screen, “Mario” has grossed $434.33 million in North America and $871 million globally to stand even higher as the biggest movie of the year. Those ticket sales, down just 37% from the weekend prior, rank as the highest third weekend for any animated film domestically (surpassing 2018’s “Incredibles 2” with $46.4 million in its third weekend of release) and the seventh-biggest third weekend ever (overtaking 2021’s “Spider-Man: No Way Home” with $56 million in its third weekend of release).

Universal/Illumination’s “The Super Mario Bros. Movie” has broken yet another box office record for animation with an estimated $58 million in its third weekend. Just like last weekend, “Mario” has posted the highest total ever seen for an animated film in its third weekend and, at the moment, the seventh highest third weekend for any film.

Exhibition cries for a supply of films at the box office, but a flood of titles means nothing if there isn’t any marketing money put behind it. Last weekend there were five wide releases going up against Illumination/Universal’s beast Super Mario Bros Movie. Did it even make a difference? Was a proper amount spent to get audiences in seats? Or did the studios cut their losses and only pony up so much to promote them?

Rebecca Rubin Film and Media Reporter “The Super Mario Bros. Movie” will rule again in its third weekend at the box office. In maintaining the No. 1 spot in North America, the family film is expected to take down two newcomers, the supernatural horror sequel “Evil Dead Rise” and action-war thriller “Guy Ritchie’s the Covenant,” as well as A24’s mind-bender “Beau Is Afraid,” which is expanding nationwide. Universal and Illumination’s animated “Mario” adventure has grossed $366.3 million domestically to date. In the next few days, it will surpass “Minions: The Rise of Gru” ($369 million) as the highest-grossing animated film of the pandemic era. With $724 million globally, it already stands as the biggest movie of the year so far. Now in its third outing at the domestic box office, “Mario” is looking to bring in roughly $45 to $50 million, a massive result at this point in its theatrical run.

Jazz Tangcay Artisans Editor SPOILER ALERT: This story discusses major plot points, including the ending for “The Pope’s Exorcist” currently playing in theaters. Director Julius Avery has “only seen parts” of William Friedkin’s classic “The Exorcist.” “I’m not a massive aficionado of exorcist movies,” he tells Variety. Yet despite that, his latest release, “The Pope’s Exorcist,” which is based on Gabriele Amorth’s books “An Exorcist Tells His Story” and “An Exorcist: More Stories,” follows the Vatican’s chief exorcist to Spain. Played by Russell Crowe, Father Amorth teams up with a priest, Father Esquibel (Daniel Zovatto), to investigate a young mother, Julia (Alex Essoe), and her children, who have recently become possessed by a powerful demon.

After passing $500M globally through Thursday, Illumination/Nintendo/Universal’s The Super Mario Bros Movie is now on its way to an estimated $659M through Sunday worldwide. Of that, the international box office is estimated to rep $318.6M. 

J. Kim Murphy Mamma mia! “The Super Mario Bros. Movie” is staying on top at the domestic box office. The Universal release added a commanding $22.6 million on Friday from 4,371 theaters. After achieving the biggest opening weekend of the year, “Mario Bros.” actually added 28 more locations in its sophomore outing. The Universal, Illumination and Nintendo co-production is now projecting an $80 million gross for the three-day frame, which would mark an impressive 45% drop from its $146 million opening weekend. e. On Friday, “Super Mario Bros.” crossed the $500 million mark globally. The film is now the highest-grossing release of 2023 so far and the biggest video game adaptation in history.

Jordan Moreau Universal’s latest monster movie, the blood-sucking “Renfield,” is sinking its teeth into the domestic box office with $900,000 from 2,750 theaters in Thursday previews. It expands to 3,375 locations on Friday. This modern take on Dracula won’t be able to drive a stake through the heart of last week’s box office champion, “The Super Mario Bros. Movie.” The animated, family-friendly video game adaptation will get another high score at the box office this weekend, with an expected $58 million to $66 million in its sophomore outing. “Renfield,” starring Nicolas Cage as Dracula and Nicholas Hoult as his lowly servant, is projected to make just $10 million in its opening weekend. Considering the horror-comedy carries a $65 million price tag, it’s not a great start to its run. It will also have to battle the fellow R-rated horror “The Pope’s Exorcist,” which opened to $850,000 in previews and is also on track to earn $10 million this weekend. The upside to the Sony horror movie, starring Russel Crowe as the Vatican’s lead exorcist, is that it only cost the company $18 million.

It is hard to look at any movie with “Exorcist” in its title and not immediately think of William Friedkin’s eternal 1973 Oscar-winning horror classic that is celebrating its 50th anniversary this year. Nevertheless there have been dozens of films of various stripes that have tried to conjure their own magic in this sub-genre, but none that have managed to surpass what Friedkin and screenwriter William Peter Blatty did with that brilliant film.

The Super Mario Bros. Movie, claiming film critics are “disconnected from reality”.The animated children’s film, adapted from the iconic Nintendo video game franchise, was released in cinemas last week.Reviews have generally been negative, and the film currently holds “Rotten” critics’ score of 57 per cent on review aggregator site Rotten Tomatoes.However, the audience score – which is voted for by non professional critics – currently sits at 96 per cent positive, making it “Fresh”.On Twitter, Musk commented on the disparity between the critics and audience after an account called @BoredOfElonMusk shared an image of the Rotten Tomatoes scores.“Content review systems are broken.

The Pope’s Exorcist has been branded “unreliable splatter” by the International Association of Exorcists (IAE).In the trailer and other promotional material, the movie claims to be “inspired by the actual files of father Gabriele Amorth, Chief Exorcist of the Vatican”.“There is actually a real job called the Chief Exorcist in the Vatican,” Crowe explained in the film’s production notes. “Father Gabriele Amorth was a real man who held that office for 36 years, and was involved in tens of thousands of exorcisms.”However, in a statement issues last month, the IAE, which Amorth himself founded in 1990, described the film as “unreliable splatter cinema” (via The Guardian).The statement claimed that the film’s plot, which involves a Vatican conspiracy, raised “unacceptable doubt” as to who “the real enemy is, the devil or ecclesiastical power”.It continued: “The end result is to instil the conviction that exorcism is an abnormal, monstrous, and frightening phenomenon, whose only protagonist is the devil, whose violent reactions can be faced with great difficulty.“This is the exact opposite of what occurs in the context of exorcism celebrated in the Catholic church in obedience to the directives imparted by it.”Amorth was president of the IAE until 2000 and died in 2016.

a cartoon character being attractive, I got very strange looks from my colleagues. I still think Moana’s dad is something special, but I can see how the whole crushing on a cartoon character thing can feel a little wrong. And then came along the new Super Mario Bros movie.

The Super Mario Bros. Movie has broken box office records in its opening weekend.The video game adaptation took $376.5million (£303m) at the global box office in its first five days of release, beating Frozen II’s ($358m) record for the most successful global opening of all time for an animated film.The film also scored the best opening ever for a movie based on a video game, and beat Ant-Man And The Wasp: Quantumania as the biggest film opening in 2023 so far.According to The Hollywood Reporter, it also broke domestic records in the US with $204.6m (£165m) in takings: earning the second best three-day weekend for an animated title behind The Incredibles 2, the biggest five day launch ever after beating Transformers: Revenge Of The Fallen ($200m) and the biggest opening ever for studio Illumination (Despicable Me, Minions).Directed by Aaron Horvath and Michael Jelenic, The Super Mario Bros.

The Super Mario Bros. Movie, and wants Pedro Pascal to play Wario.Black stars as Bowser in the new film, which was released this week and has proved an early hit at the box office.Talking to Game Spot, the star and Tenacious D singer looked ahead to a potential sequel, and the idea that Mario’s arch-rival, Wario, may be introduced.“It’s not a given that Bowser will return,” he said.