While there are some celebs who are incredible on week one of Dancing With the Stars, there are also some who unfortunately crash and burn in the ballroom.
08.09.2023 - 11:35 / variety.com
Christopher Vourlias Three decades ago, just a few years after the fall of the Berlin Wall ushered in a new era of hope and promise in Europe, Polish filmmaker Agnieszka Holland made the historical drama “Europa, Europa,” which follows the harrowing ordeal of a Jewish teenager who goes to impossible lengths to survive the Holocaust. The title, says Holland, was meant to express “the duality of the European tradition: Europe of our aspirations, the cradle of culture and civilization, the rule of law and democracy, human rights, equality and fraternity, but on the other hand, Europe as the cradle of the worst crimes against humanity, selfishness and hatred.” Throughout her career, the three-time Academy Award nominee has found inspiration in “the great and tragic subjects of the 20th century,” powered by the conviction that “history is relevant, that what happened is relevant,” Holland tells Variety.
Her latest film, “Green Border,” which has its North American premiere at the Toronto Film Festival after bowing in competition at Venice, shows a director in the thrall of history as it unfolds in real time. It focuses on the humanitarian crisis taking place along Poland’s border with Belarus, whose pro-Kremlin strongman Aleksandr Lukashenko has attempted to flood the E.U.
with refugees. For Holland, who fled communist Poland for France in 1981 before the imposition of martial law in the Central European country, there is a sense that history is coming full circle.
“The totalitarian danger [of World War II] didn’t end and is still present and can wake up at any moment,” she says. “I think that we feel in Europe quite strongly, and those in Ukraine feel even stronger, that that moment is coming — that it came.” Spurred by the
.While there are some celebs who are incredible on week one of Dancing With the Stars, there are also some who unfortunately crash and burn in the ballroom.
on her podcast “Off the Vine.” “I was like, ‘You can’t be right! Do not point out what’s happening on national television right now, because I’m going to burst into tears, and I am trying to keep it together.’ That was a lot of it,” she added.Inaba also found herself coming to blows with Bristowe, 38, after the former “Bachelorette” started to question Inaba’s intentions after two weeks of low scores. “I just want to know where it comes from.
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Director Agnieszka Holland has been forced to take 24-hour security protection as she returns to her native Poland for the theatrical release of migrant drama Green Border on Friday (September 22) in the face of a fierce political backlash and online hate campaign.
Christopher Vourlias Polish filmmaker Agnieszka Holland has remained defiant despite a wave of vicious political attacks and online hate speech as she prepares to release her Venice Special Jury Prize-winning refugee drama “Green Border” in Poland on Sept. 22.
Kylie Jenner is keeping her boyfriend Timothee Chalamet close.
Patrick Frater Asia Bureau Chief Steven Yeun has bucked stereotypes and carved a new niche as sexy Asian leading man with his roles in “Burning” and “Beef.” Justin Chon transitioned from a supporting role in “Twilight” to directing “Gook,” “Jamojaya” and half of Apple TV+’s “Pachinko.” And Busan-born Daniel Dae Kim has expanded from “Lost” and “Hawaii” to becoming one of Hollywood’s leading producers. The stateside successes of Korean-born and Korean American talent are growing and are worth celebrating. But the Busan International Film Festival’s planned party is being dialed down a notch under the impact of the twin writers’ and SAG Actors strikes in the U.S. Busan’s ‘Special Program in Focus: Korean Diasporic Cinema’ will go ahead with a screening schedule including six films, public talk sessions that include Oscar-winning actor Youn Yuh-jung, Lee Isaac Chung, director of Oscar-winning film “Minari,” and John Cho, the Seoul-born “Star Trek” and “Searching” star.
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It is an overused cliche to describe visually stunning films as “every frame of this movie could be a painting hanging on the wall.” It is now an actual fact for at least two films. “Loving Vincent” was the first animated feature-length film composed exclusively of hand-painted oil paintings as its individual frames.
Kid Cudi has denied rumours that he has had a falling out with his friend Timothée Chalamet, saying that he’ll “always love him”.The rapper, singer, songwriter and actor – real name Scott Mescudi – recently responded to a fan who reposted a picture of Cudi and Wonka star Chalamet from 2021. Captioning the image of the pair happily posing together, the X user said that they were “devastated”.“What happened???” Cudi asked.
Virgin River.” Whatever. I won’t spoil anything.
Addie Morfoot Contributor In Polish actor-turned-filmmaker Kasia Smutniak’s documentary “Walls,” she undertakes an uncertain and risky journey into the red zone — a dangerous strip of land in Poland that runs parallel to the Belarus border. Crossing the long border is a 115-mile steel barricade built to repel migrants from entering the European Union in search of refuge. Inside the red zone is Poland’s dense Białowieża Forest, known for its swamps, wolf packs, and desperate migrants trapped in political limbo.
A family of Syrian refugees and an English teacher from Afghanistan receive about five minutes of joy in veteran Polish auteur Agnieszka Holland’s otherwise grim and harrowing refugee drama, “Green Border.” As they land in a plane to Belarus, hoping to cross into Poland and eventually Sweden for asylum where refugee status awaits, their eyes beam with optimism as a new land of promise reflects on their smiling faces.
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Speaking at the Venice Film Film Festival winners’ press conference, Poor Things director Yorgos Lanthimos said he was “personally very disappointed” that his lead actress Emma Stone couldn’t be with him to enjoy the film’s Golden Lion win, but that he also “understands the cause”, referring to the SAG-AFTRA strike which has kept the actress away.
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Christopher Vourlias The fall festival circuit features a powerhouse lineup of Polish cinema that showcases an industry in full stride, with hard-hitting topical dramas, award-season hopefuls and potential box-office breakouts highlighting the strength and diversity of filmmaking in a country with a storied cinematic history. Among the hotly anticipated premieres at this week’s Toronto Film Festival is “The Peasants,” a lavish, hand-painted animated feature from the filmmaking team behind Oscar nominee and box-office sensation “Loving Vincent.” Meanwhile, three-time Oscar nominee Agnieszka Holland will be on hand for the North American premiere of “Green Border,” her searing portrayal of Europe’s refugee crisis that just bowed in competition at the Venice Film Festival.
Christopher Vourlias Three-time Academy Award nominee Agnieszka Holland has called out a hard-right Polish minister who compared her refugee drama “Green Border” to Nazi propaganda, accusing him of “hate speech” and insisting that the Eastern European nation’s right-wing ruling party is “afraid” of her film’s damning portrayal of its response to the refugee crisis. The movie is competing for a Golden Lion at the Venice Film Festival this week. “We expected that they would be furious.
As if to come to the aid of her national cinema after the debacle that was Roman Polanski’s The Palace, Poland’s Agnieska Holland, soon to turn 75, restores some of her homeland’s cultural dignity with a devastating exposé that angrily, and quite brilliantly, questions its humanity and political integrity. At 144 minutes, and in black and white, it is not exactly a Trojan horse, and its moral rigor does not come with a spoonful of sugar. But Green Border earns every second of that running time, and with a focus and energy that belies its directors age. Awards-wise, this may prove to be the international feature to beat.