Baby Reindeer has taken over Netflix.
23.04.2024 - 09:21 / deadline.com
Netflix will be out in force at France‘s Annecy International Animation Film Festival once again this June, after last year’s high-profile attendance with Nimona as well as teasers for Chicken Run: Dawn of the Nugget and Blue Eye Samurai.
Its annual Annecy presentation will see directors Nick Park and Merlin Crossingham give a sneak peek of Aardman’s upcoming new and still untitled Wallace & Gromit film, while Zack Snyder, executive producer Deborah Snyder and Xilam Animation Director Slimane Aniss will unveil clips from the adult animated series Twilight of the Gods.
The Netflix event will also feature material from The Twits and Skydance Animation’s Spellbound directed by Vicky Jenson (Shrek) and featuring Rachel Zegler, Nicole Kidman, Javier Bardem and John Lithgow in the voice cast.
The new Wallace & Gromit feature will also be spotlighted in the wider festival with an exhibition featuring some of the puppets from the upcoming sequel.
Outside of its own presentation Netflix will also participate in Annecy’s popular Work-in-Progress sessions, with upcoming animation That Christmas.
Writer Richard Curtis (Four Weddings and a Funeral, Notting Hill, Love Actually) will be joined on stage by animation director Simon Otto (Love, Death & Robots, How to Train Your Dragon), producer Nicole Hearon and production designer Justin Hutchinson-Chatburn.
Elsewhere in the festival, Netflix’s upcoming release Ultraman: Rising, rebooting the iconic Japanese superhero, will world premiere as part of the official line-up ahead of its launch on the platform on June 14.
The movie, which is the fruit of a partnership between Netflix, Tsuburaya Productions, and Industrial Light & Magic, will also be the subject of a Making of Session.
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Baby Reindeer has taken over Netflix.
Kacey Musgraves is hitting the road, and the set list for her show looks so good!
The Rolling Stones have announced the support acts for their 2024 ‘Hackney Diamonds‘ US tour.The legendary band are set to embark on a massive US tour next week (April 28). The tour will see Mick Jagger, Keith Richards and Ronnie Wood perform in 16 cities across North America and Canada.To kick off the first night of the tour, Gary Clark Jr.
Eurovision Song Contest 2024.According to Eurovision World, the favourites to win the competition have been revealed. Coming in first place is Switzerland’s NEMO, who currently has a 25 per cent chance at snagging the crown this year with their song ‘The Code’.Behind Switzerland in second place is Croatia, whose entry Baby Lasagna is predicted to have a 17 per cent chance of winning with his song ‘Rim Tim Tagi Dim’.
Zack Snyder’s Rebel Moon – Part Two: The Scargiver has rocketed to the top of Netflix’s charts but has landed fewer viewers than its opening saga.
To quote Robert Downey Jr. in ‘Infinity War,’ “Your math is blowing my mind.” Last month, director Zack Snyder appeared on The Joe Rogan Experience (you can watch/listen below) to promote his latest film, “Rebel Moon: Part Two” (read our review).
Zack Snyder is revealing the reason behind his heavy use of slow motion in his Rebel Moon films.
Zack Snyder’s new Netflix film is out and it is receiving the worst reviews of the director’s career to date.Rebel Moon – Part Two: The Scargiver hit the streaming platform last Friday (April 19), the sequel to its 2023 predecessor.It stars Sofia Boutella as a former soldier who recruits warriors from neighbouring planets to fight back against the evil Imperium when her farming colony is threatened.On the reviews aggregator site Rotten Tomatoes, the film is currently sitting on a 17 per cent rating, surpassing his previous low, which was the first Rebel Moon film at 21 per cent.Some of Snyder’s previous films, including his DC Extended Universe entries Man of Steel, Batman v Superman: Dawn of Justice and the original cut of Justice League, are all certified rotten on the site, at 56, 29 and 40 per cent respectively.His highest-rated directorial project to date is his 2004 debut Dawn of the Dead at 76 per cent, followed by his 2021 extended cut of Justice League at 72 per cent.In a one-star review, The Times said, “You’d sell your granny for a sci-fi brain gizmo that could wipe the entire mess from your mind for ever”.The Telegraph, meanwhile, declared that, “We’re given hundreds of details about this galaxy far far away, but no reasons to care about any of them.”Snyder himself has hit back at the negative reviews for the film, saying he’s perplexed by the hostile reaction.“I don’t really have a rebuttal to the reviews. For whatever reason, the reaction to my movies is very polarising, and it always has been.
This week’s release of Zack Snyder’s “Rebel Moon – Part Two: The Scargiver” (read our review) puts many of Netflix’s problems into sharp focus. Reportedly costing around $166 million to make for both films, arguably much less expensive than some big Marvel and “Star Wars” that cost around $200 million each, it’s still a significant figure for movies that have been met with massive critical derision.
Faithless have announced their return to the live stage after eight years, and teased that new music is on the way. Check out the newly announced shows below.Announced today (April 19), the band have announced a new run of live shows, set to take place across the UK and Europe later this summer.
James Gunn and Peter Safran are the co-heads of DC Studios and taking over the DCU.
Filmmaker Zack Snyder’s profoundly unfortunate “Rebel Moon — Part One: A Child of Fire,” a turgid, ostentatiously vacant space opera, was, to put it politely, a dire film and hollow regurgitation of familiar sci-fi tropes. But it at least had a story with three bare acts, however tedious.
Zack Snyder opened up about some dreaming casting decisions that he’d like to make with his Rebel Moon franchise.
Slow-motion scenes that sputter story pacing? Check.Poorly developed characters? Check.Plot holes bigger than the Milky Way? Check.
Owen Gleiberman Chief Film Critic What do you call world-building when it’s built entirely out of worlds that have already been built? I wouldn’t call it cinema; it might be closer to Lego with attitude. Zack Snyder’s “Rebel Moon — Part Two: The Scargiver,” like his “Rebel Moon — Part One: A Child of Fire,” is a sci-fi action fantasy so familiar and generic, so borrowed from and inspired by other things — it’s the 1977 “Star Wars” meets “Seven Samurai” meets “The Lord of the Guardians of the Rings of the Galaxy” — that it’s already the theme-park version of itself.
Before asking Jesse Eisenberg to rock a bald head, Zack Snyder considered Leonardo DiCaprio for the role of Lex Luthor.
Writer/director Zack Snyder always has ambitious plans for his movies, and when it comes to his brand new science-fiction space opera series “Rebel Moon,” the filmmaker’s thinking isn’t veering far off from the audacious. Just one day before the second installment’s release, “Rebel Moon – Part Two: The Scargiver,” Snyder has said that he has plans for up to six ‘Rebel Moon’ movies.
Zack Snyder, the director of 2016′s Batman v Superman: Dawn of Justice starring Henry Cavill as Superman and Ben Affleck as Batman, just dropped a fun fact about casting for the film’s villain, Lex Luthor.
With “Rebel Moon – Part Two: The Scargiver” hitting Netflix tomorrow, Zack Snyder is making the press rounds to promote his latest film. But the most intriguing stuff he talked about on the Happy Sad Confused podcast didn’t have anything to do with “Rebel Moon” at all.
Zack Snyder’s “Rebel Moon – Part Two: The Scargiver” is almost upon us, debuting on Netflix this Friday, April 19 (read our review of ‘Part One’). Given its imminent release, the filmmaker appeared on the Happy Sad Confused podcast to discuss Rebel Moon’ and his entire career.