Ted Sarandos To Speak AT RTS London Convention
22.04.2024 - 00:16 / theplaylist.net
This week’s release of Zack Snyder’s “Rebel Moon – Part Two: The Scargiver” (read our review) puts many of Netflix’s problems into sharp focus. Reportedly costing around $166 million to make for both films, arguably much less expensive than some big Marvel and “Star Wars” that cost around $200 million each, it’s still a significant figure for movies that have been met with massive critical derision.
Ted Sarandos To Speak AT RTS London Convention
Ellise Shafer The Royal Television Society has revealed the dates and initial speakers for its annual RTS London Convention. This year’s event will take place on Sept. 17 at Kings Place in London and is chaired by Anna Mallett, Netflix‘s vice president of production for EMEA and the U.K.
Baby Reindeer has taken over Netflix.
EXCLUSIVE: Netflix‘s new feature Boss Dan Lin has tapped former DreamWorks Animation and Coyote Vs. Acme producer Chris deFaria to consult for the streamer’s animation department, we hear on very good authority.
Zack Snyder’s Rebel Moon – Part Two: The Scargiver has rocketed to the top of Netflix’s charts but has landed fewer viewers than its opening saga.
To quote Robert Downey Jr. in ‘Infinity War,’ “Your math is blowing my mind.” Last month, director Zack Snyder appeared on The Joe Rogan Experience (you can watch/listen below) to promote his latest film, “Rebel Moon: Part Two” (read our review).
Netflix will be out in force at France‘s Annecy International Animation Film Festival once again this June, after last year’s high-profile attendance with Nimona as well as teasers for Chicken Run: Dawn of the Nugget and Blue Eye Samurai.
Zack Snyder’s new Netflix film is out and it is receiving the worst reviews of the director’s career to date.Rebel Moon – Part Two: The Scargiver hit the streaming platform last Friday (April 19), the sequel to its 2023 predecessor.It stars Sofia Boutella as a former soldier who recruits warriors from neighbouring planets to fight back against the evil Imperium when her farming colony is threatened.On the reviews aggregator site Rotten Tomatoes, the film is currently sitting on a 17 per cent rating, surpassing his previous low, which was the first Rebel Moon film at 21 per cent.Some of Snyder’s previous films, including his DC Extended Universe entries Man of Steel, Batman v Superman: Dawn of Justice and the original cut of Justice League, are all certified rotten on the site, at 56, 29 and 40 per cent respectively.His highest-rated directorial project to date is his 2004 debut Dawn of the Dead at 76 per cent, followed by his 2021 extended cut of Justice League at 72 per cent.In a one-star review, The Times said, “You’d sell your granny for a sci-fi brain gizmo that could wipe the entire mess from your mind for ever”.The Telegraph, meanwhile, declared that, “We’re given hundreds of details about this galaxy far far away, but no reasons to care about any of them.”Snyder himself has hit back at the negative reviews for the film, saying he’s perplexed by the hostile reaction.“I don’t really have a rebuttal to the reviews. For whatever reason, the reaction to my movies is very polarising, and it always has been.
James Gunn and Peter Safran are the co-heads of DC Studios and taking over the DCU.
I never liked Tom Ripley but I keep meeting him.
With Aladdin producer Dan Lin taking over film leadership at Netflix from Scott Stuber, there will still be a commitment to a robust feature slate.
Netflix co-CEO Ted Sarandos saw a 2023 compensation package valued at $49.8 million, down a hair from the year before but with one big change — he took more in stock option awards than in cash as the streamer shifts its pay policies.
Rebecca Rubin Senior Film and Media Reporter As Netflix‘s new film chief, Dan Lin’s mandate is to focus on quality — and quantity. Netflix’s co-CEO Ted Sarandos shed light on Lin’s strategy as the producer takes over film duties from Scott Stuber, who announced in January he was leaving the streamer.
Todd Spangler NY Digital Editor Netflix co-CEO Ted Sarandos earned a bit less in 2023 than the year before — but he still had pay package worth $49.8 million. That was down from $50.3 million for Sarandos in 2022, according to Netflix’s proxy statement filed Thursday.
Writer/director Zack Snyder always has ambitious plans for his movies, and when it comes to his brand new science-fiction space opera series “Rebel Moon,” the filmmaker’s thinking isn’t veering far off from the audacious. Just one day before the second installment’s release, “Rebel Moon – Part Two: The Scargiver,” Snyder has said that he has plans for up to six ‘Rebel Moon’ movies.
With “Rebel Moon – Part Two: The Scargiver” hitting Netflix tomorrow, Zack Snyder is making the press rounds to promote his latest film. But the most intriguing stuff he talked about on the Happy Sad Confused podcast didn’t have anything to do with “Rebel Moon” at all.
Zack Snyder’s “Rebel Moon – Part Two: The Scargiver” is almost upon us, debuting on Netflix this Friday, April 19 (read our review of ‘Part One’). Given its imminent release, the filmmaker appeared on the Happy Sad Confused podcast to discuss Rebel Moon’ and his entire career.
Zack Snyder has been concurrently exploring two original franchises at Netflix: the zombie genre actioner “Army of The Dead” and the two-parter “Rebel Moon.” The latter is an old “Star Wars” movie pitch the filmmaker made to Lucasfilm—turning Akira Kurosawa’s iconic “Seven Samurai” into a sci-fi fantasy adventure film.
Sherlock co-creator and star Mark Gatiss has said he and the team behind the popular detective drama are still interested in adapting the series for the big screen.
They’re baaack. We retired Strike Talk, the Deadline podcast by Billy Ray and Todd Garner Deadline hatched to lend perspective and serve as a beacon of hope to the industry during the WGA and SAG-AFTRA strikes. We’ve put the band back together because a potential standoff between the signatories and the negotiators for the Teamster and IATSE guilds looms just up the road when their contracts expire July 31. Are the signatories going to repeat last year’s failed strategy of keeping the CEOs out of the room until too late to stop another disastrous Hollywood shut down? Ray and Garner pose that question to Lindsay Dougherty, who’s leading the negotiation for the Teamsters, and who here reveals she has not had even a passing chat with any of the CEOs that finally solved the last round of labor strife. Dougherty figured into the last strike when she pledged the commitment of Teamsters to stand in solidarity with the striking guilds, which put pressure on the AMPTP to get serious. Here, she discusses the production downturn that followed the return to production, the resolve that these guilds have to get a proper deal and her hope that the signatories don’t once again “trip over dollars to save pennies.” Buckle up.