John Hopewell Latest Celebrity News & Gossip

John Hopewell Chief International Correspondent U.K. producer Nicola Shindler received on Tuesday the third Women in Series Award at Series Mania, Europe biggest TV festival.  Few awards seem such just reward. From serving as a script editor on “Cracker” (1993), Jimmy McGovern’s breakout, to producing his “Hillsborough” (1995) and executive producing “Queer as Folk” (1999) which heralded Russell T. Davies as a major writing talent, very few producers have been so consistently successful down the decades.  Shows produced by Shindler in just the last 10 years take in Sally Wainwright’s “Happy Valley” (2014), Harlan Coben’s “The Five” (2016) and “Safe” (2018), Davies’ “Years and Years and It’s a Sin, his consecration, and now “Nolly,” made by Shindler out of Quay Street Productions, her new label launched in 2021 as part of ITV Studios.

John Hopewell Chief International Correspondent With an International Panorama spangled by gems  – think Spain’s “Apagón,” Sweden’s “Blackwater,” and Canada’s “Disobey” and “Little Bird” – Series Mania also weighs in this year with one, if not the, strongest and most mouthwatering of international competitions in its history.  Including the opening and closing series, Amazon’s “Greek Salad” and Netflix’s “Transatlantic,” nearly all the global streamers have titles in the lineup, from Apple TV+’s “Drops of God” and Paramount+’s “Fleeting Lies.” The lineup also features some A-List international writing talents, such as the U.K.’s Jack Thorne and Israel’s Ron Leshem and Amit Cohen, whose “The Virtues” and “No Man’s Land” rank among the most memorable of recent Series Mania competition titles, and closing the festival, out of competition, “Unorthodox’s” Anna Wenger.”Fleeting Lies” also represents one of the first series from Pedro and Agustín Almodóvar’s El Deseo label in Madrid, opening series “Greek Salad” Cedric Klapisch’s first works a TV series creator.

John Hopewell Chief International Correspondent MALAGA, Spain —  “My Parents’ Great Bazar,” from “Ane is Missing” co-scribe Marina Parés, bio “Costus,” on the iconic Madrid Movida artists, and “Villa Futuro,” a queer old age drama from “Locked Up” star Alberto Velasco, all feature among eight winners of Tell Us the Stories That Nobody Tells, a diversity drive contest for movies and TV shows backed by Netflix and Dama, the Spanish audiovisual authors’ rights collection body. Announced Wednesday at an awards ceremony hosted by the Malaga Film Festival, the winners of the competition, which forms part of the partners’ Cambio de Plano initiative, will receive €6,000 ($6,348) a piece. 

John Hopewell Chief International Correspondent The Mediapro Studio is teaming with Spanish director Jorge Dorado and author Cuca Canals on detective thriller “The Young Poe” in a bid to build a second English-language international franchise on the heels and of the scale of “The Head,” sold to 90-plus territories and TMS’ biggest breakout hit to date. Enrolling one of the biggest IPs in literary history, Edgar Allen Poe, the series adapts the hit novel saga of Spain’s Cuca Canals, co-screenwriter of Bigas Luna’s celebrated “Jamón Jamón” movie trilogy.  Canals’ novels imagine Poe as a precocious, irrepressible, neurotic and highly Gothic 11 or 12 year-old in 1820 Boston, grounding in true events of Poe’s childhood the extraordinarily analytical and morbid mind which Edgar Allen Poe brings to his fiction – whether 1841’s “The Murders in the Rue Morgue,” commonly regarded as the first modern detective story, or the horror short stories such as “The Fall of the House of Usher.”

John Hopewell Chief International Correspondent MALAGA, Spain — It’s not over yet. In March 2021, Spanish Prime Minister Pedro Sánchez announced the government would plow €1.6 billion ($1.9 billion) into a Spain AVS Hub plan designed to turn Spain into one of the foremost film and TV hubs in Europe. Supported by Spain’s E.U-backed Recuperation, Transformation and Resilience push for post COVID-19 recovery, the Spain AVS Hub plan has been co-financed by part of a €806.9 billion ($866.5 billion) NextGenerationEU stimulus package for the whole of the European Union, which is a temporary instrument.  As that package ends, Spain’s government will look to negotiate funding from alternative sources to ensure that Spain AVS Hub initiatives are more than a flash in the pan, a broad cross-section of governmental authorities told an audience Tuesday at a Malaga Spanish Screening Content conference.

John Hopewell Chief International Correspondent Running March 13-17, the Málaga Festival’s Mafiz-Spanish Screenings Content weigh in this year as one of the biggest dedicated Spanish movie platforms in history, boasting also a strong line in Latin American arthouse projects and productions. 10 Takes as the event kicks off, blessed by early Spring sunshine, in the Andalusian city: XXXL In 2022, super-sized by the Spanish Screenings Content, part of Spain’s €1.6 billion ($1.7 billion) AVS Spain Hub, a vibrant Mafiz, the Malaga Film Festival industry area, fair exploded, delivering  a sterling confirmation of Spain’s build as a fiction force in a platform age, aided by robust state sector backing. This year, Mafiz looks even larger. At 1,560 delegates and counting as of March 6, Mafiz is tracking to pass 2022’s final attendance figure of around 1,600, Juan Antonio Vigar, Málaga Festival director told Variety. Participants come from 62 countries, up from 53 last year. “The event’s consolidation is clear,” Vigar added. “It makes us feel that the work we do is useful for the sector,” he adds. 

John Hopewell Chief International Correspondent Running March 10-19, and now hosting the Spanish Screenings, the Malaga Film Festival is now firmly established as Spain’s biggest movie event in the early part of the year. Strategically positioned fairly sharp on the heels of the Berlinale, the Spanish event offers top Spanish titles at the German festival the chance to consolidate their reputations while often producing new discoveries, especially from first-time directors.  Many titles, from a Spanish film industry whose younger directors are highly social conscience and favor art-house, are issue driven.  “There’s a search for identity, whether a young trans girl’s exploration of gender identity or young leads to understand the world they live in, or the search for love and a sense pf strangeness, of being a stranger to oneself,” Juan Antonio Vigar, Málaga Film Festival director said of this year’s main Competition. Following, a brief breakdown of its titles. 

John Hopewell Chief International Correspondent Driving ever more into Latin America, Wild Sheep Content, the L.A.-based label of former Netflix head of international original series Erik Barmack, has launched the Mexico City-based Wild Sheep Latin America as well as a dedicated film completion finance-distribution fund targeting five-to-eight investments a year in the region.  “Three Idiots” producer Jimena Rodríguez, who also created the distribution arm of Mexican exhibition giant Cinepolis, will head up Wild Sheep Latin America following on her production with Barmack of a burgeoning line in star-studded, character-driven crime thrillers begun by Netflix Mexico original “Invitation to Murder.”

John Hopewell Chief International Correspondent Studiocanal will stage at the London TV Screenings the international premiere of “Spinners,” an eight-part extreme sports action drama set on the mean streets of Cape Town’s Southside, that is not just a series but a sign of an industry zeitgeist. As the competition for talent grows, there’s a building drive into emerging production hubs beyond the traditional powerhouse territories in Europe led by some of its most powerful players, here France’s Canal+, Studiocanal and Federation Studios, and some of its biggest TV events, such as Series Mania.  Produced by Joachim Landau and Raphaël Rocher at Federation Studios’ Empreinte Digitale, and co-created by Landau, “Spinners” is a co-production of South Africa’s Showmax, Africa’s biggest pan-continental SVOD service available in 65 countries, and Vivendi’s Canal+, rating as both a Showmax and Canal+ Original. 

John Hopewell Chief International Correspondent Celebrated actor Nigel Havers and French journalist Sophie Davant will join Warner Bros. International Television Production (WBITVP) and ZDF Studios to celebrate 10 years and a now 10 territory roll-out of antique auction show “Cash or Trash.”  The property is produced by WBITVP and distributed internationally by ZDF Studios. Celebrations will take place as part of WBITVP’s Formats Showcase, held March 2 at BAFTA during this year’s London TV Screenings.  Havers (“Chariots of Fire,” “Finding Alice”) and Davant host the adaptations of “Cash or Trash,” on BBC One (“The Bidding Room”) and French public TV channel France 2 (“Affair Conclue”).

John Hopewell Chief International Correspondent Casey Bloys, chairman and CEO, HBO and HBO Max Content will deliver a keynote at Series Mania’s Lille Dialogues whose one-day summit looks set to take the pulse on a global content industry as content investment flattens and ask how to build a more responsible industry in the future. Marking an early opportunity to hear from streaming platforms after both Warner Bros. Discovery and Disney have announced multi-billion dollar cuts in content investment, the Lille Dialogues also count on a keynote from James Farrell, head of local originals, Prime Video. Further keynotes will be delivered by top execs at France’s biggest free-to-air service, TF1, as well as its energetic public broadcaster France Télévisions and Europe’s biggest pay TV operator, Sky. Jan Mojto, CEO, Beta Film, can be expected to deliver a wide-angled vision of how stories made in Europe can find a market worldwide.

John Hopewell Chief International Correspondent Coming of age thriller “The Gymnasts,” one of the most recent titles from Europe’s public broadcaster partnership The Alliance, has been licensed to over 30 territories, London-based super indie All3Media International confirmed on Monday at the Berlinale Series Market.     Based on Ilaria Bernardini’s bestselling novel “Corpo Libero” (“The Girls Are Good”), the six-part series is produced by the Oscar-winning team at Indigo Film, behind “The Great Beauty,” in co-production with ZDF Neo’s German company Network Movie.  The series has been made in collaboration with Rai Fiction and Paramount+, and in association with All3Media International.

John Hopewell Chief International Correspondent German powerhouse ZDF Studios and U.K.-based Factual Fiction are reteaming for “#DorianGray,” an updated social media spin on Oscar Wilde’s classic, “The Picture of Dorian Gray.” In Wilde’s original, first published as a novella in 1890 in Lippincott’s Monthly Magazine, the self-besotted Dorian Gray sells his soul in exchange for eternal youth, a picture painted of him recording the decay of his soul as in outward appearance he remains physically forever young.  Currently being written by Maiya John, a young London-based screenwriter, the contemporary reimagining is described by ZDF Studios as “a suspenseful ride through the life of a teenager as they construct their identity.” 

John Hopewell Chief International Correspondent The latest series from Alex de la Iglesia and “Veneno” creators Javier Ambrossi and Javier Calvo feature at a first-look Next from Spain Showcase which marks a massive step-up in the country’s presence at the Berlinale Series Market. Running Feb. 20-22, the showcase also unveils “Rapa” Season 2, with its first season proving Movistar+’s biggest 2022 bow, and “This Is Not Sweden,” a pioneering Spanish co-production with Scandinavia and Germany.  The Showcase titles are joined by Isaki Lacuesta’s “The Chauffeur’s Son,” a Co-Pro Series project from “Elite’s” Zeta Studios, and “Selftape,” a Filmin Original from Filmax and a Series Market Screening.

John Hopewell Chief International Correspondent He was working to the last. Five days before his latest work, “Lorca by Saura,” opened at Madrid’s Infanta Isabel Theater – in what he saw as a new phase of theatre-based creativity –  Carlos Saura died on Feb. 10 at his Collado Mediano home in the lap of the Guadarrama mountains, north of Madrid. Agnieszka Holland and Volker Schlöndorff look set to attend a Carlos Saura Homage Screening which will be held at the Berlin Film Festival on Monday Feb. 20 at 17:30.  Further good and great are still to confirmed at an event backed by the Berlin Festival and the European Film Academy. The tribute will be combined with the double bill of “Rosa, Rosae” and “Walls Can Talk” (“Las paredes hablan”), films which premiered at San Sebastian in 2021 and last year.

John Hopewell Chief International Correspondent In subscription terms, Brazil rates as the Netflix’s second-biggest market in the world, with a 2022 year-end estimate of 16.4 million subscribers, says Ampere Analysis’ Guy Bisson. “The market is huge and the talent outstanding,” agrees Fremantle’s Manuel Marti. As Brazil shapes up as Latin America’s ground zero for streamer wars, where do you find new talent and how do you nurse it? Some answers are given by Brazil’s philanthropic org Projeto Paradiso. Launched in March 2019 by heiress Olga Rabinovich, it initially focused on new talent and project development, especially screenwriting, the industry’s direst need. Also, in this discipline, Projeto Paradiso’s limited finding could go furthest.

John Hopewell Chief International Correspondent “A Cielo Abierto,” the latest film from Oscar-nominated Mexican screenwriter Guillermo Arriaga (“Babel”), is being brought onto Berlin’s European Film Market by Film Factory Entertainment. Produced by Argentina’s K&S Films, whose credits include “Wild Tales,” “The Clan” and “The Summit” — the last by “Argentina, 1985” director Santiago Mitre — “A Cielo Abierto” is directed by Mariana Arriaga and Santiago Arriaga, Guillermo Arriaga’s daughter and son, making their feature film debut.   “A Cielo Abierto” turns on two teen brothers who take a road trip to the Mexico-U.S. border to track down the man responsible for the car accident that caused their father’s death. 

John Hopewell Chief International Correspondent Madrid-based Buenapinta Media, a producer on Maite Alberdi’s Oscar-nominated “The Mole Agent” and Alauda Ruiz de Azúa’s “Lullaby,” has unveiled a development slate that includes new features by Ruiz de Azúa, Cinéfondation alum Guillermo García López, and Borja Cobeaga and Victor García León. The slate announcement comes one week after “Lullaby,” hailed by Pedro Almodovar as “undoubtedly the best debut in Spanish cinema for years,” triumphed at the 2023 Spanish Academy Awards, winning best first feature, actress (Laila Costa) and supporting actress (Susi Sánchez)   The 2023-24 production slate at Buenapinta Media, headed by Marisa Fernández Armenteros, also features Isabel Coixet’s just-announced “Un Amor.”

John Hopewell Chief International Correspondent Filmax has boarded “The Sleeping Woman,” the new film from Spain’s Laura Alvea, who helmed episodes of Netflix hit series “The Snow Girl,” which has run up over 100 million global views in three weeks. Filmax will present first images of the film, along with a promo, at Berlin’s European Film Market. A horror thriller with supernatural elements, “The Sleeping Woman” turns on Ana (Almudena Amor), a nursing assistant who starts to feel an attraction towards Agustin (Javier Rey), the husband of the woman in a coma whom she’s caring for.  It won’t be long before Ana begins to get harassed by strange, paranormal phenomena that seem to be trying to kick her out of the house and separate her from Agustin.

John Hopewell Chief International Correspondent In a sign of a new ebullience in Spain’s film industry, Spain’s Elamedia Estudios, founded by Roberto Butragueño, is launching Sideral, an integrated production-distribution-sales label. It launches with feature “Cheaper Than Stealing” at the Berlinale Co-Production Market. Sideral titles include “In the Sultan’s Bedchamber,” from San Sebastian best director winner Javier Rebollo (“Woman Without Piano”), a Sideral production; “The Fantastic Golem Affairs,” from Spanish duo Burning Percebes, which it is selling abroad; and “I Have Electric Dreams,” Valerie Maurel’s Locarno best director, actor and actress winner, which it will release in Spain. 

John Hopewell Chief International Correspondent Buenos Aires-based FilmSharks has inked a three genre-pic production deal with the HJ Production banner of Hugo Cardozo, writer-director-producer of 2019 Paraguayan hit “Morgue.” Paraguay-based René Ruiz Díaz, CEO of Urban Achievers, is also partnering on the deal. Díaz produced “Gold Seekers” from “7 Cajas” director Juan Carlos Maneglia. First pic up in the pact is Spanish-language “Do Not Enter” (“No Entres”), now in post, a found-footage shock fest that FilmSharks founder Guido Run will introduce to buyers at Berlin’s European Film Market by way of a teaser trailer.  It records how two young YouTubers break into a sinister mansion, which is said to be haunted.   

John Hopewell Chief International Correspondent Over 2003-11, Catalonia’s regional film hub was the envy of Europe. Now, it’s enjoying the full flush of a second renaissance and growing its international impact in film and now TV. In 2022, three Catalan directors had titles in the main competition in Berlin and Cannes, more than Italy (two), Germany (one) or the U.K. (none). Helmer Carla Simon’s “Alcarràs” won Berlin’s top prize, the Golden Bear. In 2023, five Catalan features have made Berlin’s fest cut, led by Estibaliz Urresola’s competition contender “20,000 Species of Bees,” Alvaro Gago’s “Matria” in Panorama and Carla Subirana’s “Sica,” a Generation 14plus player.

John Hopewell Chief International Correspondent Paris-based Haut et Court has closed French distribution rights with sales agent Film Factory Entertainment on Victor Erice’s ”Close Your Eyes” (“Cerrar los ojos”), the legendary Spanish director’s return to feature film direction 30 years after Cannes Jury Prize winner “Dream of Light” and a half century on from his milestone debut, “The Spirit of the Beehive.” “Beehive” is regarded by many critics as one of the greatest Spanish films ever made. “Light” was chosen by the world’s cinematheques as the best film of the 1990s. “Close Your Eyes” reunites Erice with Ana Torrent, a wide-eyed mite in “Beehive.” 

John Hopewell Chief International Correspondent Linking two top players on the Spanish TV scene, Barcelona studio Filmax has acquired international sales rights to Spanish comedy “Co-Husbands,” whose backers include Telecinco Cinema, producer of Guillermo del Toro’s “Pan’s Labyrinth” and J.A. Bayona’s The Impossible.” Filmax will unveil a trailer to clients at this week’s Berlin European Film Market, before the film’s release in Spain on March 10.  The second feature from Lucia Alemany (“Innocence”), ”Co-Husbands” toplines “House of Flowers” star Paco León. In a gender flip set-up, it turns on Emilio and Tono who both receive phone calls that their wives are in comas after a ski-resort avalanche. At the hospital admissions desk, they make a startling discovery: their wives are, in fact, the same person … Laura. Forced to wait together until Laura regains consciousness, Emilio and Toni engage in a battle to prove who is her one and only true husband.

John Hopewell Chief International Correspondent CANNES  — Top European powerhouse Studiocanal has renewed its global deal with Nickelodeon which will board Season 3 of CG animated megahit “The Adventures of Paddington.” Marking most surely one of the biggest single title content deals unveiled at this year’s Mipcom, the Nickelodeon renewal for Season 3 comes as Studiocanal has also unveiled a slew of second-window deals on Season 1 after the title’s hugely successful global rollout overseen, like Season 2, by Nickelodeon. It comes, moreover, just months after Studiocanal announced in June that Dougal Wilson is attached to direct “Paddington” 3, the third feature film in the franchise.

John Hopewell Chief International Correspondent CANNES — Framing one of the first independent series co-productions between Brazil and Portugal, Ventre Studio, Coral Europa, Canal Brasil and TVI are co-producing “Godless John,” with Brazilian acting legend Marco Nanini as John of God. Directed by Marina Person (“California”), the three-part series’ boasts a powerful Brazilian cast which has gained international recognition: Bianca Comparato,  star of Netflix hit “3%,” Karine Teles (“Second Mother”) and Antonio Saboia (“Bacurau”). Two Portuguese actresses will be confirmed shortly.

John Hopewell Chief International Correspondent CANNES — Ester Expósito, one of the most preeminent of breakout actors from “Elite,” is set to star in “La Isla Bonita,” a new series created by Ginesta Guindal (“Vida Perfecta,” “Elite”), produced by The Immigrant and Sabado Películas with production-distribution superindie Fremantle handling global distribution. Billed as an irreverent dramedy, “La Isla Bonita” focuses on a group of friends – party, party animal Alfonso, idealist Peter, environmentalist Sol – who share a quaint house on Ibiza, until the owner decides to triple the rent for the summer months, forcing them to find an ingenious solution to keep their lives and home together. 

John Hopewell Chief International Correspondent CANNES  —  Paramount+ has revealed a premiere date – Nov. 3 – as well as trailer and key art for “Bosé,” a biopic of the famed Spanish singer-songwriter Miguel Bosé which is shaping up as one of Spain’s biggest and most anticipated series of 2022.  Shared in exclusivity with Variety, the trailer, like the version glimpsed at Iberseries in one of that market’s biggest sneak peeks, captures Bosé’s art – a mix between David Bowie glam and sexual ambiguity and softer Italian melody.  It also drive into what looks like the emotional heart and narrative structure of the story, showing Miguel Bosé (played by Iván Sánchez and José Pastor), in a present-day timeline during the promotion of his multi-platinum album “Papito,” as he debates becoming a father. 

John Hopewell Chief International Correspondent Fremantle has acquired international distribution rights to “East Side,” the latest series from “Shtisel” producer Abot Hameiri, starring Yehuda Levi, a Series Mania 2022 best actor winner for “Fire Dance.” Taking 100% ownership of Abot Hameiri last year, Fremantle, which also co-financed the series, will bring “East Side” onto the  market at this next week’s Mipcom trade fair and conference in Cannes. To debut on Israel’s Kan 11 channel, “East Side” turns on Momi,  a former Israeli secret service agent hired to take over a Palestinian neighbourhood, one home at a time. He attempts one last sale in order to set up for life his 18-year-old daughter Maya who is on the autism spectrum. The challenge is to wrestle ownership of a grand hotel which dominates entrance to Jerusalem’s Old City. Whoever controls the entrance controls the City, Momi is told. But the owner, the new Greek Orthodox Patriarch of Jerusalem, says he is not for selling.  

John Hopewell Chief International Correspondent Rodrigo Santoro – Hector in “Westworld,” Xerxes in “300”– leans forward in his chair during a Zoom interview almost touching the screen, such is his excitement. “It’s absolutely extraordinary, the accomplishment. What they did, what this man did. The mission seemed completely impossible.” Santoro is talking about Ferdinand Magellan, whom he plays in Prime Video’s “Boundless,” directed by Simon West (“Con Air,” “Lara Croft: Tomb Raider”), also starring Alvaro Morte, the Professor in “Money Heist,” and ZDF Studios and RTVE’s banner title at this year’s Mipcom.  West calls the series his “passion project.” For anybody interested in the Age of Discovery, Magellan’s circumnavigation of the world, completed by Basque Juan Sebastián Elcano, is the voyage of voyages, the greatest feat in maritime history, writes historian    

John Hopewell Chief International Correspondent Ahead of next week’s Mipcom, Banijay has acquired global rights to Argentine celebrity competition series “The Hotel,”  continuing its hugely successful relationship with Diego Guebel’s high-flying Boxfish in Argentina.  Produced by Boxfish for Canal 13, one of Argentina’s biggest free-to-air channels, “The Hotel” (“El Hotel”) sees 16 celebrity contestants shut themselves away for four months in a luxury hotel on the outskirts of a city. There’s only one caveat: the luxury establishment does not employ any staff.  “While guests enjoy a luxurious stay in the pool, spa and live shows and tuck into gourmet dinners, staff are housed in the hotel’s service area, washing linen, preparing breakfast and serving the guests’ every need,” Banijay explained Saturday, announcing its acquisition. 

John Hopewell Chief International Correspondent To be released worldwide Nov. 4 on Prime Video, Amazon Original “El Presidente: The Corruption Game,” from Academy Award winner Armando Bo, is a Latin American series about how a Brazilian, João Havelange, wrestled control from Europe of the biggest sport on earth. In a neat historical echo, backed by Bo, “Narcos” producer Gaumont TV, Pablo and Juan de Dios Larraín’s Fabula (“La Jauría”) and Argentine powerhouse Kapow (“La Jauría”), the second season in the “El Presidente” series saga of soccer business high jinks and low morals now looks set to become one of the biggest soccer titles released in the countdown to the greatest show on earth, the FIFA World Cup. 

John Hopewell Chief International Correspondent “La Mesías,” from “Veneno” creators Javier Ambrossi and Javier Calvo, drinks deep from Catholic tradition from its very title — literally, “The Female Messiah” — to iconography  and focus on faith.  Another awaited Movistar+ series, “The Left-Handed Son,” created by “The Plague” screenwriter Rafael Cobos, was presented to the press in July against a spectacular backdrop taking in, just across a waterway, Seville’s iconic Torre de Oro and, a little further away, the Giralda bell tower of Seville’s Cathedral. In line with platform production trends the world over, rather than playing down local elements, Movistar+ is playing them up. For the Telefonica SVOD/pay TV player in Spain, this has been a longterm philosophy, reaching back to its earliest series in 2017. 

John Hopewell Chief International Correspondent YouTube Originals will launch on Nov. 18 “Behind the Beats,” a novel animated pop music anthology series produced by France’s TeamTO and 22D Music Group in partnership with France Télévisions, the French public broadcaster.  Episodes 1-4 of the novel history of pop will also debut on the YouTube Kids app, YouTube Originals Kids & Family announced on Wednesday. YouTube and TeamTO have shared first-look images from the series in exclusivity with Variety.  The deal sees YouTube launching the series worldwide but with a one-year holdback in the French language, where France Télévisions has first-window exclusivity. 

John Hopewell Chief International Correspondent Showrun and directed by Academy Award winner Juan Jose Campanella (“The Secret in Their Eyes”), burgeoning hit Paramount+ franchise “The Envoys” has gone into production on Season 2 in Galicia, North-West Spain. Miguel Angel Silvestre (“En el corredor de la muerte”) and Luis Gerardo Méndez (“Club de Cuervos”) are reprising their roles as Vatican dispatched miracle corroborators, playing alongside Assira Abbate (“Empire of Lies”), who also starred in Season 1. Described as a gripping thriller, Season 2 is again produced by VIS, Paramount’s international studio, in collaboration with 100 Bares, Campanella’s Buenos Aires production label and, this time round, Galicia’s A Coruña-based Portocabo. A producer on Movistar Plus+ hits “Hierro” and “Rapa,” Portocabo has also been behind pioneering premium TV co-productions with Portugal (“Dry Water”). 

John Hopewell Chief International Correspondent Spain’s Marc Clotet (“The Sleeping Voice,” “15 Hours”) and Argentina’s Juan Gil Navarro (“100 Days To Fall in Love”), Santiago Achaga (“Like, La Leyenda”) and Esteban Pérez (“Limbo”) are attached to star in “Fragile,” a slice of Patagonia noir thriller from Argentina’s StoryLab.  Created and produced by StoryLab partners Nacho Viale and Diego Palacio, “Fragile” is backed by Flow, Telecom’s dominate Argentine SVOD service, and Televisión Publica Argentina, the country’s public broadcast network.  Palacio will direct “Fragile” (“Fragiles”) from screenplays penned by Lucas Molteni, whose has written on five StoryLab series dating back to 201’s “Estocolmo,” up-and-coming scribes Juan E. Cordoni and Luciano Cocciardi and Viale and Palacio.