‘All The Beauty And The Bloodshed’ Wins Venice 2022 Golden Lion [Full List Of Winners]

Leo Barraclough International Features Editor U.S. director-producer Laura Poitras, who won an Oscar and an Emmy with Edward Snowden film “Citizenfour,” and recently took the Golden Lion at Venice with opioid epidemic pic “All the Beauty and the Bloodshed,” will be the Guest of Honor at the International Documentary Film Festival Amsterdam. The 35th edition of the festival takes place from Nov. 9 to 20. Poitras will be honored at IDFA with the Retrospective and Top 10 programs, in which she curates 10 films. The Top 10 program includes reflections on political imprisonment (“Hunger” by Steve McQueen; “This Is Not a Film” by Jafar Panahi and Mojtaba Mirtahmasb), incarceration and psychiatry (Frederick Wiseman’s “Titicut Follies”), and genocide (Claude Lanzmann’s “Shoah”). As part of the Top 10, Poitras will be in conversation with several of her selected filmmakers during the festival’s public talks program.

Oscar-winning filmmaker Laura Poitras sharply criticized the Toronto and Venice film festivals today for programming documentaries connected with former Secretary of State Hillary Clinton, suggesting the decision bordered on a “whitewashing” of history.

The closing ceremony for the 2022 Venice Film Festival just took place and the awards winners have been revealed.

Neon snapped up theatrical rights on Aug. 18 prior to the documentary’s world premiere at Venice Film Festival.

HBO Documentary Films has acquired U.S. television and streaming rights to Oscar winner Laura Poitras’s film All the Beauty and the Bloodshed, fresh from its world premiere at the Venice Film Festival and sneak preview at Telluride.

As the 49th Annual Telluride Film Festival comes to a close on this Labor Day holiday, it once again could be a fest that ignites the Oscar chances of a number of films that have either had their World Premieres or North American Premieres this weekend. As part of the so-called Fall Festival Trifecta of Venice/Telluride/Toronto (the latter beginning this Thursday), this is where the six month+ awards season officially starts, even if the even longer Emmy season doesn’t conclude until a week from today.

Colin Farrell wants real conversation.

Colin Farrell suits up sharp for the premiere of his new movie, The Banshees of Inisherin, during the 2022 Venice International Film Festival on Monday (September 5) in Venice, Italy.

The mordantly comedic assault on the politics of revenge used to be the province of English/Irish playwright turned filmmaker Martin McDonagh. In more recent years, the writer/director has turned his probing eye towards compassion, forgiveness, and redemption and the unanswerable question of whether his problematic protagonists are worthy of either.

Nick Vivarelli International Correspondent Last year Andrea Scrosati – who is group COO and continental Europe CEO of Fremantle – was at Venice with two films. This year Fremantle’s got six pics launching from the Lido, three of them in competition, which is a larger contingent than any of the U.S. studios or streamers.  Fremantle’s business model, which involves a cluster of companies mostly across Europe that they either fully own or are majority investors in, has been bearing fruit on their film side. Their output has grown “from 8 to 32 delivered movies in two years,” Scrosati says.  And the multi-pronged company’s Venice lineup – which includes Luca Guadagnino’s “Bones and All,” Emanuele Crialese’s “L’Immensità,” and Joanna Hogg’s “The Eternal Daughter” – is a reflection of that.

Martin McDonagh is back on the Lido where he’s set to debut his latest film The Banshees of Inisherin, the first film he’s produced in his home country Ireland.

Timothée Chalamet stars in one of this year’s most anticipated films, shows up to the Venice red carpet premiere in style, and drops pearls of wisdom on the role social media. What can’t he do?Thank you, Timothée Chalamet - and to everyone else, on behalf of all men, our sincerest apologies for not being Timothée Chalamet. The 26-year-old Academy Award-nominee is in Italy right now, where the film Bones And All (one of our top picks for this year’s festival) has had its world premiere at the 79th Venice International Film Festival.

“Photography was always a way to walk through fear,” says Nan Goldin in her raspy voice as photos fill the screen. Nuzzled within the textures of the snapshots live friends, lovers, and drifters, all eternally preserved through the eyes of the consecrated artist who rose to prominence in the 80s thanks to her visual chronicling of queer life and culture in New York at the height of the AIDS epidemic.

The scourge of the opioid crisis has been documented in the press and in government reports; the culpability of the Sacklers, the multi-billionaire pharmaceutical family whose former company Purdue made the painkiller Oxycontin, has been successfully dramatized. The Sacklers are everywhere in Laura Poitras’ gripping documentary All the Beauty and the Bloodshed, but they are supporting players.

Owen Gleiberman Chief Film Critic In “All the Beauty and the Bloodshed,” the photographer Nan Goldin tells a woeful, revealing, and in its way rather funny anecdote about how in the 1980s, when she first gathered up her photographs — casually transgressive images of her and her friends, who were often drag queens and addicts, along with shots of the assorted other people and situations she experienced as part of the hummingly squalid East Village New York subculture — and tried to shop them around to galleries and museums, they were roundly rejected, because the arbiters of taste, who were inevitably men, favored photographs that were black-and-white and composed in elegant meticulous ways. Goldin’s photographs were in garish verité color, set in environments that were so scruffy (messy bohemian apartments, ordinary people just lolling around) that it looked, to the gallery mavens, like there was no visual organization to them, no art.

There’s no shortage of star power on the Lido this year. The 79th Venice Film Festival boasts such boldface names as Timothée Chalamet — along with his fellow the Bones And All castmates and filmmaker Luca Guadagnino — Cate Blanchett, Alejandro G. Iñárritu, Adam Driver and dozens more.

Timothée Chalamet has delivered yet another bold red carpet style.

Timothee Chalamet is making a fashion statement on the red carpet at the 2022 Venice Film Festival!

To love is to want to consume someone whole, to pick their skin and sinews out of the gaps between your teeth, to swallow their pancreas and wash it all down with gulps of throat-fizzing stomach acid. Take the age-old question that dominates the Grindr lexicon: do you want to be someone, be with them, or be inside them? “Bones and All,” Luca Guadagnino’s typically sumptuous, deeply romantic American parable — about a pair of teen cannibals, coming of age against the backdrop of ‘80s Reaganism — literalizes this allure, as any great anthropophagist love story should.