Timothee Chalamet Wears Backless Red Outfit to Venice Premiere of 'Bones & All' with Taylor Russell (Photos)

Timothee Chalamet says he feels “older” than his years. The ‘Little Women’ star believes he was “born with” the “perspective” of someone beyond his years as he becomes British Vogue’s first solo male cover star in its 106 year history. The 26-year-old actor told the Conde Nast fashion bible’s October issue: "The ways I feel older than 26 I have always felt.

Timothée Chalamet is sharing some sage career advice Leonardo DiCaprio gave him. In British October issue, where Chalamet is making history as the first male solo star on the cover, the 26-year-old got candid about his career and his upcoming role as Willy Wonka in the movie musical, .The advice from DiCaprio came in 2018, when Chalamet first met the Oscar-winning actor, and the  star kept it pretty simple: «No hard drugs and no superhero movies.»While it appears Chalamet has achieved that so far, the  actor said he never envisioned his career blowing up the way that it has.«I had a delusional dream in my early teenage years to have, in my late teenage years, an acting career.

Leonardo DiCaprio.The actor, known for his breakout roles in Call Me By Your Name, Lady Bird and Dune, first met DiCaprio in 2018, where he shared some advice for his future career.As revealed in an interview with Vogue, DiCaprio told Chalamet: “No hard drugs and no superhero movies.”Speaking to Time in October last year, Chalamet previously said that he received the advice from “one of my heroes” without revealing his identity. “One of my heroes – I can’t say who or he’d kick my ass – he put his arm around me the first night we met and gave me some advice.“No hard drugs and no superhero movies,” he told the outlet.Chalamet has reunited with Call Me By Your Name director Luca Guadagnino for his next film, Bones And All, a coming-of-age romantic horror road film based on the novel of the same name.Alongside Chalamet, the film stars Taylor Russell, Mark Rylance, Michael Stuhlberg, Andre Holland, Chloe Sevigny, Jessica Harper and David Gordon Green.

Leonardo DiCaprio has taken Hollywood “it boy” Timothée Chalamet under his wing, lending him some practical – and PG-rated – career advice: “No hard drugs and no superhero movies.” Chalamet, 26, shared the cheeky advice from his 47-year-old fellow “Don’t Look Up” co-star with British Vogue on Thursday. The wholesome advice from party boy DiCaprio, who was most recently spotted having a bros night out on Tuesday after being seen with potential new love interest Gigi Hadid this week, Page Six reported, is on target.

After his 2017 star turn in Luca Guadaginino‘s “Call Me By Your Name,” Timothée Chalamet has become Hollywood’s new young heartthrob. And Chalamet’s done a good job bolstering up that reputation with his turns in “Lady Bird,” “The French Dispatch,” and “Dune.” Up next for the actor? Guadagnino’s latest, “Bones And All,” fresh off its world premiere at the Venice Film Festival.

Timothée Chalamet says, despite his global stardom at 26, he’s an old soul.

The closing ceremony for the 2022 Venice Film Festival just took place and the awards winners have been revealed.

Clayton Davis You’d think the reunion of Academy Award nominee Timothee Chalamet and his “Call Me by Your Name” director Luca Guadgnino in “Bones and All” would be all anyone could talk about following the film’s premiere last weekend at Telluride and Venice.   Instead, the name on everyone’s lips is going to be Taylor Russell. The up-and-comer, who first gained prominence with her role in “Waves” (2019), takes center stage and devours every morsel of her time on screen. She brings grace and restraint, two qualities that don’t exactly spring to mind when you’re talking about a coming-of-age story about teen cannibals drawn together by mutual blood lust. I only wish I had more faith Oscar voters would give the movie its proper shake, as genre movies always face an uphill climb, no matter how well reviewed or beloved they are by critics and audiences. 

Nick Vivarelli International Correspondent Last year Andrea Scrosati – who is group COO and continental Europe CEO of Fremantle – was at Venice with two films. This year Fremantle’s got six pics launching from the Lido, three of them in competition, which is a larger contingent than any of the U.S. studios or streamers.  Fremantle’s business model, which involves a cluster of companies mostly across Europe that they either fully own or are majority investors in, has been bearing fruit on their film side. Their output has grown “from 8 to 32 delivered movies in two years,” Scrosati says.  And the multi-pronged company’s Venice lineup – which includes Luca Guadagnino’s “Bones and All,” Emanuele Crialese’s “L’Immensità,” and Joanna Hogg’s “The Eternal Daughter” – is a reflection of that.

Timothée Chalamet stars in one of this year’s most anticipated films, shows up to the Venice red carpet premiere in style, and drops pearls of wisdom on the role social media. What can’t he do?Thank you, Timothée Chalamet - and to everyone else, on behalf of all men, our sincerest apologies for not being Timothée Chalamet. The 26-year-old Academy Award-nominee is in Italy right now, where the film Bones And All (one of our top picks for this year’s festival) has had its world premiere at the 79th Venice International Film Festival.

Timothée Chalamet is putting into words some of what we are all feeling after the last few unsettling years.

Timothée Chalamet‘s new movie received an almost nine-minute standing ovation at Venice Film Festival. The actor arrived in Italy for the premiere of his second film with Call Me By Your Name director Luca Guadagnino on Friday (2 September). Chalamet plays a cannibal in the film, which is titled Bones and All.

Mark Rylance in cannibal-love story Bones and All, which debuted on Thursday. The 26-year-old posed for photos alongside his co-star Russell, who opted for a green gown with a large bow on the front, which she paired with long, white gloves. Earlier this year the actor attended the 94th Academy Awards wearing no shirt underneath an embroidered lace jacket and high-waisted pants from Louis Vuitton.

Venice Film Festival. This year’s festival began on 31 August, with a wide range of celebrities have been showcasing some of their best looks.   Chalamet, who is known for some of his bold outfits, made his red carpet debut at the event for the premiere of his newest film, Bones and All, on Friday.

Timothee Chalamet had all of Venice seeing red on Friday night at the world premiere of “Bones & All.” The actor donned a sparkling red pantsuit (with no back above the waist) in the shade of blood, a cheeky wink to the drama’s central protagonists — two cannibals in love.The drama, which reteams Chalamet with his “Call Me By Your Name” director Luca Guadagnino, lives up to its title with gory attacks and scenes that involve limb chewing and eating. But despite the uncomfortable subject matter, the audience at the Venice premiere for the movie devoured “Bones & All.” The film received a 8.5-minute standing ovation, the longest and most enthusiastic of the festival so far. (It handily beat the previous record holder “Tar,” a drama starring Cate Blanchett as a tortured composer.)

Timothée Chalamet has delivered yet another bold red carpet style.

The beginning of Bones and All is genuinely the stuff of nightmares and could easily stand alone as a short, tapping into the American tradition of the urban myth while at the same time laying down a deceptively sophisticated narrative. The rest of Luca Guadagnino’s latest doesn’t quite maintain this level of mastery and tension, which is in some ways a blessing, but that’s possibly because Bones and All isn’t really a horror movie. After the shocking opening salvo, the film sheds its genre skin to become an almost anthropological study of outsiderdom, using the false dawn of the American 1980s as a sort of petri dish for a new kind of conformity that has led us where we are today.

To love is to want to consume someone whole, to pick their skin and sinews out of the gaps between your teeth, to swallow their pancreas and wash it all down with gulps of throat-fizzing stomach acid. Take the age-old question that dominates the Grindr lexicon: do you want to be someone, be with them, or be inside them? “Bones and All,” Luca Guadagnino’s typically sumptuous, deeply romantic American parable — about a pair of teen cannibals, coming of age against the backdrop of ‘80s Reaganism — literalizes this allure, as any great anthropophagist love story should.