Searchlight Lands Jesse Eisenberg-Directed Topic & Fruit Tree-Produced’ A Real Pain’ In First Big Sundance $10M WW Deal; ‘Succession’s Kieran Culkin Stars In Poland Road Trip Pic

Thanks to “Oppenheimer,” all of Hollywood wants a piece of Cillian Murphy. So is it any surprise that Sony shelled out a ton for the latest in the “28 Days Later” franchise? THR reports that the studio won the bidding war for a new sequel in the zombie franchise, which comes with an additional sequel if all goes well.

Kieran Culkin is opening up about what was happening with Jesse Eisenberg at the 2024 Sundance Film Festival!

It starts innocuously enough. “Krazy House,” the English-language debut of Dutch filmmakers Steffen Haars and Flip van der Kuil, launches with a ‘90s family sitcom parody that ribs their cheese and cringe.

Rebecca Rubin Film and Media Reporter “It’s What’s Inside,” a horror movie that premiered at this year’s Sundance Film Festival, has sold to Netflix for $17 million. The film isn’t playing in theaters and will land directly on the streamer at a yet-to-be-determined date.

EXCLUSIVE: The team behind Nine Perfect Strangers and The Undoing — Blossom Films and Made Up Stories – have put together another solid film that Nicole Kidman will star in for director Justin Kurzel.

Pending Woody Allen’s final and absolute cancellation, few directors have emerged to take his place as an erudite and literary artist whose work combines snappy wordplay, base sex jokes and a philosophical willingness to stare into the abyss. Jesse Eisenberg staked a tentative claim to that throne with his 2022 debut When You Finish Saving the World, an amiable but scrappy political satire about a left-wing mother and son, but his follow-up makes a stronger case, being much more adult, less broadly scripted, and as depressing as Woody Allen circa Stardust Memories (which his sophomore film as director obliquely resembles, with its talk of chance, fate and irony).

EXCLUSIVE: Netflix has just closed a deal in the $17 million range for worldwide rights to It’s What’s Inside, the thriller written and directed by Greg Jardin that has been one of the Sundance Film Festival’s buzziest titles. It’s the second 8-figure deal of Sundance, after the Jesse Eisenberg-directed A Real Pain sold to Searchlight for $10 million.

Owen Gleiberman Chief Film Critic More actors than ever are now stepping behind the camera to take a shot at directing. To me, they always end up falling into one of three categories. There are the ones who simply aren’t very good at it.

Rebecca Rubin Film and Media Reporter Jesse Eisenberg’s “A Real Pain,” one of the buzziest movies to premiere so far at this year’s Sundance Film Festival, has sold to Searchlight in a huge $10 million deal. Given the warm reception in Park City, the film sparked a bidding war among several distributions to land global rights. Eisenberg directed “A Real Pain” in addition to starring alongside Kieran Culkin.

Jesse Eisenberg brought the villain Lex Luthor to life in the DC film universe, and the role has been passed off to Nicholas Hoult.

be him. Benji blurts out totally inappropriate comments that other people could never get away with.

PARK CITY – There are multiple meanings to the title of Jesse Eisenberg’s latest directorial effort, “A Real Pain.” There is the pain that cousins Benji Kaplan (Eisenberg) and David Kaplan (Keiran Culkin) are experiencing over the passing of their beloved grandmother and there is the pain Benji is feeling over a horrifying incident in his cousin’s life. The most pressing example, however, is in David’s soul.

Stephen Rodrick Jesse Eisenberg‘s “A Real Pain” stars Eisenberg and Kieran Culkin as mismatched New York Jewish cousins. They’re on a trip to Poland in search of the life that their recently dead grandmother lived before the Holocaust. Benji is a buttoned up neurotic on OCD medicine while David is a charming fuckup with no prospects but a mouth that is equally hilarious and malignantly obnoxious.

There’s commitment to the bit, and then there’s David and Nathan Zellner. The brothers’ latest film “Sasquatch Sunset,” billed to Sundance audiences as only “a year in the life of a singular family,” makes good on the filmmaking duo’s long desire to make a film about the legend of Bigfoot.

Rebecca Rubin Film and Media Reporter “Sasquatch Sunset” is the kind of movie you need to see to believe. Jesse Eisenberg and Riley Keough star in the absurdist comedy, which premiered on Friday at the Sundance Film Festival and follows a family of Yetis over the course of a year. The film, with zero dialogue or narration but plenty of grunts, captures an immersive, “true” depiction of the daily life of the Sasquatch.

Anyone with more than a passing interest in the weird and wonderful will have seen, if not heard of, the Patterson-Gimlin footage, the cryptoozological equivalent of the Zapruder film. Shot in 1967 in the forests of Northern Carolina, it purports to show a large, ape-like creature with an elongated forehead striding purposefully into the trees. Unlike an ape, the creature walks upright, and, unlike the furtive behavior of any other forest creature, it has the casual air of the average human being popping over to the 7-11 to pick up a gallon of milk. Most people who see the footage wonder what the hell this damn thing is, but the sibling directors of Sasquatch Sunset have a couple more questions that they’d like answered. Like, where is it going? And what does it do all day?

Rebecca Rubin Film and Media Reporter It took a lot of time — and hair — to transform Jesse Eisenberg and Riley Keough into Bigfoot. They spent several hours in the makeup chair to don the elaborate prosthetics needed to play two of the eponymous creatures in “Sasquatch Sunset,” a surreal comedic drama that premieres on Friday at the Sundance Film Festival.

Zack Sharf Digital News Director Jesse Eisenberg is officially giving his Lex Luthor advice to Nicholas Hoult, and it’s blunt: “Don’t watch me!” During an interview at the Variety Studio presented by Audible while attending the Sundance Film Festival, Eisenberg suggested Hoult should forge his own path and not pay attention to Eisenberg’s own work as Lex Luthor in Zack Snyder’s DC Universe. “Whenever you play a role you feel connected to it,” Eisenberg added to Variety‘s Matt Donnelly about playing the DC villain for a short time.

“Thank you for lighting a fire under my ass,” Kristen Stewart told Sundance’s Opening Night gala tonight.

Sunny Day Real Estate have teased their first new music in 10 years on their social media.The emo legends, who announced their reunion in 2022, posted a minute-long snippet of a song on their Instagram. The song, which currently does not have a title, soundtracks a video of an artist drawing the phrase “novum vetus” (Latin for “everything old is new again”), then sketching out a boat at sea.Listeners can also hear frontman Jeremy Enigk singing the following verse: “The day we died inside, the world was suffering / 10,000 words collide but no one said a thing / the day we died inside the walls come tumbling down.”If the band are planning to tease an LP, it will be Sunny Day Real Estate’s first new record since their 2000 album ‘The Rising Tide’.