‘Six Months,’ ‘The Castle,’ ‘Hesitation Wound’ Win San Sebastian Forum, WIP Latam, WIP Europe

Legislation that would temporarily freeze rents and ban evictions in Scotland has passed its first stage in the Scottish Parliament. MSPs backed the general principles of the Cost of Living (Tenant Protection) (Scotland) Bill by 88 votes to 29 on Tuesday evening.

The Mirage’s dolphin exhibit is shutting down following multiple deaths year…

Colombian filmmaker Laura Mora has clinched the Golden Shell in the main competition of the 70th San Sebastian Film Festival with her latest feature The Kings of the World (Los reyes del mundo).

Guy Lodge Film Critic Colombian director Laura Mora’s coming-of-age drama “Kings of the World” has taken the Golden Shell for Best Film at the San Sebastian Film Festival, marking the third consecutive year that a female filmmaker has taken the top prize at the Spanish fest. Longer report to follow; full list of winners below. OFFICIAL SELECTION PRIZES Golden Shell for Best Film: “Kings of the World,” Laura Mora Special Jury Prize: “Runner,” Marian Mathias Silver Shell for Best Director: “A Hundred Flowers,” Genki Kawamura

Liza Foreman Liam Neeson and Diane Kruger turned out at the San Sebastian Film Festival on Saturday to support the world premiere of Neil Jordan’s “Marlowe,” which closes the festival tonight. Jordan and William Monahan’s adaptation of John Banville’s novel “The Black-Eyed Blonde” centers Raymond Chandler’s famous detective Philip Marlowe, and – like Chandler’s books – is set in 1930s Los Angeles. Jordan said it was confusing to call it a film noir. “First of all, it’s shot in color,” he said. Even though it is set in the past, it’s a futuristic film that provided his reference point for the look of this one.

A prolific thief who admitted 15 counts of shoplifting has been jailed for six months.

The distraught mother of a missing Scots man has vowed to 'never give up on finding him' six months after his disappearance.

Scottish businesses have voiced concerns over sharp energy price rises after the end of a new Government scheme.

Martin Scorsese film Silence, where he abstained from sex for six months.Garfield discussed the decision on Marc Maron’s WTF podcast in August, explaining that he adopted method acting to play a 17th century Jesuit priest in the 2016 film.“I had an incredibly spiritual experience,” Garfield said (via The Hollywood Reporter). “I did a bunch of spiritual practises every day, I created new rituals for myself.

Zack Sharf Consider Drew Barrymore unimpressed with at least some of Andrew Garfield’s method acting choices during the making of Martin Scorsese’s “Silence.” Garfield told Marc Maron in August that he abstained from sex for six months in order to play a Jesuit priest in the Scorsese religious drama. Barrymore’s reaction? “Yeah, so?” Garfield’s “Silence” prep came up during the Sept. 20 episode of “The Drew Barrymore Show” (via Decider), with co-host Ross Matthews joking, “I get abstaining from sex, I mean I did that my entire 20s, right?” Barrymore said back, “What’s wrong with me that six months doesn’t seem like a very long time? I was like, ‘Yeah so?’”

Miguel Herran had a big premiere this past weekend at the 2022 San Sebastian Film Festival!

Pablo Sandoval Selected for main competition, “Pornomelancolía” premiered at San Sebastián over the festival’s first weekend. A Latin American buzz title at the festival last year when it played in pix-in-post section WIP Latam, “Pornomelancolía” opens a window onto the behind-the-scenes life of a porn influencer, Lalo. But, Argentine director Manuel Abramovich – who won the 2019 Silver Bear at Berlin with his short film “Blue Boy” – told Variety, “Pornomelancolía is not a film about pornography, it is a film about how we face the gaze of others.” “Pornomelancolía” was formed as part of 2018’s Ikusmira Berriak, a residency program in San Sebastian which is one of Spain’s foremost development labs. The film is lead produced by Gema Films in Argentina, with Brazil’s Desvia Filmes, Bordeaux-based Dublin Films and Mexico’s Marthfilms. Luxbox handles international sales; Filmin will handle distribution in Spain.

John Hopewell Chief International Correspondent Armando Espitia, who broke out as the hapless young factory worker in Amat Escalante’s Cannes winner “Heli,” is attached to star in “Six Months in the Pink and Blue Building,” a feature project being brought to San Sebastian’s Europe-Latin America Co-Production Forum by Mexico’s Bruno Santamaría Raso.  Also on board is actor – and writer-producer – Sofia Espinosa, who fulfilled all three roles in Max Zunino’s “Los Bañistas” and “Bruma” and won a Mexican Academy Ariel for her tearaway performance as Gloria Trevi in “Gloria.” Written and to be directed by Santamaría, “Six Months in the Pink and Blue Building,” (“Seis meses en el edificio rosa con azul,”) marks his first fiction feature. He caught attention and won a Chicago Golden Hugo Golden Hugo and Golde Q Hugo for best documentary for “Things We Dare Not Do,” a movie straddling fiction in its finish, production values and narrative structures as it depicts Toño, the eldest son and second father to a swarm of siblings, living in a benighted village on marshy plains and plucking up the courage to tell his mother that he’s gay.     

Anna Marie de la Fuente Vying for the top Gold Shell at the 70th San Sebastian Film Festival, Basque native Mikel Gurrea’s debut feature “Suro” stems from Gurrea’s experience working in the cork forests north of Catalonia. He had just finished his studies and was at a loss when his then girlfriend’s parents suggested he work in the forests where they stripped cork from the trees. “I discovered a fascinating world that stayed with me; the work is tough but you’re in the middle of nature,” he said. “It was also a good workout!” he added. “Suro” revolves around a young couple, Helena and Ivan, who decide to leave Barcelona and start anew on the land that Helena has inherited. Ivan takes it upon himself to join the workers and learn how to strip the bark from the cork trees that now belong to them. But their contrasting viewpoints will jeopardize their future as a couple, the film broadening its sweep to examine modern-day capitalism and the rights to private property.

Anna Marie de la Fuente San Sebastian’s pix-in-post showcases, which have launched notable movies – Sebastian Lelio’s “Gloria” – and notable directors – Jayro Bustamante, introducing his debut “Ixcanul” – unspools in 2022, with the screenings of six WIP Latam titles taking place over Sept. 19 – 21. WIP Europe, with four titles, runs on Sept. 19 and 20.  In the mix is an awaited title from Chile, “Penal Cordillera,” directed by Felipe Carmona, produced by Dominga Sotomayor and Omar Zuñiga and sold by Luxbox, and “A Strange Path,” from Brazil’s Guto Parente, whose “The Cannibal Club,” acquired by Uncork’d Entertainment, made a stir by portraying a Brazil in which the rich literally eat the poor. 

Anna Marie de la Fuente Ecuador’s Ana Cristina Barragán, an alum of San Sebastian’s post-graduate film school Elias Querejeta Zine Eskola (EQZE), has come full circle with her second feature “La Piel Pulpo” (“Octopus Skin”) as it competes at the San Sebastian Festival’s Horizontes Latinos, a year after it participated in the festival’s Work in Progress strand (WIP Latam). A coming-of-age family drama “La Piel Pulpo” turns on twins Iris and Ariel who live with their mother and younger sister on a remote island. Having grown up in this rarified environment with only the mollusks, birds and reptiles for company, the teens are inseparable and have formed a near transcendental connection with nature. Curious about the world beyond their island, Iris hitches a boat ride with a rare visitor to explore the mainland and search for their estranged father. The act of physically separating from her twin brother puts a strain on their relationship.

Olivia Wilde is looking stunning on the red carpet!