‘Rebel Moon — Part Two: The Scargiver’ Review: An Even More Rote Story, but a Bigger and Better Battle

Owen Gleiberman Chief Film Critic “Challengers,” Luca Guadagnino’s enthralling sports opera about three great-looking tennis stars who trade partners, is the latest movie to feature that time-honored configuration, the love triangle. And make no mistake: This one is complicated. It’s no mere either/or thing.

Owen Gleiberman Chief Film Critic In “Boy Kills World,” Bill Skarsgård has burning eyes and model cheekbones, sinewy arms popping out of a dirty red athletic vest, and a feral pout that make him look like Jean-Claude van Damme crossed with Lou Reed. He plays a deaf-mute avenger, known only as Boy, who kills people in insanely violent ways. Yet through it all, the character retains his innocence.

Owen Gleiberman Chief Film Critic Any photographer who shoots what’s happening in the gleaming, raw, people-packed carnival of New York City — the stores and walls and towers and alleyways, the celebrities, the endless cross-section of humanity — already has an artistic leg up. But the other leg is what he or she does with it. Weegee shot the violent night world of sin and crime.

Zack Snyder’s Rebel Moon – Part Two: The Scargiver has rocketed to the top of Netflix’s charts but has landed fewer viewers than its opening saga.

To quote Robert Downey Jr. in ‘Infinity War,’ “Your math is blowing my mind.” Last month, director Zack Snyder appeared on The Joe Rogan Experience (you can watch/listen below) to promote his latest film, “Rebel Moon: Part Two” (read our review).

Netflix will be out in force at France‘s Annecy International Animation Film Festival once again this June, after last year’s high-profile attendance with Nimona as well as teasers for Chicken Run: Dawn of the Nugget and Blue Eye Samurai.

Zack Snyder is revealing the reason behind his heavy use of slow motion in his Rebel Moon films.

Zack Snyder’s new Netflix film is out and it is receiving the worst reviews of the director’s career to date.Rebel Moon – Part Two: The Scargiver hit the streaming platform last Friday (April 19), the sequel to its 2023 predecessor.It stars Sofia Boutella as a former soldier who recruits warriors from neighbouring planets to fight back against the evil Imperium when her farming colony is threatened.On the reviews aggregator site Rotten Tomatoes, the film is currently sitting on a 17 per cent rating, surpassing his previous low, which was the first Rebel Moon film at 21 per cent.Some of Snyder’s previous films, including his DC Extended Universe entries Man of Steel, Batman v Superman: Dawn of Justice and the original cut of Justice League, are all certified rotten on the site, at 56, 29 and 40 per cent respectively.His highest-rated directorial project to date is his 2004 debut Dawn of the Dead at 76 per cent, followed by his 2021 extended cut of Justice League at 72 per cent.In a one-star review, The Times said, “You’d sell your granny for a sci-fi brain gizmo that could wipe the entire mess from your mind for ever”.The Telegraph, meanwhile, declared that, “We’re given hundreds of details about this galaxy far far away, but no reasons to care about any of them.”Snyder himself has hit back at the negative reviews for the film, saying he’s perplexed by the hostile reaction.“I don’t really have a rebuttal to the reviews. For whatever reason, the reaction to my movies is very polarising, and it always has been.

This week’s release of Zack Snyder’s “Rebel Moon – Part Two: The Scargiver” (read our review) puts many of Netflix’s problems into sharp focus. Reportedly costing around $166 million to make for both films, arguably much less expensive than some big Marvel and “Star Wars” that cost around $200 million each, it’s still a significant figure for movies that have been met with massive critical derision.

What To Watch.What to watch: 7 movies and shows to stream this week — April 5What to watch: 7 movies and shows to stream this week — April 12“The Jinx” came out on HBO in 2015, exploring the life of Robert Durst, a New York real estate heir whose wife disappeared in 1982. Before the premiere of the finale, Durst was arrested for his wife’s murder, with the second part of the series picking up where the real life story left off.

Filmmaker Zack Snyder’s profoundly unfortunate “Rebel Moon — Part One: A Child of Fire,” a turgid, ostentatiously vacant space opera, was, to put it politely, a dire film and hollow regurgitation of familiar sci-fi tropes. But it at least had a story with three bare acts, however tedious.

Zack Snyder opened up about some dreaming casting decisions that he’d like to make with his Rebel Moon franchise.

Slow-motion scenes that sputter story pacing? Check.Poorly developed characters? Check.Plot holes bigger than the Milky Way? Check.

Before asking Jesse Eisenberg to rock a bald head, Zack Snyder considered Leonardo DiCaprio for the role of Lex Luthor.

Writer/director Zack Snyder always has ambitious plans for his movies, and when it comes to his brand new science-fiction space opera series “Rebel Moon,” the filmmaker’s thinking isn’t veering far off from the audacious. Just one day before the second installment’s release, “Rebel Moon – Part Two: The Scargiver,” Snyder has said that he has plans for up to six ‘Rebel Moon’ movies.

Zack Snyder’s “Rebel Moon – Part Two: The Scargiver” is almost upon us, debuting on Netflix this Friday, April 19 (read our review of ‘Part One’). Given its imminent release, the filmmaker appeared on the Happy Sad Confused podcast to discuss Rebel Moon’ and his entire career.

What’s next for director Zack Snyder after his upcoming “Rebel Moon” part two sci-fi sequel? While the genre filmmaker has teased a possible third installment in the series, Snyder still has various projects in the oven and is still mulling over what gets made from that pack of contenders, including a sequel to his “Army Of The Dead” zombie movie. During a recent chat with Games Radar to promote the second half of “Rebel Moon,” Snyder was asked about some of the previous projects he had in development, such as a film inspired by the King Arthur mythology (Snyder is a big fan of John Boorman’s R-rated “Excalibur”), Horse Latitudes (a long-gestating Afghan War pic formerly known as “The Last Photograph”), and his sexualized take on Alexander The Great in “Blood & Ashes” too (Snyder once mused about making a George Washington action film).

Zack Snyder has been concurrently exploring two original franchises at Netflix: the zombie genre actioner “Army of The Dead” and the two-parter “Rebel Moon.” The latter is an old “Star Wars” movie pitch the filmmaker made to Lucasfilm—turning Akira Kurosawa’s iconic “Seven Samurai” into a sci-fi fantasy adventure film.

While filmmaker Zack Snyder is getting ready to release the second part of his “Rebel Moon” Netflix war film later this month, ‘The Scargiver,’ the director can multitask and is also thinking about the past. In a new Empire interview, Synder says he is still itching to get another crack at his 2011 fantasy film, “Sucker Punch.” So, after convincing Warner Bros.

Owen Gleiberman Chief Film Critic “Back to Black,” the 2006 album that the new Amy Winehouse biopic takes its title from, is a record built on an exquisite contradiction. The music has a crispy delicious retro-bop bounce, a quality that extends to Winehouse’s vocals, which take the growling-cat stylings of jazz legends like Sarah Vaughan and Billie Holiday and kick them up into something playfully ferocious. Yet when you tune into the lyrics, they’re as dark as midnight.