John Hopewell Latest Celebrity News & Gossip

John Hopewell Chief International Correspondent Upping the ante on its inaugural edition, the 2nd Iberseries & Platino Industria will unveil about 50 drama series, whether via first episodes (Capítulo Uno, Segunda Ventana), or showreels or trailers (Upcoming…). Following a breakdown of titles, and showreel highlights in showreels, featuring some of the most anticipated titles from Spain and Latin America, as well as recent hits: Capitulo Uno “El Encargado,” (Star Original Productions/The Walt Disney Company Latin America)

John Hopewell Chief International Correspondent Rodrigo Sorogoyen, director of “As Bestas,” “Riot Police” and the Oscar-nominated “Madre,” is bringing onto the international market “La Guerra,” a six-part drama delivering a new vision of the Spanish Civil War which looks like one of the biggest Spanish series ever made. Sorogoyen will direct all six episodes. Isabel Peña, Sorogoyen, and Eduardo Villanueva, “Riot Police’s”writing team, have fairly definitive version of three episodes with the rest at an initial phase.  “La Guerra” was originally set up at Movistar Plus+. In an amicable settlement – Sorogoyen has gone on to direct and promote an episode of Movistar+ original “Offworld” at last week’s San Sebastián – after Movistar Plus+ pulled out of the series, Sorogoyen and Villanueva’s Madrid-based label Caballo Films have recovered the rights. 

John Hopewell Chief International Correspondent Headed by ex-HBO exec James Costos, Los Angeles and Madrid-based Secuoya Studios and Colombia’s Caracol Television have closed a framework deal to jointly develop, produce and finance scripted series over the next year.  The agreement seals an alliance between two of Latin America’s powerhouses, with large international ambitions. Amazon’s Prime Video and now Mediawan have boarded Secuoya Studios’ flagship series “Zorro,” starring “Elite’s” Miguel Bernardeau and Renata Notni, directed by “Money Heist’s” Javier Quintas. Producer of iconic longer-format series, Caracol TV’s “La Reina del Flow” Season 1 sold to over 100 countries; “El Rey; Vicente Fernandez” Season 1 bowed on Netflix Sept. 12 , shooting to No. 3 in global non-English charts. 

John Hopewell Chief International Correspondent The dream child of 10 Basque businessmen who hoped to prolong San Sebastián’s summer season into late September, the San Sebastian Film Festival was born on Sept. 21, 1953.  Presented by bullfighter Mario Cabré, who romanced Ava Gardner, and comprising just 19 films, won by “La guerra de Dios,” directed by Rafael Gil., rescued from a potential Republican firing squad by Luis Buñuel not so many years before. Fireworks, bullfights and quayside parties regaled the film week. From that first edition remain the beauty and gastronomy of San Sebastian, a Belle Epoque resort boasting the spectacular white-sand Concha Bay, steep-backed hills, an old quarter of higgeldy-piggeldy streets and a trio of three-star Michelin restaurants. 70 years later, San Sebastián still stuns.     

John Hopewell Chief International Correspondent Mexico’s Bruno Santamaría, Argentina’s Martín Benchimol and Turkey’s Selman Nacar proved three of the big winners among San Sebastian Industry Awards, announced Wednesday. João Paulo Miranda, already a young star on Brazil’s film scene after “Memory House,” meanwhile won the Ikusmira Berriak Award. A Chicago Golden Hugo winner for doc feature “Things We Dare Not Do,” Santamaría swept two awards at the fest’s Europe-Latin America Co-Production Forum, a Mecca for Latin America auteurs and their producers seeking vital co-production partners as state funding prospects have plunged across the region.

John Hopewell Chief International Correspondent Armando Espitia, who broke out as the hapless young factory worker in Amat Escalante’s Cannes winner “Heli,” is attached to star in “Six Months in the Pink and Blue Building,” a feature project being brought to San Sebastian’s Europe-Latin America Co-Production Forum by Mexico’s Bruno Santamaría Raso.  Also on board is actor – and writer-producer – Sofia Espinosa, who fulfilled all three roles in Max Zunino’s “Los Bañistas” and “Bruma” and won a Mexican Academy Ariel for her tearaway performance as Gloria Trevi in “Gloria.” Written and to be directed by Santamaría, “Six Months in the Pink and Blue Building,” (“Seis meses en el edificio rosa con azul,”) marks his first fiction feature. He caught attention and won a Chicago Golden Hugo Golden Hugo and Golde Q Hugo for best documentary for “Things We Dare Not Do,” a movie straddling fiction in its finish, production values and narrative structures as it depicts Toño, the eldest son and second father to a swarm of siblings, living in a benighted village on marshy plains and plucking up the courage to tell his mother that he’s gay.     

John Hopewell Chief International Correspondent Paris-based La Fabrica Nocturna Cinéma, producer of Chema García Ibarra’s 2021 Locarno winner “Sacred Spirit,” has boarded Gabriel Azorin’s “Last Night I Conquered the City of Thebes,” marking another financing milestone for his buzzy, poetic and time blending Spanish project.  A Locarno Match Me! hit. “Thebes” has been put through both San Sebastián’s Ikusmira Berriak and Madrid’s ECAM Incubator, rapidly consolidating as Spain’s foremost development labs which each attract about 270 applications a year.   La Fabrica Nocturna, whose credits also take in “The Heiresses,” joins Madrid’s Dvein Films, A Coruña’s Filmika Galaika (“They Carry Death”) and Lisbon’s Primeira Idade (“The Metamorphosis of Birds”) as a producer partner on “Thebes,” which won a RTP Award, consisting of the pre-buy of rights from the Portuguese public broadcaster, at late 2020’s Seville European Film Festival.  

John Hopewell Chief International Correspondent Austrian director Ulrich Seidl has cancelled his visit to San Sebastian for the Sept. 18 world premiere of “Sparta,” amid allegations of impropriety and child exploitation made against the director. The world premiere will still go ahead at San Sebastian with the film playing in main competition contending for San Sebastian’s Gold Shell. Seidl’s decision comes after the Toronto Film Festival pulled “Sparta” and on Sept. 14, FilmFest Hamburg announced that it would no longer be giving Seidl its Douglas Sirk Award, though it would be screening “Sparta.”

John Hopewell Chief International Correspondent Eight of the 10 directors in the Morelia Festival’s main Mexican competition are women, led by two of the biggest Mexican fest hits of the year,“Robe of Gems,” Natalia López Gallardo’s Berlin Special Jury laureate, and “Huesera,” from Michelle Garza Cervera, a double Tribeca winner. Features with Indigenous or Black Mexican protagonists have shot up in Mexico, from 14 in 2019 to 31 in 2019, according to Imcine’s Mexican Cinema Yearbook. In 2017, Mexico’s biggest homegrown hit was Nicolas López’s “Do It Like an Hombre,” a merciless taunt of a Mexican macho’s helpless homophobia, which grossed $11.0 million in the country. 

John Hopewell Chief International Correspondent 10 films underscoring Mexican cinemas drive into diversity: “Huesera,” (Michelle Garza Cervera) Valeria is pregnant, but something is wrong with the baby. Shades of “Rosemary’s Baby,” but “Huesera” goes its own way,  as Valeria gradually realizes what for her is really horror.  Genre and LGBTQ, a double winner at Tribeca, taking its coveted New Narrative Director hardware, and picked up by XYZ Films for most world sales. “A terrifying, bone-breaking body horror nightmare,” said Variety. Produced by Mexico’s Napa Films and Machete Films, the latter behind Cannes winners “Leap Year” and “La Jaula de Oro.” 

John Hopewell Chief International Correspondent Atresplayer Premium, the burgeoning OTT service behind HBO Max hit “Veneno,” has renewed “The Gypsy Bride” (“La novia gitana”), whose Season 1, from “Penny Dreadful” director Paco Cabezas, world premieres at the San Sebastian Film Festival.  Atresmedia Television will produce with Banijay Iberia’s Diagonal TV, producer of Netflix hit “Heirs to the Land.”Produced by VIS with the participation of Atresmedia Television and the collaboration of the Diagonal TV, the first season of “The Gypsy Bride” will bow on Atresplayer Premium on Sept. 25.  Directed in its totality by Cabezas, whose credits also include “American Gods,” Season 1 is set in a gypsy community on Madrid’s humble outskirts as homicide inspector Elena Blanco, (Nerea Barros, “Marshland”) is called in to investigate the torture and assassination of a young woman just before her wedding.

John Hopewell Chief International Correspondent In the first shot of “OffWorld” (“Apagon”), the camera focuses on Ernesto – balding, serious, tired, lost in thought. It then pulls back to reveal the whole of his office, a computer-screen packed rom at an emergency intervention unit. The shot says much about the latest series from Movistar+, “Off world,” which world premieres in Official Selection at Spain’s San Sebastian Film Festival and in turn speaks volumes of the ambitions and priorities of Telefonica-owned Movistar+, Southern Europe’s biggest national pay-TV/SVOD service.  Produced with Buendía Estudios, “OffWorld” presents five stories which place very different individuals in the same context, a world where there’s no electricity thanks to a massive power outage; things taken for granted like phones and the internet don’t work. 

John Hopewell Chief International Correspondent The San Sebastian Festival opens on Sept. 16 with a bang: Alberto Rodriguez’s “Prison 77,” most probably the biggest Spanish film of 2022, the latest title from one of the Spain’s most preeminent auteurs and a foretaste of one possible future face of Spanish cinema, thanks to Movistar+. “Prison 77” begins as a fish-out-of-water jail survival thriller. Manuel, in 1977, a young accountant, played by Miguel Herrán (“Money Heist,” “Elite”), is sent to Barcelona’s legendary Modelo penitentiary pending trial for embezzlement.  It grows, however, for all of its length, as a character-driven tale of psychological observance, as Miguel gradually befriends Pino, his seen-it-all cell mate, who just wants a quiet life.

John Hopewell Chief International Correspondent Alvaro Longoria, partner-producer at Morena Films, one of Spain’s top production shingles, is teaming with the Government of Cantabria to create El Bosque del Cine, a pioneering reforestation scheme offering producers a simple but inspiring way of cancelling productions’ carbon footprints.  The program is set to be unveiled on Sept. 13 at a round table at this week’s Santander Film Festival. El Bosque del Cine aims to plant 34,000 trees over 40 hectares, lent to the program by the Government of Cantabria. Creation will be divided into two phases of 20 hectares each, the first beginning this year. The forest will absorb 19,000 tons of carbon dioxide (CO 2) emissions, equivalent to the footprint of 320 movies. 

John Hopewell Chief International Correspondent One of the film industry’s biggest growth sectors, the international location shoot scene, looks set to impact Toronto on Saturday at a Spain Film Commission breakfast. Among attractions tabled at the meet with Canadian producers will be Spain’s extraordinary landscapes and heritage sites and a new shoot incentive which ranks among the highest in the world.  From Jan. 1, 2023 Spain’s Bizkaia looks set to offer an up-to-70% tax credit for foreign and national shoots lensing in the Basque province. Notably, the incentive has no cap at all.  The tax break forms part of a ramp up of Spain’s big international shoot scene. “House of the Dragon” has returned to islet San Juan de Gaztelugatxe, “Game of Thrones’” Dragonstone. In general, foreign shoots are flocking to Spain, spending €263 million ($263 million) there in 2021, double the 2016-19 average, according to a study by the country’s ProFilm line producers assn. 

John Hopewell Chief International Correspondent Munich-based Beta Film, one of Europe’s biggest truly independent TV-film groups, has licensed to PPCW Media for Hong Kong and Macau International Emmy winner “Atlantic Crossing,” starring Kyle MacLachan and Sofia Helin. PPC Media has also acquired Alejandro Amenábar’s Movistar Plus+ original “La Fortuna,” with Stanley Tucci and Clarke Peters, a tale of piracy, court room battles and historical justice set between the U.S. and Spain. Reaching more remote places, Beta has also closed Mongolia with Hulegu Media, on “Sisi” a mix of sex, politics and period glam from RTL, Beta and Story House, a modern mindset take on a film icon.  

John Hopewell Chief International Correspondent Germany’s KiKA, France’s TF1 and Denmark’s DR Sales figure among the best-known of contenders for the 2022 Cartoon Tributes, awarded for outstanding achievement in Europe’s TV animation industry. France, followed by Spain, dominates Cartoon’s three categories of broadcaster, investor/distributor and producer of the year, which will be voted on by the about 1,000 delegates at this year’s Cartoon Forum, which takes place in Toulouse, Southern France, over Sept. 19-22. Award winners will be announced on Sept. 22.  Backed by German public broadcast giants ARD and ZDF, KiKa figures as Germany’s biggest kids connect provider. But it will face tough competition from TF1 Unité Jeunesse, the children’s  arm of giant French broadcast network TF1 whose kids slot TFOU broadcasts 70 hours of programming a year. 

John Hopewell Chief International Correspondent Heitor Dhalia, one of Brazil’s foremost and most ambitious movie auteurs, director of  “Drained,” “Adrift” and “Bald Mountain,” is teaming with Netflix to make “DNA do Crime,” a banner title for the U.S. streaming giant in Brazil, one of its largest international markets. Described by Dhalia as “one of the biggest series ever produced in Brazil,” the eight-part scripted skein, which goes into production on Oct. 31, turns on a heist of epic proportions, which takes place on the Brazil-Paraguay border.  When federal police officers are called in to investigate, they discover “the beginning of a thread that unravels, like no other, the construction of crime in the country,” the synopsis runs.

John Hopewell Chief International Correspondent “Walls Can Talk,” the latest film by Spain Carlos Saura, director of “Raise Ravens,” “Deprisa, Deprisa” and “Carmen,” has been acquired for intentional sales by Madrid-based Latido.   Produced by María del Puy Alvarado at Malvalanda (“Madre,” “The Mole Agent”) and distributed in Spain by José Maria nd Miguel Morales’ Wanda Vision, “Walls Can Talk” will world premiere at the San Sebastian Film Festival as an RTVE Gala.  The doc feature sees Saura conduct his own inquest into the origins of art, directing and for once starring in a film. In it, he visits masterpieces of paleolithic art– in Spain’s Altamira and El Castillo caves, for instance – and asks modern (Miquel Barceló) and graffiti artists and urban creators (Suso 33, Zeta, Musa71) about what drives them to paint. 

John Hopewell Chief International Correspondent Adding to its slate of auteurs from all over the world, Raphael Berdugo’s Cité Films has boarded “The Fire Doll,” from Chilean director-to-track Niles Atallah (“Rey”) and “Left Over,” from San Sebastian Gold Shell winning Turkish director Yesim Ustaoglu (“Pandora’s Box”). Produced by Catalina Vergara at Chile’s Globo Rojo Films, “The Fire Doll” (“La muñeca de fuego”) is one of the 14 projects to be pitched at this month’s San Sebastian Europe-Latin America Co-Production Forum, one of the Spanish festival’s centerpiece industry events. Atallah, whose second film, “Rey,” won a Rotterdam Special Jury Prize in 2017, turns in “The Fire Doll” to the transformation process experienced by a 9-year-old girl, Aurora, who loses part of her memory and goes to her the countryside to spend Easter wither father, an alcoholic in remission.

John Hopewell Chief International Correspondent Sandro Fiorin’s Figa Films has snapped up international sales rights to Pavel Giroud’s “El Caso Padilla,” which, selected for the San Sebastian highly competitive Horizontes Latinos, bids fair to become one of the most notable Latin American doc features of 2022. Variety has also shared in exclusivity a first trailer to the film. The follow-up to Giroud admired 2015 fiction film “El Acompañante,” which won San Sebastian’s Co-Production Forum, “El Caso Padilla” turns on the so-called Padilla Affair. That climaxed with arrest on March 30, 1971 of Heberto Padilla, one of the most exquisite and trenchant of modern Cuban poets whose 1968 poetry collection “Fuera de Juego” constituted a scathing attack on the lack of liberties in Fidel Castro’s Cuba. 

John Hopewell Chief International Correspondent Italy’s I Wonder Pictures has boarded Finnish comedy “The Player” as a co-producer ahead of its bow at Haugesund’s industry sidebar New Nordic Films.  The company will also handle local distribution. The project is directed by Teemu Nikki and produced by It’s Alive Films’ Jani Pösö.  “I consider Teemu Nikki as one of the best European directors. He is brilliant, prolific and always surprising,” Andrea Romeo, I Wonder Pictures’ general manager and head of acquisitions, told Variety.  “I think that his cinema will be increasingly appreciated in the world, as well as in Italy. His movies always talk about important issues, keeping a perfect balance between black comedy and auteur cinema. It’s also a great pleasure for us to work with a producer like Jani and a company as prestigious as It’s Alive Films.”

John Hopewell Chief International Correspondent Faroese-born emerging director Andrias Høgenni, winner of a Canal+ award at Cannes Critics’ Week in 2021 with his short film “Illi illa meint,” just got married this summer. His project “Anything for Her,” introduced at this year’s Nordic Co-Production Market in Haugesund, is precisely about a wedding, and much more. Family conflicts, especially with step-parents involved, and the uniquely chaotic nature of a Faroese wedding set in a tightly-knit community of 52,000 souls. Spearheaded by Danish production partners Johannes Rothaus Nørregaard of Studiocanal-backed SAM Productions (“Borgen”) and Rikke Tambo Andersen of Tambo Film (“The Penultimate”), the project has secured co-production partners from France and the Faroe Islands, Variety has learned.

John Hopewell Chief International Correspondent Danish international sales and aggregation outfit LevelK has boarded the thought-provoking drama “Great Yarmouth: Provisional Figures” by award-winning Portuguese director Marco Martins, which world premieres in main competition at next month’s San Sebastian Film Festival.  Hailed by Variety as “a powerful study of intense grief,” Martin’s debut feature, “Alice,” won the Prix Regards Jeune at Cannes in 2005. The story unravels three months before Brexit, as hundreds of migrants descend on the UK village of Great Yarmouth seeking work in the region’s turkey processing plants. Once there, Tânia greets them with matronly authority, taking charge as innkeeper, accountant, and fixer. As she’s forced to deceive them, her conscience grows heavy and she dreams of a brighter, seemingly unattainable, future transforming derelict hotels into modern retreats for elderly tourists.

John Hopewell Chief International Correspondent Seasoned Finnish producer Ilkka Matila (“The Eternal Road”, “All the Sins”) of MRP Matila Röhr has signed with Estonia’s Taska Film and locked early support from the Finnish Film Institute and local commercial channel MTV3 for the $2.7m film “Between the Hammer and the Sickle.” Nordisk Film holds Scandinavian rights. To be pitched on Aug. 24 at the Nordic Co-Production Market in Haugesund, Norway, the title will be one of Matila’s most defining projects, a feature which he believes will stay, along the lines of the multi-awarded “Mother of Mine” or “The Eternal Road.” “Between the Hammer and the Sickle” will be one of the first features ever to portray Finland’s illustrious former president Urho Kekkonen. Head of state for nearly 26 years, Kekkonen served as the longest-serving Finnish president from 1956 until 1981 and masterminded his country’s policy of neutrality, keeping at bay the threatening Soviet Union with which Finland shares 800 miles of border.

John Hopewell Chief International Correspondent Co-organized with CAA Media Finance, a new San Sebastian Festival Creative Investors’ Conference will see many of the good and great of the international film business descend on September’s fest edition to be pitched 10 higher-budget Spanish movies by their producers.  The Conference will run Sept.19-20. In a cosmopolitan lineup, titles pitched include international co-productions such as “Whalemen (At the Ends of the Earth)” from “Everest” director Baltasar Kormákur as well as the latest from “Amama” helmer Asier Altuna and “Raqa,” from Gerardo Herrero, an Academy Award wining producer for “The Secret in Their Eyes.”  

John Hopewell Chief International Correspondent“Senna,” Netflix’s biggest and most ambitious series ever in Latin America, now has a director, seasoned Brazilian film-TV action thriller director Vicente Amorim, whose credits include “Good” with Viggo Mortensen and “Yakuza Princess,” with Japanese American singer Masumi and Jonathan Rhys Meyers.Portraying the life of Formula One racing genius Ayrton Senna,“Senna,” produced for Netflix Brazil by Sao Paulo-based Gullane in partnership with the Senna family, is now in prep.The eight-episode fiction miniseries will plumb “the intimacy of the man who became a national hero and conquered the world,” Netflix Brazil announced on Monday.It looks set to be the biggest play ever by Netflix for one of its biggest markets anywhere in international. In January 2021, Netflix was reported to have already run up 19 million household accounts in Brazil, nearly as many as the streamer’s then 25.49 million for the whole of Asia.

John Hopewell Chief International Correspondent“History of the Occult” director Cristian Ponce, “The Trace We Leave Behind” producer André Pereira and “Huesera” producer Edher Campos all have projects at the 3rd Sanfic Morbido Lab, Sanfic’s genre/fantastic film showcase which looks packed with riches.Also noticeable, three of the six projects are set to be directed by female genre auteurs –  Argentina’s Laura Sánchez Acosta, Spain’s Marta Medina del Valle and French-Spanish screenwriter Elisa Puerto Aubel – as women create an ever larger number of the most exciting elevated genre movies coming out of Spain and Latin America.Appropriately enough, given Sanfic takes place in Santiago de Chile, Chile accounts for two projects at the Lab, Daniel Aspillaga’s “Plasma,” a part body horror mockumentary, and Cristián Grez Donoso’s “Magic Word,” turning on an aged and crazed former amusement park actor. The potential impact of projects is underscored by recent events.

John Hopewell Chief International Correspondent“Stranger Things’” Francesca Reale and “Succession’s” Dagmara Domińczyk are attached to star in horror drama “Surgat,” from Michael Borowiec and Sam Marine Borowiec, the New York-based writing-directing team behind “Man Underground,” which won best first feature at the 2016 Fantasia Film Festival.Sean Lyness (“Abacus,” “Life, Animated”) is joining Josh Ruben (“Scare Me,” “Werewolves Within”) as a producer on the project.The cast and producer additions add extra weight to a title which is shaping up as one of the highest-profile titles at this year’s Frontières Market, which takes place over July 21-24, running parallel to Montreal’s Fantasia Film Festival. “Surgat” will be presented to potential co-production partners, financiers and sales agents at the Frontières Official Selection Pitch Session held this Thursday, July 21.Currently at the financing stage, “Surgat” turns on a young pregnant woman, Heather, whose life is thrown into chaos when a demonic spirit is released upon her home, possessing her family members one by one and turning them against her.

John Hopewell Chief International Correspondent“Little Nicholas – Happy As Can Be” scooped this year’s Annecy Animation Festival’s top Cristal Award for best feature in a 20 plaudit award adjudication which also saw Wes Anderson win a Jury Award for best commissioned film.The biggest winners at Annecy this year, however, was the Festival itself, animation at large and, when it came to movie prizes, France in particular.Directed by Benjamin Massoubre and Amandine Fredon, Annecy’s top feature winner is classic French animated feature fare in artistic and industrial terms: 2D, based on a literal source – writer René Goscinny and illustrator Jean-Jacques Sempé’s comic-strip, and featuring large Gallic IP: Little Nicholas, France’s quintessential schoolboy, who here meets his makers, Goscinny and Sempé. Produced by Aton Soumache, one of the dominant figures on France’s animation scene and producer of “The Little Prince,” France’s biggest movie export in 2015, “Little Nicholas” may look exquisite at times, but, family fare, packs a more modern pace and focus on entertaining than much arthouse 2D cinema.The top Cristal for “Little Nicholas” surprised some.

John Hopewell Chief International Correspondent“Perlimps,” Brazilian Alê Abreu’s follow-up to the Oscar-nominated “The Boy and the World,” has a trailer, released in the run up to the animated feature’s world premiere on June 16 at the Annecy Festival.Shared in exclusivity with Variety by the film’s sales agent Best Friend Forever, the full trailer reveals for the first time the real significance of the titular Perlimps, while showcasing its dazzling visuals.The film will screen at Annecy in official selection as a special event. If it were in competition, it would be a contender to deliver Brazil its third Annecy Cristal best feature award in decade after Abreu won in 2014 with “The Boy and the World” and “Perlimps” producer Luiz Bolgnesi also won he same award a year earlier for “Rio 2096: A Story and Love and Fury.” The trailer to the animated family tale begins with Claé bounding through an Enchanted Forest announcing excitedly that the Giants have surrounded it and there’s no time to lose.

John Hopewell Chief International Correspondent“Black Sands” producer Glassriver, one of Scandinavia’s fastest-growing production powerhouses, is teaming with a powerful writing duo, Ragnar Bragason and Snjolaug Ludviksdottir, to create “Magaluf.”Currently in development, “Magaluf” marks a high-profile projects at late June’s Conecta Fiction in Spain, where it  competes in the forum’s CoPro Series section.One of Iceland’s most consistently prized top writers and directors and creator and head writer on “Magaluf,” Bragason’s credits include movie 2013’s “Metalhead,” which wonbest Nordic film at Göteborg, and in series, “The Night Shift,” part of a larger hit dramedy franchise, and the admired international sales hit “Prisoners.” A stand-up comedian, Ludviksdottir co-writes. “She is a wonderful writer and writes three of the six episodes and on top of that ensuring that the female characters really come to life in a meaningful way,” said Glassriver co-owner Hörður Rúnarsson, a producer on the show with Arnbjorg Haflidadottir (“Black Sands”).Ludviksdottir’s credits include penning Season 2 of international hit crime series “Stella Blomqvist,” Viaplay’s first Icelandic original.Commercials and music video director Magnus Leifsson, whose debut short film “Dovetail” won Short Film of the Year at the 2019 Icelandic Film and TV awards, is attached to direct.

John Hopewell Chief International Correspondent“1976,” the awaited first feature of Chile’s Manuela Martelli, has closed first new major territories for sales company Luxbox before its world premiere in Directors’ Fortnight later this upcoming week.The film is produced out of Chile by writer-directors Omar Zúñiga (“The Strong Ones”) and Dominga Sotomayor (“Too Late to Die Young”) at auteur-focused Chile-based Cinestación (“Too Late to Die Young”) as well as Alejandra Garcia and Andrés Wood, another celebrated Chilean director (“Violeta Went to Heaven”) at Wood Productions. Nathalia Videla Peña and Juan Pablo Gugliotta at Argentina’s Magma Cine co-produce.“1976” is set, as its title implies, in 1976, one of the bloodiest years of Augusto Pinochet’s hugely bloody dictatorship.

John Hopewell Chief International Correspondent“Bonnie is legendary for her boundless energy on the Crosiette,” AGC Studios head Stuart Ford said of his marketing head Bonnie Voland, whose 40th Cannes Festival was celebrated by Ford and friends at an elegant beachside cocktail on Friday evening.“This is my 15th Cannes with Bonnie Voland and I’m not sure I still have the energy to keep up with her,” he confessed in a speech in her honor at the cocktail.Voland has had a rich career to date, – she insists she’s certainly not done yet –  graduating as a French major at Hunter College, and working as an actress in Paris before first attending Cannes in 1982 for Passion – The Magazine of Paris. She ran the Toronto Festival press office in the mid-eighties, then worked in Los Angeles for Samuel Goldwyn, Buena Vista International and Chris Blackwell’s Island Pictures, and created her own PR agency and consultancy B.

John Hopewell Chief International Correspondent“Goya, Carrière and the Ghost of Buñuel,” which plays Cannes Classics this Saturday, begins with French film great Jean-Claude Carrière in a train, singing an ancient song in Occitan, the language of Provence, where he came from.Visiting Goya’s birthplace, he’ spies a cauldron and comments that there was one like that in his own family home.Towards the end of the film, surveying “The Colossus,” Goya’s painting of a giant dominating tiny people in a valley below who flee in all directions, Carrière observes that the painting capture a sense of immigration. Unlike so many of his friends, and indeed his wife,  Nahal Tajadod, Carrière notes, he will have the privilege of being buried in the same place where he was born.

John Hopewell Chief International Correspondent“The Bourne Identity” helmer Doug Liman is attached to direct the adaptation of a chapter from acclaimed nonfiction book “Rise And Kill First.” It details how Israel’s Mossad reached out in desperation to former Nazi Waffen SS lieutenant colonel Otto Skorzeny, a favourite of Hitler’s -branded by British intelligence services as “the most dangerous man in Europe,” to thwart an existential threat to Israel’s existence.The stranger-than-fiction true story is set up at New York’s Story Syndicate (“I’ll Be Gone In the Dark,” “Britney vs Spears,” “Becoming Cousteau”), headed by Academy Award- and Emmy Award-winning Dan Cogan and Liz Garbus, and at Israel’s Abot Hameiri, producer of “Shtisel,” “The Attaché” and “Power Couple.” A Fremantle company, its co-founder, Guy Hameiri, assembled the world-class direction-production team. A Cannes Festival alum with 2010’s Palme d’Or contender “Fair Game,” Liman will also oversee development of the limited series.