Box Office: ‘Renfield’ Makes $900,000 in Previews

The final entry in the “Guardians of the Galaxy” franchise is off to a stellar start.

The Broadway box office report won’t register the impact of this morning’s Tony Award nominations for a week or two, but today’s news certainly comes as welcome and promising signs for Shucked, Kimberly Akimbo, Fat Ham and other well-reviewed productions doing their best to compete against blockbusters like Sweeney Todd and Parade.

Filmmaker James Gunn’s Marvel Studios swan song, Guardians of the Galaxy Vol. 3, is blasting off this weekend, the de facto start of the summer box office, with an eye at $250M worldwide. Of that $110M is coming from domestic, and $140M from overseas.

Rebecca Rubin Film and Media Reporter “Guardians of the Galaxy Vol. 3,” the conclusion to Marvel’s trilogy about an intergalactic crew of misfits, looks to kick off summer moviegoing season with a bang. The superhero adventure is hoping to bring in $120 million in its opening weekend, falling in between the starts of 2014’s “Guardians of the Galaxy” ($94 million) and 2017’s sequel ($146 million). There’s a chance that “Vol. 3” could fall short of those projections and land closer to a less-spectacular $110 million to $118 million, according to independent tracking services. Of course, it’s hard to chide a film that hits $100 million in its domestic debut. But the idea, especially for tentpoles that cost $200 million-plus, is to grow, not shrink, the fanbase with new installments. Reviews for “Guardians 3” are decent (it holds a 78% on Rotten Tomatoes) but sources say tracking has been stagnant in the lead-up to its theatrical premiere. That points to either mounting indifference to the newest phase in the Marvel Cinematic Universe or a sign that Disney waited too long to conclude the “Guardians” story, which began nearly a decade ago and turned Chris Pratt and Dave Bautista into bona fide movie stars and writer-director James Gunn into an A-list filmmaker. At the same time, there’s not really a gauge for a franchise that’s 32 films deep.

Naman Ramachandran Universal’s “The Super Mario Bros. Movie” ruled the U.K. and Ireland box office collecting £3.06 million ($3.8 million) in its fourth weekend for a total of £45.7 million, per numbers from Comscore. In its second weekend, Studiocanal’s “Evil Dead Rise” earned £1.05 million in second place for a total of £3.3 million. There were a couple of strong debuts in the top five. eOne’s “The Unlikely Pilgrimage Of Harold Fry” bowed in third place with £784,698, while DG Tech’s Tamil-language magnum opus “Ponniyin Selvan: 2,” also released in the Telugu and Hindi languages, debuted in fourth position with £618,244. Rounding off the top five, in its fifth weekend, was eOne’s “Dungeons And Dragons: Honor Among Thieves” with £575,796.

Global audiences have been gaga for Baba Yaga with Lionsgate/Thunder Road Films/87 Eleven’s John Wick: Chapter 4 now having passed the $400M mark worldwide.

The Super Mario Bros. Movie has surpassed the $1billion (£800m) mark at the global box office.It hit the ground running with its release last month, and had the biggest opening weekend ever for an animated film at the box office.Yesterday (April 30), it crossed $1billion and is now the 10th biggest animated film in history globally, beating out the $942.5million (£754million) that Minions: The Rise Of Gru grossed in 2019.It pulled in $487.5million (£389.8million) in North America alone and a further $533million (£426.6million) internationally.Only four other movies have achieved this post-pandemic including Spider-Man: No Way Home, Top Gun: Maverick, Jurassic World Dominion and Avatar: The Way Of Water.It comes after Shigeru Miyamoto – a creator of the Super Mario Bros.

At a time when theatrical is looking to distinguish itself with more prolific fare than the factory conveyor belt of humdrum product coming from streaming, it’s with great upset to hear that Lionsgate’s feature adaptation of Judy Blume’s pinnacle 1970 novel Are You There God? It’s Me, Margaret fell greatly short at the box office with a $6.8M opening; below both the $7M-$9M that the studio was seeing, and the more bullish $10M+ that rivals spotted.

Patrick Frater Asia Bureau Chief “Born to Fly,” an action movie about the prowess of the Chinese air force and the bravery of its aviators, topped the China box office chart over a weekend that led into the nearly week-long May Day holiday. Data from consultancy Artisan Gateway shows the film earned $44 million (RMB279 million) between Friday and Sunday. The weekend as a whole brought in $121 million of turnstile revenue, the fourth highest weekend of the year and weaker only than the three “revenge spending” weekends that drove the Chinese New Year period in January and early February.

Patrick Frater Asia Bureau Chief “The Super Mario Bros Movie” and a local sports movie “Dream” gave the South Korean box office some bounce on their first weekend on release. Opening in Korea on Wednesday, some three weeks after the beginning of its international and North American campaigns, “Super Mario” earned $4.67 million between Friday and Sunday, according to data from Kobis, the tracking service operated by the Korean Film Council (Kofic). The film has a cumulative of $5.76 million over its opening five days, plus previews. The film’s weekend numbers are the second highest opening tally recorded by any film this year in Korea. And its weekend score represented a comfortable 40% market share.

Sideshow/Janus Films is estimating a $36k gross or $18k per theater average for The Eight Mountains on two NYC screens, the strongest opening weekend to date for the team behind Drive My Car and EO.

Rebecca Rubin Film and Media Reporter It’s another weekend of box office domination for “The Super Mario Bros. Movie,” which collected a towering $40 million in its fourth frame. Those ticket sales, down just 33% from the weekend prior, were easily enough to rule over the weekend’s newcomers, including literary adaptation “Are You There God? It’s Me, Margaret,” Finnish war drama “Sisu” and biopic “Big George Foreman.” After four weeks on the big screen, “Mario” has grossed $490 million in North America and $532 million internationally to loom even larger as the highest-grossing film of 2023. It’s also the first movie of the year to cross $1 billion globally, a distinction held by only five pandemic-era blockbusters.

As has been the case since the start of April, Universal/Illumination’s “The Super Mario Bros. Movie” has lapped the box office competition, becoming the first animated film of the 2020s to gross $1 billion worldwide while competitors search for vastly smaller opening weekends among niche audiences. \Another strong hold of just a 33% drop has given the film a fourth weekend total of $40 million domestic and $108 million worldwide, pushing the film’s overall totals to $490 million domestic and $1.02 billion global.

according to IMDB’s Box Office Mojo. The movie based on the popular Nintendo game has earned more than $458 million in the US since opening on April 5 — and is projected to hit the $1 billion global milestone on Sunday, according to the Hollywood Reporter.

The box office for “The Super Mario Bros. Movie” just keeps on growing, and projections indicate topping $1 billion at the box office by the end of the weekend.

J. Kim Murphy Are you there box office? It’s-a me, “Mario.” Now in its fourth weekend of release, “The Super Mario Bros. Movie” is still dominating the competition on domestic charts, fending off theatrical newcomers “Are You There God? It’s Me, Margaret,” “Sisu” and “Big George Foreman.” The adaptation of Judy Blume’s best-selling 1970 novel is faring the best among new releases. Opening in 3,343 locations, the coming-of-age film earned $2.25 million on Friday, a figure that includes roughly $600,000 in Thursday previews. That may be enough for the Lionsgate release to project a third place finish for the weekend, but it’s ultimately an underwhelming result for a crowdpleaser based on a literary mainstay that carries a $30 million production budget.

Universal/Illumination’s “The Super Mario Bros. Movie” has officially done what no other animated movie since the pandemic began has been able to do: reach the $1 billion mark at the global box office. The Nintendo adaptation has hit the mark at the start of its fourth weekend in theaters as it adds an estimated $37.5 million from North American theaters along with an estimated $69 million from overseas.

J. Kim Murphy “The Super Mario Bros. Movie” has pounded out some serious coinage. The animated adventure from Universal Pictures, Illumination Entertainment and Nintendo is becoming the first release of 2023 to cross the $1 billion mark at the global box office. While “Mario Bros.” isn’t projected to cross the coveted threshold until Sunday, Universal is confident enough in the projections to declare the weekend a victory. If estimates hold, the video game adaptation will reach the $1 billion mark in 24 days. First debuting on April 5, “The Super Mario Bros. Movie” has been a dominant force in theaters for the entire month. It still ranks as the top release on domestic charts, now in its fourth weekend of release.

As The Super Mario Bros Movie barrels toward a box office score that will make it the highest-grossing animated movie ever at the domestic box office, and Guardians of the Galaxy Vol. 3 waits to pounce, Lionsgate is navigating the pre-summer calendar this weekend with two movies aimed at two different demos: the long-awaited feature take of Judy Blume’s 1970 novel, Are You There God? It’s Me, Margaret aimed at women, and their pickup of the Sony Stage 6 Finnish genre title Sisu, aimed at genre dudes.

quarterly earnings report.Imax reported quarterly revenue of $86.9 million and earnings of $5.1 million or 4 cents per share on a diluted basis and 16 cents per share on an adjusted basis. That beat Wall Street projections of $77.5 million in revenue and adjusted EPS of 15 cents per share, according to analysts surveyed by Zacks Investment Research.