Netflix Lands Sundance Title ‘It’s What’s Inside;’ $17M For Worldwide Rights Sets Fest High Bar

The idea of youth escaping into a large section of woods so as to start life anew is a plot device not at all unexplored prior, seen in films as recently as 2013’s “The Kings of Summer,” while literature will always have “My Side of the Mountain. “In “Penelope, “the concept gets the episodic treatment, but if the premiere is any indicator, this is one project with the potential to captivate in its own unique way.

Kieran Culkin is opening up about what was happening with Jesse Eisenberg at the 2024 Sundance Film Festival!

EXCLUSIVE: Netflix has landed the Sundance Film Festival buzz title documentary Skywalkers: A Love Story. The film premiered January 18 at The Ray Theatre.

Michaela Zee Netflix has acquired “Skywalkers: A Love Story” following the documentary feature’s debut at the Sundance Film Festival. “Skywalkers,” which premiered Jan. 18 at the Ray Theatre, follows daring couple Angela Nikolau and Ivan Beerkus from Moscow, who saved their relationship and career by climbing one of the world’s tallest buildings.

Matt Donnelly Senior Film Writer The 2024 Sundance Film Festival Awards are underway in Park City, Utah, where a new crop of indies will do battle across multiple categories, including the coveted U.S. Dramatic Grand Jury Prize.

Scott Stuber would take home the trophy for scene-stealing announcement. The company’s long-time (at least by entertainment industry standards) film chief revealed on the eve of the Academy Award nominations that he’s departing the streamer to start a new media company. The news wasn’t a total shock; his exit has been rumored for some time and the well-liked executive had been talking to potential financiers about a solo venture, according to a knowledgeable source.

Rebecca Rubin Film and Media Reporter “It’s What’s Inside,” a horror movie that premiered at this year’s Sundance Film Festival, has sold to Netflix for $17 million. The film isn’t playing in theaters and will land directly on the streamer at a yet-to-be-determined date.

Pending Woody Allen’s final and absolute cancellation, few directors have emerged to take his place as an erudite and literary artist whose work combines snappy wordplay, base sex jokes and a philosophical willingness to stare into the abyss. Jesse Eisenberg staked a tentative claim to that throne with his 2022 debut When You Finish Saving the World, an amiable but scrappy political satire about a left-wing mother and son, but his follow-up makes a stronger case, being much more adult, less broadly scripted, and as depressing as Woody Allen circa Stardust Memories (which his sophomore film as director obliquely resembles, with its talk of chance, fate and irony).

Berlin Film Festival is unveiling its full competition lineup. Berlin’s previously announced opener is Ireland-set drama “Small Things Like These” starring “Oppenheimer’s” Cillian Murphy and directed by Tim Mielants (“Peaky Blinders”).

PARK CITY – The grass isn’t always greener is an axiom that has driven horror movies or “almost” horror movies since the silent film era. It’s no surprise then, that Aaron Schimberg’s “A Different Man” is clearly inspired by the noir thrillers of a time gone by.

Palestine march down Main Street in Park City drew roughly 100 protesters to the Sundance Film Festival on Sunday. The march, organized by “Let Gaza Live,” bussed protesters in from nearby Kimball Junction and took up space in front of local restaurant Riverhorse on Main. The event was not affiliated with Sundance.

Rebecca Rubin Film and Media Reporter Jesse Eisenberg’s “A Real Pain,” one of the buzziest movies to premiere so far at this year’s Sundance Film Festival, has sold to Searchlight in a huge $10 million deal. Given the warm reception in Park City, the film sparked a bidding war among several distributions to land global rights. Eisenberg directed “A Real Pain” in addition to starring alongside Kieran Culkin.

EXCLUSIVE: The dealmaking has begun. Searchlight Pictures closed the first major deal on the ground at the Sundance Film Festival — $10 million for WW rights for A Real Pain, directed and written by Jesse Eisenberg. He stars with freshly minted Emmy winning Succession star Kieran Culkin as mismatched cousins David and Benji. They reunite for a tour of Poland to honor their grandmother, but older tensions resurface against the backdrop of their family’s history. The film will get a big theatrical release later this year.

Jesse Eisenberg brought the villain Lex Luthor to life in the DC film universe, and the role has been passed off to Nicholas Hoult.

be him. Benji blurts out totally inappropriate comments that other people could never get away with.

PARK CITY – There are multiple meanings to the title of Jesse Eisenberg’s latest directorial effort, “A Real Pain.” There is the pain that cousins Benji Kaplan (Eisenberg) and David Kaplan (Keiran Culkin) are experiencing over the passing of their beloved grandmother and there is the pain Benji is feeling over a horrifying incident in his cousin’s life. The most pressing example, however, is in David’s soul.

Stephen Rodrick Jesse Eisenberg‘s “A Real Pain” stars Eisenberg and Kieran Culkin as mismatched New York Jewish cousins. They’re on a trip to Poland in search of the life that their recently dead grandmother lived before the Holocaust. Benji is a buttoned up neurotic on OCD medicine while David is a charming fuckup with no prospects but a mouth that is equally hilarious and malignantly obnoxious.

There’s commitment to the bit, and then there’s David and Nathan Zellner. The brothers’ latest film “Sasquatch Sunset,” billed to Sundance audiences as only “a year in the life of a singular family,” makes good on the filmmaking duo’s long desire to make a film about the legend of Bigfoot.

Rebecca Rubin Film and Media Reporter “Sasquatch Sunset” is the kind of movie you need to see to believe. Jesse Eisenberg and Riley Keough star in the absurdist comedy, which premiered on Friday at the Sundance Film Festival and follows a family of Yetis over the course of a year. The film, with zero dialogue or narration but plenty of grunts, captures an immersive, “true” depiction of the daily life of the Sasquatch.

Rebecca Rubin Film and Media Reporter It took a lot of time — and hair — to transform Jesse Eisenberg and Riley Keough into Bigfoot. They spent several hours in the makeup chair to don the elaborate prosthetics needed to play two of the eponymous creatures in “Sasquatch Sunset,” a surreal comedic drama that premieres on Friday at the Sundance Film Festival.