Call Me By Your Name director Luca Guadagnino is once again responding to questions about the alleged connection between Armie Hammer and the new cannibal movie Bones and All.
Call Me By Your Name director Luca Guadagnino is once again responding to questions about the alleged connection between Armie Hammer and the new cannibal movie Bones and All.
“You Want It Darker” accompanies the skin-crawling movie trailer, which was released Thursday, and shows the pair slaying fellow humans and pulling away, covered in blood. “You don’t think I’m a bad person?” Chalamet tearfully asks Russell in the trailer.“All I think is that I love you,” she whispers.
Bones And All starring Timothée Chalamet and Taylor Russell has just been released – take a look above.The film reunites Chalamet with Call Me By Your Name director Luca Guadagnino, as well as actor Michael Stuhlbarg, while Mark Rylance also stars.An official synopsis for Bones And All, based on the book by Camille DeAngelis, reads: “Love blossoms between a young woman on the margins of society and a disenfranchised drifter as they embark on a 3,000-mile odyssey through the backroads of America.“However, despite their best efforts, all roads lead back to their terrifying pasts and a final stand that will determine whether their love can survive their differences.”The film premiered at this year’s Venice film festival earlier this month, where Russell won the award for Best Actress. Bones And All is set to screen at London Film Festival next month, marking its UK premiere ahead of the theatrical release on November 25.Meanwhile, Timothée Chalamet recently shared that Leonardo DiCaprio had given him career advice in 2018.The young actor said that DiCaprio had told him: “No hard drugs and no superhero movies.”Speaking to Time in October last year, Chalamet previously said that he received the advice from “one of my heroes” without revealing his identity.
Luca Guadagnino and Timothée Chalamet took the film world by storm in 2017 with “Call Me by Your Name.” Now they team up again for another coming-of-age tale, but one that’s much more macabre. READ MORE: ‘Bones and All:’ Luca Guadagnino Dismisses Any Relation Between New Movie And The Allegations Against Armie Hammer Based on Camille DeAngelis‘ 2015 YA novel of the same name, “Bones And All” follows Maren Yearly, a young woman who “wants the same things we all do,” but harbors a bloody secret: she has an insatiable appetite for human flesh.
The trailer for Luca Guadagnino‘s Bones and All just debuted online and it’s a thriller you do not want to miss!
BFI London Film Festival Adds Trio Of Titles
Chloe Sevigny finds brand names on sunglasses “very frustrating”. The ‘Bones and All’ star loves Warby Parker - the glasses brand she is an ambassador for - because they are “affordable” and they keep their designs clean and simple, opting to not put “labels on the side”. The 47-year-old actress told Interview magazine: “Warby is affordable and there’s no labels on the side.
Ethan Shanfeld With leading turns in Luca Guadagnino’s cannibal coming-of-age story “Bones and All” and Denis Villeneuve’s fantasy epic “Dune: Part Two,” Timothée Chalamet is wearing many hats. Next December, he will literally wear a top hat in Paul King’s movie musical “Wonka,” an origin story about Roald Dahl’s sugary anti-hero. While details about the pic are limited, paparazzi photos leaked from the set ignited a social media frenzy, as fans were quick to turn Chalamet’s Wonka into a meme. (In a viral tweet, Ben Schwartz wrote, “In this one, Wonka fucks.”) In an interview with British Vogue, Chalamet teased the upcoming movie and reacted to the internet jokes. “You know what’s really funny about that is it’s so misleading. The movie is so sincere, it’s so joyous,” he said, adding that he has seven musical numbers.
Leonardo DiCaprio.The actor, known for his breakout roles in Call Me By Your Name, Lady Bird and Dune, first met DiCaprio in 2018, where he shared some advice for his future career.As revealed in an interview with Vogue, DiCaprio told Chalamet: “No hard drugs and no superhero movies.”Speaking to Time in October last year, Chalamet previously said that he received the advice from “one of my heroes” without revealing his identity. “One of my heroes – I can’t say who or he’d kick my ass – he put his arm around me the first night we met and gave me some advice.“No hard drugs and no superhero movies,” he told the outlet.Chalamet has reunited with Call Me By Your Name director Luca Guadagnino for his next film, Bones And All, a coming-of-age romantic horror road film based on the novel of the same name.Alongside Chalamet, the film stars Taylor Russell, Mark Rylance, Michael Stuhlberg, Andre Holland, Chloe Sevigny, Jessica Harper and David Gordon Green.
Ethan Shanfeld Timothée Chalamet has worn the crown of Hollywood “it boy” ever since his turn in Luca Guadagnino’s “Call Me by Your Name.” Since then, he’s starred in indie favorites like “Lady Bird” and “Beautiful Boy,” as well as headlined fantasy blockbuster “Dune.” Up next: Guadagnino’s film festival darling “Bones and All,” a cannibal love story that earned an 8.5-minute standing ovation in Venice. Following in the footsteps of Hollywood hotshots before him, Chalamet revealed to British Vogue the career advice that Leonardo DiCaprio gave him: “No hard drugs and no superhero movies.” DiCaprio and Chalamet shared the screen in Adam McKay’s 2021 satirical comedy “Don’t Look Up,” which premiered in limited theaters and on Netflix last December, and was nominated for a best picture Oscar.
For critics and audiences alike, the Venice Film Festival is an important first look at the films that will shape the award season and year-end conversations. That puts added emphasis on the Venice Film Festival awards – including the Golden Lion, the festival’s top prize – as the first step towards canon-building for the rest of the year.
The closing ceremony for the 2022 Venice Film Festival just took place and the awards winners have been revealed.
Blood Orange has announced a new EP titled ‘Four Songs’ that is set to arrive later this month.Upon its release on September 16, ‘Four Songs’ will mark Blood Orange’s — real name Dev Hynes — first project with his new label, RCA Records. Contributors on the forthcoming EP include Eva Tolkin, Erika de Casier and Brooklyn singer-songwriter Ian Isiah.Hynes has previewed ‘Four Songs’ by sharing the EP’s self-produced opener, ‘Jesus Freak Lighter’.
Big questions abound after the world premiere of “Bones And All” last week at the Venice Film Festival. For one, will Luca Guadagnino‘s latest win the Golden Lion? The movie vies against the likes of “The Banshees Of Inisherin” and others for Venice’s top prize, but “Bones And All” remains a favorite.
Luca Guadagnino has apparently created another interesting, must-see film with the upcoming “Bones & All,” if you are to believe the hype coming from the Venice Film Festival, where it received an eight-and-a-half-minute standing ovation. But his cannibal love story isn’t the only project Guadagnino is talking about right now, as he also is still beating the drum to get his “Brideshead Revisited” series off the ground.
Elsa Keslassy International Correspondent Fremantle Group CEO Jennifer Mullin and Fremantle Group COO and CEO Continental Europe Andrea Scrosati are set to deliver a keynote address at Mipcom. The session comes on the heels of Fremantle Group’s recent high-profile acquisitions, including Element Pictures (“Conversations With Friends”), Lux Vide (“Medici”), Dancing Ledge Productions (“The Salisbury Poisonings”) and Eureka (“Holey Moley”). alongside talent partnerships with globally-renowned creatives including Angelina Jolie, Neil Cross, Paolo Sorrentino, Luca Guadagnino, Michael Winterbottom, Jimmy Fallon, Sir Kenneth Branagh, Simon Cowell, Penelope Cruz, Pablo and Juan De Dios Larrain and Cara Delevingne.
EXCLUSIVE: Oscar-winning star Mark Rylance and his wife Claire van Kampen, a playwright, composer and director, have teamed with Steven Spielberg and his Amblin Entertainment on a TV project, the actor revealed to Deadline.
As the 49th Annual Telluride Film Festival comes to a close on this Labor Day holiday, it once again could be a fest that ignites the Oscar chances of a number of films that have either had their World Premieres or North American Premieres this weekend. As part of the so-called Fall Festival Trifecta of Venice/Telluride/Toronto (the latter beginning this Thursday), this is where the six month+ awards season officially starts, even if the even longer Emmy season doesn’t conclude until a week from today.
EXCLUSIVE: Filmmaker Luca Guadagnino (Call Me by Your Name) hopes to revive his dream project to make a mammoth 10-episode television adaptation of Evelyn Waugh’s Brideshead Revisited.
Nick Vivarelli International Correspondent Last year Andrea Scrosati – who is group COO and continental Europe CEO of Fremantle – was at Venice with two films. This year Fremantle’s got six pics launching from the Lido, three of them in competition, which is a larger contingent than any of the U.S. studios or streamers. Fremantle’s business model, which involves a cluster of companies mostly across Europe that they either fully own or are majority investors in, has been bearing fruit on their film side. Their output has grown “from 8 to 32 delivered movies in two years,” Scrosati says. And the multi-pronged company’s Venice lineup – which includes Luca Guadagnino’s “Bones and All,” Emanuele Crialese’s “L’Immensità,” and Joanna Hogg’s “The Eternal Daughter” – is a reflection of that.
Timothée Chalamet stars in one of this year’s most anticipated films, shows up to the Venice red carpet premiere in style, and drops pearls of wisdom on the role social media. What can’t he do?Thank you, Timothée Chalamet - and to everyone else, on behalf of all men, our sincerest apologies for not being Timothée Chalamet. The 26-year-old Academy Award-nominee is in Italy right now, where the film Bones And All (one of our top picks for this year’s festival) has had its world premiere at the 79th Venice International Film Festival.
Timothée Chalamet‘s new movie received an almost nine-minute standing ovation at Venice Film Festival. The actor arrived in Italy for the premiere of his second film with Call Me By Your Name director Luca Guadagnino on Friday (2 September). Chalamet plays a cannibal in the film, which is titled Bones and All.
Mark Rylance in cannibal-love story Bones and All, which debuted on Thursday. The 26-year-old posed for photos alongside his co-star Russell, who opted for a green gown with a large bow on the front, which she paired with long, white gloves. Earlier this year the actor attended the 94th Academy Awards wearing no shirt underneath an embroidered lace jacket and high-waisted pants from Louis Vuitton.
There’s no shortage of star power on the Lido this year. The 79th Venice Film Festival boasts such boldface names as Timothée Chalamet — along with his fellow the Bones And All castmates and filmmaker Luca Guadagnino — Cate Blanchett, Alejandro G. Iñárritu, Adam Driver and dozens more.
It’s Bones and All day here at the Venice Film Festival, where the Timothée Chalamet-Taylor Russell starrer from Luca Guadagnino received a 10-minute standing ovation after its world premiere screening this evening.
Film premiere and headlines spilling from a trio of fests in full swing (Venice), just starting (Telluride) and queued up (Toronto) have indie exhibitors and distributors the most hopeful since Covid hit that a stream of new films could fire up the arthouse market.
Timothee Chalamet had all of Venice seeing red on Friday night at the world premiere of “Bones & All.” The actor donned a sparkling red pantsuit (with no back above the waist) in the shade of blood, a cheeky wink to the drama’s central protagonists — two cannibals in love.The drama, which reteams Chalamet with his “Call Me By Your Name” director Luca Guadagnino, lives up to its title with gory attacks and scenes that involve limb chewing and eating. But despite the uncomfortable subject matter, the audience at the Venice premiere for the movie devoured “Bones & All.” The film received a 8.5-minute standing ovation, the longest and most enthusiastic of the festival so far. (It handily beat the previous record holder “Tar,” a drama starring Cate Blanchett as a tortured composer.)
Timothée Chalamet has delivered yet another bold red carpet style.
Timothee Chalamet is making a fashion statement on the red carpet at the 2022 Venice Film Festival!
The beginning of Bones and All is genuinely the stuff of nightmares and could easily stand alone as a short, tapping into the American tradition of the urban myth while at the same time laying down a deceptively sophisticated narrative. The rest of Luca Guadagnino’s latest doesn’t quite maintain this level of mastery and tension, which is in some ways a blessing, but that’s possibly because Bones and All isn’t really a horror movie. After the shocking opening salvo, the film sheds its genre skin to become an almost anthropological study of outsiderdom, using the false dawn of the American 1980s as a sort of petri dish for a new kind of conformity that has led us where we are today.
Owen Gleiberman Chief Film Critic In vampire movies, from “Nosferatu” to the “Twilight” films to “Only Lovers Left Alive,” bloodsucking is usually more than just bloodsucking — it’s about sex, addiction, power — and that’s why the main event in a vampire movie doesn’t have to be the literal spectacle of watching fangs tear into human flesh. The elegance of the genre is that it has a built-in metaphorical sweep. “Bones and All,” Luca Guadagnino’s YA road movie about a couple of lost souls who happen to be cannibals (it’s adapted from the novel by Camille DeAngelis), is a film in which the characters behave very much like vampires. They blend into society, but they’re really a breed apart, with the ability to smell fresh meat (and one another) and a consuming desire to “feed.”
To love is to want to consume someone whole, to pick their skin and sinews out of the gaps between your teeth, to swallow their pancreas and wash it all down with gulps of throat-fizzing stomach acid. Take the age-old question that dominates the Grindr lexicon: do you want to be someone, be with them, or be inside them? “Bones and All,” Luca Guadagnino’s typically sumptuous, deeply romantic American parable — about a pair of teen cannibals, coming of age against the backdrop of ‘80s Reaganism — literalizes this allure, as any great anthropophagist love story should.
Timothée Chalemet is wary of social media.
Timothee Chalamet arrives at the 2022 Venice Film Festival ahead of the premiere of his new movie Bones and All on Friday (September 2) in Venice, Italy.
Judgment was a big topic at the press conference for Luca Guadagnino’s Venice Film Festival competition entry Bones And All this afternoon. Star Timothée Chalamet, returning to the Lido after last year’s triumphant world premiere of Dune, sounded a gloomy outlook when asked his thoughts on the plight of young people today and their experiences with being judged for their choices, particularly in the age of social media.
Nick Vivarelli International Correspondent The Italian film industry is in a paradoxical state: production is booming but box office is bust. Italy’s five features vying for a Venice Golden Lion – plus a myriad more scattered in other Lido sections – reflect cinema Italiano’s current creative vibrancy, if you look at the cream of the crop; however, the average quality is not that great. On the plus side, the country is making a quantum leap forward in terms of the global visibility of its movies just as the number of Italian directors considered bankable in Hollywood, such as Paolo Sorrentino, Luca Guadagnino and Stefano Sollima (“Without Remorse”), to name but a few, is growing.
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