John Hopewell Latest Celebrity News & Gossip

John Hopewell Chief International Correspondent “Creatura,” the feature debut of Elena Martín, exploring female sexual desire and repression, has won this year’s 20th Europa Cinemas Cannes Label for best European Film at the 2022 Cannes Directors’ Fortnight. Announced Thursday by Europa Cinemas, ahead of the closing ceremony this afternoon, the prize is one of two at Directors’ Fortnight, and awarded by one of the sidebar’s partners, given the section is non-competitive.   A second partner plaudit, the SACD Prize, handed out by France’s Writers’ Guild, will be announced simultaneously to the Europa Cinemas Label. 

Emiliano De Pablos Variety’s Global Locations Panel Conversations kicked off Saturday with a focus on Spain in which Juan-Manuel Guimeráns, Spain Film Commission general secretary, posited a new further reason for shooting in Spain.  Much is made of the country’s OMG locations, highlighted in “Game of Thrones,” its talent and technical prowess, and now extraordinary incentives. Now, as big international companies seek cost control and to promote sustainability, increasing attention will be paid to the Spanish industry’s ability to produce quality, cost-effective film and TV content very largely shot on a limited number of soundstages. Variety’s John Hopewell, in conversation with Guimeráns, pointed to the example of milestone series from Spain, such as “Grand Hotel,” “Velvet” and the first two parts of “Money Heist” (“La Casa de Papel”). In the final stretches of the conversation, Guimeráns drilled down on some of key projects and recently opened studio facilities in Spain. 

John Hopewell Chief International Correspondent If São Paulo state were a country, its 47 million population would make it the third largest in South America: Only the rest of Brazil and Colombia are larger.  From the turn of the century, it has consolidated ever more as Brazil’s artistic powerhouse, growing to represent 50% of Brazil’s creative industries GDP, said Secretary of Culture and Creative Economy Marília Marton at Cannes Marché du Film.  Audiovisual production is in São Paulo’s DNA, she told Variety. “As some other sectors decline, creative industries have a large potential of returns, employment and a market future, so our idea is to grow and broaden the audiovisual market,” she explained. 

John Hopewell Chief International Correspondent Álvaro Morte, immortalized by his performance as the Professor in “Money Heist,” has inked a multi-year producing deal with Sony Pictures Television through his Madrid-based production company 300 Pistolas, which he founded alongside Blanca Clemente. The accord sees 300 Pistolas, a theater company, making the transition into producing scripted TV, with Morte developing English-language scripted series exclusively with SPT, which he and Clemente will serve on as producers via 300 Pistolas.  Morte and Clemente will have access to SPT’s development teams. SPT will serve as exclusive production and distribution partner to any projects produced under the deal, SPT confirmed Wednesday.

John Hopewell Chief International Correspondent CANNES —  Belinda, one of Mexico’s biggest popstars and a star of Netflix hit “Welcome to Eden,” is attached to headline “The Red Diamond,” the latest project from Erik Barmack’s L.A. and Mexico City-based Wild Sheep Content. One of the fastest-growing of production companies in international markets, Wild Sheep has a production alliance with The Mediapro Studio.  “The Red Diamond” is also set up at Mexico City’s Wild Sheep Content Latin America, headed by producer Jimena Rodríguez who produced “3 Idiots,” the second highest-grossing Mexican movie of 2017. Rodríguez was instrumental in helping bringing Belinda to the project.

John Hopewell Chief International Correspondent Spain’s Revelations showcase has focused on shorts, not features, unveiling the huge breadth of animation talent and techniques in Spain. Some shorts directors are already stars, such as Alberto Mielgo with the Oscar-winner “The Windshield Wiper.” Diego Porral, director of “Leopoldo From the Bar,” served as animation lead on “Love, Death + Robots” episode “Kill Team Kill.” Standouts among new projects in Revelations included “Latente,” a Next Lab Generation winner from Carlos Zaragoza and Aurora Jiménez, and Martín Romero’s “To Bird or Not to Bird,” from Uniko and Abano Producións, which is a 2D short made largely in black and white featuring an angst-ridden clock cuckoo and other birds beset by environmental destruction.

John Hopewell Chief International Correspondent Rio de Janeiro city authorities are looking to increase Rio’s cash rebate for international shoots launched last October by city org RioFilme with a 35% deduction rate on expenditure and R$15 million ($3.0 million) in total funding.  “We have on the table a proposal to double that,” Marcelo Calero, Rio de Janeiro city secretary of culture told Variety at Cannes. That 100% hike would be subject to the “approval chain that we have to follow at the city hall,” he added. A decision may be made by June when RioFilme is set to issue the call for applications for a second year of the cash rebate. 

John Hopewell Chief International Correspondent Former Netflix exec Juan Mayne has hung up his own shingle, Madrid-based N&L Films, built with strong talent relationships, a strategic alliance with Exile Content Studio and a sure sense of market opportunities. Exile Content Studio and N&L Films have struck a first-look development deal. Jeff Glaser, who oversaw Netflix production finance in Mexico City and Madrid, has joined N&L Films.  N&L’s first slate include a Mexican remake of “Miracle in Cell No. 7” and “Aristides: A Righteous Life,” the true-life account of a Portuguese diplomat who saved thousands from the Nazis in WWII, from Seanne Winslow.

John Hopewell Chief International Correspondent Spain’s status as Cannes’ Marché du Film’s Country of Honor is a “milestone,” says María Peña, CEO of ICEX Spain Trade & Investment. But it’s also a mark of recognition, she says, after Spain’s big wins just this year at the Berlinale (three prizes for Estibaliz Urresola’s “20,000 Species of Bees”) and France’s Cesars (foreign film win for “The Beasts” and actor trophy to Benoît Magimel for Albert Serra’s “Pacification” and cinematography for its DP, Artur Tort). Peña also points to April’s MipTV, where Rafael Cobos’ “The Left Handed Son,” from Movistar Plus+, won Canneseries’ Short Format Competition, and “The Caravan,” produced by Barcelona’s Caravan Films, the first MipDoc International Buyers Screenings honors.

John Hopewell Chief International Correspondent Spain’s Nostromo Pictures, producer of “Through My Window,” one of the most-watched non-English movies ever on Netflix, is producing “Control Room,” a female-led sci-fi action movie pitched by producer Adrián Guerra as “‘Aliens’ meets ‘The Guilty.’” Based on an original screenplay from Julien Deladrière, “Control Room” is directed by Luiso Berdejo, helmer of “The New Daughter,” starring Kevin Coster, and writer of horror smash hit “[REC”].” Produced by Guerra, Nuria Valls and Miguel Angel Faura for Nostromo Pictures, “Control Room” is currently in post-production. Film Factory is launching worldwide sales at Cannes.

John Hopewell Chief International Correspondent Founded in 1953, bought by Julio Fernández in 1987 and now run by his brother Carlos Fernandez and daughter Laura Fernández, Filmax is one of its biggest true-blue independent studios in Spain, involved in film and TV pro- duction, and movie distribution, international film and TV sales and exhibition. Founded in 1953, bought by Julio Fernández in 1987 and now run by his brother Carlos Fernandez and daughter Laura Fernández, Filmax is one of its biggest true-blue independent studios in Spain, involved in film and TV production, and movie distribution, international film and TV sales and exhibition. How it got there is another question. “At Filmax, we’ve always bet on creative talent. In Spain, there’s always been creative talents that have revolutionized its sector: Architects, artists and designers,” says Laura Fernández, a Filmax executive producer. “Filmax has known how to find talent in all parts of film production: Composers, screenwriters, DPs, casting, VFX and directors.”

John Hopewell Chief International Correspondent Brazil is back.  Brazilian President’s Lula Inácio Lula da Silva’s new government, which took office on Jan. 1,  looks set to invest just under $1 billion in 2023 into the country’s audiovisual sector. It’s one of the biggest upticks in government film and TV aid in history, and comes after Lula predecessor Jair Bolsonoro slowed state aid to a glacial pace. The new financial injection should turn Brazil into the film and TV powerhouse of Latin America.  Brazilian audiovisual secretary Joelma Gonzaga told Variety that regulation of global streaming services operating in Brazil, which foreseeably will introduce quotas for Netflix, Amazon’s Prime Video and other players, is also on Lula’s government agenda. 

John Hopewell Chief International Correspondent Buenos Aires-based Meikincine has swooped on international sales rights to “The Extortion,” the biggest Argentine box office hit to date of 2023, in a deal with Warner Bros. Discovery Latin America.  “The Extortion” is backed by a pedigreed combo of Particular Crowd, part of Warner Bros. Discovery Latin America, Oscar winner Juan José Campanella’s 100 Bars, “Argentina, 1985” producer Infinity Hill and producer-service company Cimarrón Cine. Headlined by Guillermo Francella, memorable in Campanella’s Academy Award winning “The Secret in Their Eyes” and star of Pablo Trapero’s “The Clan,” “The Extortion” turns on Alejandro, a pilot with a secret. Blackmailed by sinister intelligence service agents, he is plunged into a world of intrigue and corruption from which he will battle to escape alive. 

John Hopewell Chief International Correspondent Five Catalan movies made Cannes Festival’s cut, six were selected for Marché du Film sections. Details and other top Catalan movies on the Croisette: “20,000 Species of Bees,” (Estibaliz Urresola) One of the big winners at Berlin, taking Leading Performance, and two other key prizes, and now healthy racking up healthy sales, including a Film Movement U.S. pickup, “Bees” builds from a naturalistic base – a family off for a village summer holiday – to become a moving an ode to women’s freedom. Produced out of Barcelona by Valérie Delpierre’s Inicia Films. Sales: Luxbox

John Hopewell Chief International Correspondent Spanish genre producer Filmax, which is behind such films as “The Machinist,” “Darkness” and “[REC],” is bringing Carlota Pereda’s “The Chapel,” the Spanish director’s follow-up to “Piggy,” to the Cannes market. Bowing at 2022’s Sundance, “Piggy” was hailed by Variety as a “viciously impressive debut.” A Filmax and Bixagu Entertainment production backed by Netflix, RTVE and EiTB, “The Chapel” is written by Albert Bertrán Bas, Carmelo Viera and the director. It turns on Emma, 8, who seeks out Carol, a fake medium, to communicate with the spirit of a little girl which has spent centuries trapped in a chapel.  Contact, Emma thinks, will allow her to still talk with her own terminally ill mother when she dies. What Carol doesn’t realise is that Emma has a real gift and, if she goes on trying to use it without Carol’s help, will put her young life in mortal danger.

John Hopewell Chief International Correspondent “Lobo Feroz,” the latest film from “La Casa Muda” director Gustavo Hernández, has sold to getting on half the world, underscoring the market punch of high-profile genre movies from name directors. Sold by FilmSharks International, “Lobo Feroz” has closed Australia and New Zealand (Palace Film), the U.S. and Spanish-speaking Latin America (ViX) and Russia/CIS (Nashe Kino).  A Spanish-language remake of Israel’s “Big Bad Wolves,” “Lobo Feroz” has also a licensed Taiwan (AV-Jet Intl. Media), Eastern Europe (AMC for TV/SVOD) and Uruguay (Alvaro Caso-ENEC Cine).  The Palace, Nashe Kino, AV-Jet and ENEC deals all have a theatrical component, said FilmSharks’ Guido Rud. France, Italy, Japan, Korea and Germany/GAS are in discussions, he added.

John Hopewell Chief International Correspondent Luis Ortega has wrapped production in Argentina on “Kill the Jockey,” starring Úrsula Corberó (“Money Heist”) and Nahuel Pérez Biscayart (“120 BPM”), which is shaping up as one of the biggest upcoming movies from Latin America. Ortega’s follow-up to 2018 Un Certain Regard hit “El Angel,” which sold worldwide and set a box office record in Argentina, “Kill the Jockey” has been snapped up for international sales by Vicente Canales’ Film Factory Entertainment, which also sold “El Angel.” TelevisaUnivision VOD service ViX will roll out “Kill the Jockey” in the U.S. and Latin America. Scanbox handles distribution in Scandinavia.

John Hopewell Chief International Correspondent Javier Bardem is the first recipient of San Sebastian’s prestigious Donostia Award for this year’s 71st edition. He will accept the prize, San Sebastian’s highest accolade, granted for career achievement, at the festival’s opening gala on September 22. His image will also feature on the poster of this year’s edition, unveiled today in San Sebastian.  The only surprise about Bardem’s Donostia Award is that it hasn’t come earlier. A rugby player for Spain’s national team, Bardem first came to fame as a local village hulk playing opposite his now spouse Penélope Cruz in Bigas Luna’s 1992 flamboyant social critique “Jamón, Jamón.” 

John Hopewell Chief International Correspondent Paris-based Luxbox has snapped up sales rights on “Puan,” the awaited new film from María Alche and Benjamín Naishtat, two of Argentina’s fastest-rising directors.  The new title co-stars Leonardo Sbaraglia (“Pain and Glory,” “Wild Tales”).  “Puan” catches Alché after she won San Sebastian’s prestigious Horizontes Award in 2018 for her Visit Films-sold feature debut, “A Family Submerged,” before teaming on “Puan” with Naishat who, the same year at San Sebastian, won director, actor (Dario Grandinetti) and cinematography (Pedro Sotero) in main competition for “Rojo,” sparking a rave Variety review.

William Earl Variety will present four conversations centered on global incentives and filming at Cannes Film Festival at the American Pavilion on Saturday, May 20 from 10 a.m. to 1 p.m. Panelists from Spain, Hungary, Poland and Film Alula will participate in conversations moderated by Variety reporters John Hopewell, Leo Barraclough and Nick Vivarelli. The panels will highlight each of the region’s facilities, incentives, and filming community. Guests of the conversations will include producers, sales agents, distributors and creatives looking to learn about the different filming opportunities in these regions. Juan Manuel Guimeráns from the General Secretary Spain Film Commission will speak on the Spain Location panel. Klaudia Śmieja-Rostworowska, Madants producer; Kamila Morgisz, head of film production and film project development at the Polish Film Institute; and Martin Moszkowicz, chairman of the executive board at Constantin Film will discuss production in Poland. Csaba Káel, film commissioner and chairman of the National Film Institute and Ildiko Kemeny, CEO/producer of Pioneer Stillking Films will speak about filming in Hungary. Charlene Deleon-Jones, executive director, Alula, will speak on Saudi Arabia production opportunities.

John Hopewell Chief International Correspondent In 2018, the U.K. was the unquestioned capital of Hollywood in Europe, home to 563 TV channels aimed at non-domestic markets — what is now Warner Bros. Discovery, Paramount Global and Disney, for instance. With the country’s exit from the European Union, however, over half of those services have relocated. After the Netherlands, their second-most-favored destination is Spain, with 212 such services in 2020, up from 79 two years earlier. They have found a country “in the midst of a digital transformation process, driven by new technologies as virtual reality, augmented reality, extended reality, video game engines and LED walls, to name just some,” says María González Veracruz, Spain’s secretary of state for telecommunications and digital infrastructures.

John Hopewell Chief International Correspondent In April 2018, Netflix announced that Spanish heist thriller “Money Heist” (“La Casa de Papel”) had become the U.S. streaming service’s most-watched non-English series ever. With a Spanish series crowned as the first foreign-language blockbuster at the company that has transformed entertainment worldwide, Spain’s expansion — long nurtured by hits such as “The Red Band Society,” “Grand Hotel” and “Locked Up” — well and truly lifted off. Building on that success, in March 2021, Spanish prime minister Pedro Sánchez unveiled the AVS Hub Plan, which would invest €1.6 billion ($1.8 billion) into Spain’s audiovisual sector.

John Hopewell Chief International Correspondent In a significant play for audience growth at Telefonica’s Movistar+, Domingo Corral has been promoted to the position of director of fiction and entertainment at the company, the biggest Spanish pay TV/SVOD service.  The move, which in some ways echoes the larger oversight of ITV Studios’ Ruth Berry, marks further recognition for the former director of original fiction who has spearheaded Movistar+’s notably successful drive into scripted production, begun with its first releases in 2017.  Playing off Corral’s innate flair at forge talent relationships his passion for premium entertainment and willingness to explore flexible market models, Movistar+ has created some of the most lauded and prized series in Spain, such as Canneseries double winner “A Perfect Life,” Rodrigo Sorogoyen’s “Riot Police” and “Offworld,” chosen by Variety as one of its best international TV shows of 2022.

John Hopewell Chief International Correspondent The best received of Spanish series at last month’s Málaga Festival, “Nights in Tefía” (“Las Noches de Tefía”) hit the festival with already strong buzz. The latest from Spain’s Buendía Estudios and SVOD service Atresplayer Premium whose titles also include “Veneno” and “Cardo,” “Nights in Tefía” proved a critics’ favourite. Written and directed by Miguel del Arco, a distinguished Spanish playwright and theater director, it turns on Airam Betancor who, living in Tenerife in 2004, recognises an old man shuffling down the street: Robles.  He’s the same man who, 42 years before, as a prison guard at the euphemistically named Tefía Penitentiary Agricultural Colony on Fuerteventura, another Canary Island, had beaten and tortured Airam as a teen inmate of the Francoist labor camp designed as a dumping ground for undesirables, from political dissidents to the socially unruly and homosexuals. 

John Hopewell Chief International Correspondent A Canneseries and MipTV world premiere screening, Canal+ crime thriller “The Brigade” kicks off with an event that has fuelled the modern-day nightmares of France: the terrorist attacks on Bataclan.  Patrick Prigent, who heads up a Paris unit of Brigade de recherche et d’intervention (BRI), an elite police unit, receives a phone call that there is a hostage-taking situation at the nightclub.  Arriving on the scene, he prepares to send in paramedics but a new BRI recruit, a guy called Saïd, advises against that. “I was Special Forces, two years in Syria. I think those guys did too. You only learn by watching others. They won’t negotiate. They know they’re going to die tonight,” says Saïd. Patrick takes in what he says. 

John Hopewell Chief International Correspondent CANNES  — Burgeoning Israeli film-TV studio Sipur and cable channel HOT, behind the original versions of “In Treatment” and “Euphoria,” are introducing at MipTV “Everybody Loves…,” a new global dating reality format. The news comes just days after France’s Mediawan Rights has pounced on international distribution of another Sipur format, “Hungry for Love,” and partners Sipur and MGM’s winning five Israeli Emmy Awards for chilling doc series “The Devil’s Confession: The Lost Eichmann Tapes.”Tel Aviv-based Sipur has also moved into post on “Bad Boy,” a scripted series from Ron Leshem, creator of the original Israeli “Euphoria” and an exec producer on its U.S version.  

John Hopewell Chief International Correspondent As free-to-air operators’ ratings tumbled last decade, Alex Pina seized the chance to make two YA-targeted shows at Spain’s Atresmedia, firing up their ambitions: “Locked Up” and “Money Heist.” Now Marc Cistaré – a main writer on early Pina shows “Paco’s Men”and “The Boat” over 2005-13 and a scribe on “Locked Up” – has seized another industry opportunity, the strategic co-production alliance between TelevisaUnivision’s ViX streaming service and The Mediapro Studio.  Rolling off the hiked ambitions of Spain’s TV scene after streamer success, he has created“Las Pelotaris, 1926,” which The Mediapro Studio Distribution is bringing onto the market at this week’s MipTV. 

John Hopewell Chief International Correspondent Spanish titles at MipTV: “The Argonauts and the Golden Coin,” (RTVE) A live action kids adventure, targeting 8-12s, from national public broadcaster RTVE and Galician powerhouse Portocabo (“Hierro,” “Rapa”) as RTVE drives into regional co-production. Set over a summer in Galicia and inspired by the spirit of “The Famous Five” and “The Goonies,” translated to the 21st century.  “The Caravan,” (Cabal Films) Selected for the inaugural MipDoc International Buyer Screenings, a first-person account of an eight-month pregnant woman in a caravan of Central American immigrants heading to the U.S. 

John Hopewell Chief International Correspondent The creators of Netflix’s “Sintonia,” one of South America’s biggest streaming show hits, KondZilla and LB Entertainment (formerly Losbragas), are re-teaming to co-produce a slate of series. Ending speculation on what is next for KondZilla, a YouTube phenomenon and LB, both based out of São Paulo, the three series – “After the End,” “A Close Call” and “South” – look set to broaden the partners’ compass from “Sintonia,” the coming of age story of three friends set against the crime and vibrant culture of São Paulo outskirts life, its gangs, thriving music scene, religion and sense of community. 

John Hopewell Chief International Correspondent LILLE, France — Headed by a commanding performance from Navid Mohammadzadeh, superbly shot and packing arguably the best opening scene of any series in Series Mania main competition, Navid Javidi’s “The Actor” won the Grand Prize at Series Mania on Friday night. The top Series Mania award for the “The Actor” also proves vindication for the Festival which this year has broadened its geographical reach in an effort to discover new narrative modes and styles. Consistently subordinating narrative to mood, “The Actor” certainly wins on that score. Main scribe John Kåre Raake (“The Quake”) and co-scribe Linn-Jeanethe Kyed (“Bø”) scooped best writing for “The Fortress,” a banner upcoming Viaplay title produced by Norway’s Maipo Film and sold by TrustNordisk, which delivers a telling political cautionary tale for our times, a chic isolationist parable thriller set in an alternative Norway which has built a wall to keep foreigners out. When a virus strikes, it becomes a prison.

John Hopewell Chief International Correspondent LILLE, France — Germany’s Beta Group is a company for our challenged times, Moritz von Kruedener, Beta Group managing director told an audience at Series Mania’s Lille Dialogues on Thursday.  He also broke down Beta’s business model which takes elements which hark back to the past – a powerful, ultra connected territory-by-territory international sales apparatus  combined with Beta’s biggest pivot in recent years: a move from picking up and selling finished shows into far larger production involvement, be its financial support or early upstream input on maximising a project’s international potential. Beta Group and Series Mania has also scored heavily at this year’s festival with the first edition go Seriesmakers, a mentoring program for filmmakers making their TV creator debut.

John Hopewell Chief International Correspondent LILLE, France —  “Yours, Margot,” from  “Compartment No 6’s” Juho Kuosmanen, Guatemalan Cannes Camera d’Or winner César Díaz (“Our Mothers”) and Brazil’s Beatriz Seigner (“Los Silencios”) have won the three prizes on offer at the first edition of Seriesmakers. A mentoring program for filmmakers making their TV creator debut, after an inaugural edition delivering one of the most talent-packed project lineups at any festival, film or TV, in 2023, Seriesmakers backers Beta Group and Series Mania opened on Wednesday a call for admissions for a second edition.   Though all three series range hugely in setting and creators, all three see their protagonists go back to a recent past to explore events that have impacted their family (“Yours, Margot”), their modern-day country (“The Invisible Ink”), or traumas in the present (“Amigas”). 

John Hopewell Chief International Correspondent LILLE, France — Paramount+ will be bowing “Drag Race Italia” Season 3 on the streaming service in Italy, followed by the U.S. and Latin America later this year.  The Italian Season 3 follows on the recent announcement of three new “Drag Race” editions in Brazil, Germany and Mexico and a “Global Drag Race All Stars,” which will air on Paramount+ in their respective territories this year, Paramount+ announced Wednesday. “As we expand Paramount+’s global footprint, it was important to recapture ‘Drag Race’ in key international markets and also build an interconnected competition series with a new ‘Global Drag Race All Stars’ – it’s like a global Super Bowl for Drag,” said Chris McCarthy, president-CEO, Showtime/MTV Entertainment Studios & Paramount Media Networks.

John Hopewell Chief International Correspondent LILLE, France — The gauntlet thrown down by the opening stretches of Viaplay banner title “The Fortress,” one of nine series in main competition at Series Mania, is to believe that this is fiction.  News footage plays of a pandemic, then a war; huge protests rage around the world as Norway’s prime minister addresses his nation to announce that Norway is building a wall to keep everybody else out. That’s been done before (Israel) and in metaphorical terms (Brexit).  Cut to nine years later: Norway is a bucolic paradise, Sweden next door a refugee camp hell, until strange bacteria kills fish and then humans, and Norway will, foreseeably, need international help and “what starts as a wall, ends as a prison,” comments Filippa Wallestam, Viaplay Group chief content officer.

John Hopewell Chief International Correspondent U.K. producer Nicola Shindler received on Tuesday the third Women in Series Award at Series Mania, Europe biggest TV festival.  Few awards seem such just reward. From serving as a script editor on “Cracker” (1993), Jimmy McGovern’s breakout, to producing his “Hillsborough” (1995) and executive producing “Queer as Folk” (1999) which heralded Russell T. Davies as a major writing talent, very few producers have been so consistently successful down the decades.  Shows produced by Shindler in just the last 10 years take in Sally Wainwright’s “Happy Valley” (2014), Harlan Coben’s “The Five” (2016) and “Safe” (2018), Davies’ “Years and Years and It’s a Sin, his consecration, and now “Nolly,” made by Shindler out of Quay Street Productions, her new label launched in 2021 as part of ITV Studios.

John Hopewell Chief International Correspondent With an International Panorama spangled by gems  – think Spain’s “Apagón,” Sweden’s “Blackwater,” and Canada’s “Disobey” and “Little Bird” – Series Mania also weighs in this year with one, if not the, strongest and most mouthwatering of international competitions in its history.  Including the opening and closing series, Amazon’s “Greek Salad” and Netflix’s “Transatlantic,” nearly all the global streamers have titles in the lineup, from Apple TV+’s “Drops of God” and Paramount+’s “Fleeting Lies.” The lineup also features some A-List international writing talents, such as the U.K.’s Jack Thorne and Israel’s Ron Leshem and Amit Cohen, whose “The Virtues” and “No Man’s Land” rank among the most memorable of recent Series Mania competition titles, and closing the festival, out of competition, “Unorthodox’s” Anna Wenger.”Fleeting Lies” also represents one of the first series from Pedro and Agustín Almodóvar’s El Deseo label in Madrid, opening series “Greek Salad” Cedric Klapisch’s first works a TV series creator.