When Martin Scorsese premieres his latest film, “Killers of the Flower Moon”, at the Cannes Film Festival on May 20, it will return Scorsese to a festival where he remains a key part of its fabled history.
29.04.2023 - 17:47 / nme.com
Martin Scorsese has urged for theatres to screen “really independent films” to safeguard the future of cinema.The award-winning director attended a luncheon with Leonardo DiCaprio at this year’s CinemaCon to talk about their latest collaboration, Killers Of The Flower Moon.Scorsese spoke about the importance of the cinematic experience and how independent films shaped his tastes and inspired him to become a filmmaker.“If I’m to be a legend, I understand that the goal of the people should be to infuse excitement and enthusiasm to the next generation of artists, to inspire, and ultimately really to be a good teacher,” Scorsese said [via Collider].
He went on to list a number of influential directors, from Michael Powell to Emeric Pressburger, that inspired him.Although he said that “big movies bring in the big audiences”, applauding innovative blockbusters including James Cameron’s Avatar: The Way of Water, Scorsese said that he was most worried about the future of cinema.“Now how do you take stories and emotions and sensations, and translate them into a cinematic experience that’s shared?” Scorsese asked, going on to explain the benefit of “really independent films, not just movies with the indie label slapped onto them” hosted across the world.He added: “I would love if they could just find their way back into the multiplexes to be able to have younger people opt for seeing these films, to go to a theatre to see them, to be able to enjoy the theatrical experience again because it’s a comfortable place, it’s a welcoming place to go to.“They go with their friends on a screen that’s bigger and more emotionally immersive than what they have at home, and it’s going to make a difference to the films that they’re going to show
.When Martin Scorsese premieres his latest film, “Killers of the Flower Moon”, at the Cannes Film Festival on May 20, it will return Scorsese to a festival where he remains a key part of its fabled history.
Kerry Condon, recently Oscar-nominated for “The Banshees of Inisherin,” will join Brad Pitt and Damson Idris in Apple Original Films’ Formula One racing flick. The yet-untitled film will be directed by Joseph Kosinski (“Top Gun: Maverick,” “Tron: Legacy”).Jerry Bruckheimer and Chad Oman of Jerry Bruckheimer Films will join Pitt’s Plan B Entertainment in producing the film alongside Kosininski and seven-time Formula One champion Sir Lewis Hamilton under his Dawn Apollo Films banner.
Leo Barraclough International Features Editor U.S. actor John C. Reilly will serve as president of the jury of the Un Certain Regard section at Cannes Film Festival. “Salem,” directed by Jean-Bernard Marlin, has been added to the lineup. The other members of the jury will be French director and screenwriter Alice Winocour, German actor Paula Beer, French-Cambodian director and producer Davy Chou, and Belgian actor Émilie Dequenne. The Un Certain Regard section showcases art and discovery films by young auteurs. In a statement, Reilly said: “I have had so many life changing moments at the Festival de Cannes (from my miraculous first trip with Paul Thomas Anderson to celebrating my 50th birthday from the Palais stage!) so to be chosen as the president of Un Certain Regard jury is truly such an incredible honor.”
Netflix has renewed political drama The Diplomat for a second season.Created by Debora Cahn (The West Wing, Homeland), the series follows Kate Wyler (Keri Russell) as she becomes the new US Ambassador for the UK and juggles international crises with her turbulent marriage.After the show debuted on April 20, Netflix confirmed on Monday (May 1) the series will return for a second season.Speaking about the renewal, Russell said: “I am thrilled to be headed back for another round of this smart screwball show. Dare I say it’s fun? Thank you Netflix for giving us another shot.”The Diplomat has been renewed for Season 2.
Cynthia Littleton Business Editor The New York Dolls’ wildly original debut album got Martin Scorsese through the making of “Mean Streets” in 1973. Years later, Dolls frontman David Johansen enlivened the soundtrack of Scorsese’s HBO series productions “Boardwalk Empire” and “Vinyl.” Scorsese is also a regular listener of Johansen’s Sirius XM series “Mansion of Fun.” Finally, after Scorsese caught Johansen’s career-spanning cabaret set at the Café Carlyle, the director-producer – a storied teller of New York stories – decided that the time was ripe for a documentary on the proto-punk scion of Staten Island. “Personality Crisis: One Night Only,” which debuted April 14 on Showtime, chronicles Johansen’s evolution from the Dolls to the lounge-y pop of his Buster Poindexter period through his present day life as a husband, stepfather and eminence grise of New York’s music scene.
Leave it to Paul Schrader to keep criticizing his filmmaking peers well into his seventies. IndieWire reports (via Interview Magazine) that Schrader had some choice words about other New Hollywood directors revisiting their previous films, and warned about the “slippery slope” of fooling around with finished products.
Martin Scorsese sat down one-on-one at CinemaCon with Leonardo DiCaprio, the star of his new film “Killers of the Flower Moon” about the past and future of cinema.The new film, which tells the story of the murder of Osage natives in the 1920s by oil tycoons looking to take over their resource-heavy land, is the first Scorsese film since 2016’s “Silence” to get a full theatrical release. It comes out at a time when escapist films have been making money as much as ever at the box office while smaller, independent films have largely struggled to find their way back.
CinemaCon attendees got a big surprise on Thursday (April 27) when Leonardo DiCaprio made an expected appearance!
Martin Scorsese was front and center at Paramount’s CinemaCon session Thursday to show off the teaser for his Killers of the Flower Moon. Caesars Palace Colosseum Theatre gave him a huge cheer.
As Martin Scorsese‘s “Killers Of The Flower Moon” approaches its world premiere at the Cannes Film Festival next month, Osage News reports that Apple Original Films has three new images from the film. It’s about time, too: only one official still emerged after the movie started production in Oklahoma two years ago, hardly enough to satiate anticipation for the upcoming film.
Imagine a New York where construction workers tap dance on steel girders high above the city, sorta like that famous photograph you’ve seen a million times, and where kindly landladies who once played Carnegie Hall might tutor a young Holocaust refugee to a Julliard scholarship, and breezy jam sessions do away with generations of friction between races, genders and sexual identities. You’d go there, right?
We’ve known, for a while now, that Martin Scorsese is a big fan of Ari Aster. Several years ago, the legendary director raved about Aster’s second film, “Midsommar.” Now, as Aster receives some of the harshest critiques of his relatively young career, thanks to his third film, “Beau is Afraid,” Scorsese is there to back him up, yet again. READ MORE: ‘Beau Is Afraid’ Review: Joaquin Phoenix Guides Ari Aster’s Hilarious, Horrific, Despairing Nightmare, Hellish Mom Comedy During a Q&A alongside Ari Aster (via A24), Martin Scorsese talks about the young filmmaker’s career, up to this point, and how he believes Aster is one of the best directors working today.
Martin Scorsese has re-voiced his support for Paris’s La Clef community cinema, following news that activists fighting to save the venue have secured the right to buy the site.
New York, New York,” opening Wednesday at the St. James Theatre, ends with the iconic title number that kicks off with the lyric “Start spreadin’ the news!”It’s an ear-worm everybody knows.
Ray Romano feels “blessed” that his relationship with Martin Scorsese began by the famed director having no idea who he was, despite having been the star of the wildly successful “Everybody Loves Raymond”.
After posting giant per screen numbers at four theaters last weekend, A24’s Beau Is Afraid jumps to 926 for the distributor’s third outing with Ari Aster. It’s a very different film from his horror favorites Hereditary and Midsommar but one the distributor hopes will cement the director’s place as a modern auteur.
Timothée Chalamet joined Martin Scorsese to film a Chanel commercial this week.
Zack Sharf Digital News Director Ray Romano starred in one of television’s biggest sitcoms for 9 seasons and 210 episodes, but apparently Martin Scorsese was never watching “Everybody Loves Raymond.” During a recent interview on Marc Maron’s “WTF” podcast (via IndieWire), Raymond said that Scorsese had no idea who he was when casting him in the HBO series “Vinyl.” “Scorsese did the pilot and I had to go on tape for him,” Romano said. “The cool thing was, I went on tape and the response we got back was, ‘Yeah, Marty likes it. He’s in the running. And Marty wants to know who he is. He’s never seen him,’ And my agent was like, ‘So he’s never seen the show?’ And they go, ‘No, no, no, he doesn’t know who the guy is,’ which was a blessing because he didn’t have to erase the sitcom character from his mind.”
Timothee Chalamet joined forces with Martin Scorsese to film a new project in New York City on Wednesday (April 19).
EXCLUSIVE: Studiocanal has acquired rights to develop Peter Cameron’s well-received 2020 novel What Happens At Night into a feature film, with Martin Scorsese aboard to produce and Oscar nominee Patrick Marber (Notes On A Scandal) adapting the screenplay.