Luca Guadagnino Says He Needs A Miracle To Revive ‘Brideshead Revisited’ Dream Project With All-Star Cast Including Cate Blanchett And Ralph Fiennes

BFI London Film Festival Adds Trio Of Titles 

Chloe Sevigny finds brand names on sunglasses “very frustrating”. The ‘Bones and All’ star loves Warby Parker - the glasses brand she is an ambassador for - because they are “affordable” and they keep their designs clean and simple, opting to not put “labels on the side”. The 47-year-old actress told Interview magazine: “Warby is affordable and there’s no labels on the side.

Ethan Shanfeld With leading turns in Luca Guadagnino’s cannibal coming-of-age story “Bones and All” and Denis Villeneuve’s fantasy epic “Dune: Part Two,” Timothée Chalamet is wearing many hats. Next December, he will literally wear a top hat in Paul King’s movie musical “Wonka,” an origin story about Roald Dahl’s sugary anti-hero. While details about the pic are limited, paparazzi photos leaked from the set ignited a social media frenzy, as fans were quick to turn Chalamet’s Wonka into a meme. (In a viral tweet, Ben Schwartz wrote, “In this one, Wonka fucks.”) In an interview with British Vogue, Chalamet teased the upcoming movie and reacted to the internet jokes. “You know what’s really funny about that is it’s so misleading. The movie is so sincere, it’s so joyous,” he said, adding that he has seven musical numbers.

Ethan Shanfeld Timothée Chalamet has worn the crown of Hollywood “it boy” ever since his turn in Luca Guadagnino’s “Call Me by Your Name.” Since then, he’s starred in indie favorites like “Lady Bird” and “Beautiful Boy,” as well as headlined fantasy blockbuster “Dune.” Up next: Guadagnino’s film festival darling “Bones and All,” a cannibal love story that earned an 8.5-minute standing ovation in Venice. Following in the footsteps of Hollywood hotshots before him, Chalamet revealed to British Vogue the career advice that Leonardo DiCaprio gave him: “No hard drugs and no superhero movies.” DiCaprio and Chalamet shared the screen in Adam McKay’s 2021 satirical comedy “Don’t Look Up,” which premiered in limited theaters and on Netflix last December, and was nominated for a best picture Oscar.

EXCLUSIVE: Oscar-winning Spanish filmmaker Pedro Almodóvar will not be making his first English-language feature directorial debut with A Manual for Cleaning Women, which has Cate Blanchett set to star and produce under her Dirty Films, Deadline has learned.

Entertainment Weekly. “We want to honor these characters with the best story we can possibly deliver. It’s just on hold,” Evans, 43, added.

Big questions abound after the world premiere of “Bones And All” last week at the Venice Film Festival. For one, will Luca Guadagnino‘s latest win the Golden Lion? The movie vies against the likes of “The Banshees Of Inisherin” and others for Venice’s top prize, but “Bones And All” remains a favorite.

K.J. Yossman Banijay Rights has set a new returning drama series titled “Runners” with writer John Preston (pictured above, left) and exec producer Ellie Wood (pictured above, right) of Clearwood Films, the team behind “Stonehouse” and “The Dig.” “Runners” tells the story of the world’s first police force, the Bow Street Runners, who were formed in the 1740s in London, which at the time was facing a colossal crime wave. The Chief Magistrate of London at the time, Heny Fielding (who also happened to be a celebrated novelist), decided to take on this criminal underworld by assembling a group of police.“This extraordinary story will tell of how a group of just six police officers, none with any training or experience, set about imposing law and order on a completely lawless society and embarked on solving one of the strangest cases of its time – one with momentous political and social ramifications,” reads the logline.

Luca Guadagnino has apparently created another interesting, must-see film with the upcoming “Bones & All,” if you are to believe the hype coming from the Venice Film Festival, where it received an eight-and-a-half-minute standing ovation. But his cannibal love story isn’t the only project Guadagnino is talking about right now, as he also is still beating the drum to get his “Brideshead Revisited” series off the ground.

Timothée Chalamet‘s new movie received an almost nine-minute standing ovation at Venice Film Festival. The actor arrived in Italy for the premiere of his second film with Call Me By Your Name director Luca Guadagnino on Friday (2 September). Chalamet plays a cannibal in the film, which is titled Bones and All.

Mark Rylance in cannibal-love story Bones and All, which debuted on Thursday. The 26-year-old posed for photos alongside his co-star Russell, who opted for a green gown with a large bow on the front, which she paired with long, white gloves. Earlier this year the actor attended the 94th Academy Awards wearing no shirt underneath an embroidered lace jacket and high-waisted pants from Louis Vuitton.

The beginning of Bones and All is genuinely the stuff of nightmares and could easily stand alone as a short, tapping into the American tradition of the urban myth while at the same time laying down a deceptively sophisticated narrative. The rest of Luca Guadagnino’s latest doesn’t quite maintain this level of mastery and tension, which is in some ways a blessing, but that’s possibly because Bones and All isn’t really a horror movie. After the shocking opening salvo, the film sheds its genre skin to become an almost anthropological study of outsiderdom, using the false dawn of the American 1980s as a sort of petri dish for a new kind of conformity that has led us where we are today.

Owen Gleiberman Chief Film Critic In vampire movies, from “Nosferatu” to the “Twilight” films to “Only Lovers Left Alive,” bloodsucking is usually more than just bloodsucking — it’s about sex, addiction, power — and that’s why the main event in a vampire movie doesn’t have to be the literal spectacle of watching fangs tear into human flesh. The elegance of the genre is that it has a built-in metaphorical sweep. “Bones and All,” Luca Guadagnino’s YA road movie about a couple of lost souls who happen to be cannibals (it’s adapted from the novel by Camille DeAngelis), is a film in which the characters behave very much like vampires. They blend into society, but they’re really a breed apart, with the ability to smell fresh meat (and one another) and a consuming desire to “feed.”

To love is to want to consume someone whole, to pick their skin and sinews out of the gaps between your teeth, to swallow their pancreas and wash it all down with gulps of throat-fizzing stomach acid. Take the age-old question that dominates the Grindr lexicon: do you want to be someone, be with them, or be inside them? “Bones and All,” Luca Guadagnino’s typically sumptuous, deeply romantic American parable — about a pair of teen cannibals, coming of age against the backdrop of ‘80s Reaganism — literalizes this allure, as any great anthropophagist love story should.

Nick Vivarelli International Correspondent British director Joe Wright, who helmed Winston Churchill drama “Darkest Hour” – which earned Gary Oldman an Oscar for his portrayal as the British prime minister – is set to change historical sides and direct TV drama “M,” which chronicles Benito Mussolini’s rise to power. The high-end series, which is based on Antonio Scurati’s Premio Strega-winning and international bestselling novel “M. Son of the Century,” traces the birth of Fascism in Italy and Mussolini’s ascent with an innovative approach that has sparked debate about the Fascist dictator’s legacy in Italy and abroad. “The writer understood and put on paper, with facts and documents and everything, that Mussolini is the guy – him and only him – who created what we now know as populism and Fascism,” said the show’s producer Lorenzo Mieli, speaking in Venice, where he is among producers of Luca Guadagnino’s “Bones and All.”

There’s always a great selection of films competing at the Venice Film Festival every year for the coveted Golden Lion. However, the competition at the festival’s 79th edition looks especially fierce.

Leo Barraclough International Features Editor The Zurich Film Festival will honor Italian director and screenwriter Luca Guadagnino at its 18th edition, which runs Sept. 22-Oct. 2. He will receive its “A Tribute To…” award on Sept. 30 before the screening of his latest film “Bones and All,” which plays in the Gala Premiere section, and will hold a public masterclass on Oct. 1. The film world premieres in Venice tomorrow. Guadagnino, born in Palermo in 1971, has been one of the most internationally sought-after directors since the success of “Call Me By Your Name” in 2017, which Guadagnino presented in person at the Zurich fest.

Timothee Chalamet rides through the Grand Canal in Venice, Italy on Wednesday (August 31) ahead of the 2022 Venice Film Festival.