Smooth sailing? Teresa Giudice and Luis “Louie” Ruelas are still adjusting to married life — and filming The Real Housewives of New Jersey hasn’t made it any easier.
27.04.2023 - 17:47 / theplaylist.net
As Martin Scorsese‘s “Killers Of The Flower Moon” approaches its world premiere at the Cannes Film Festival next month, Osage News reports that Apple Original Films has three new images from the film. It’s about time, too: only one official still emerged after the movie started production in Oklahoma two years ago, hardly enough to satiate anticipation for the upcoming film.
READ MORE: Martin Scorsese’s ‘Killers Of The Flower Moon’ Confirmed For A 2023 Cannes Film Festival World Premiere Based on David Grann‘s 2017 book of the same name, “Flower Moon” follows an early FBI investigation into the serial murders of oil-wealthy Osage Nation members in 1920s Oklahoma. Continue reading ‘Killers Of The Flower Moon’ New Images: Martin Scorsese’s Latest Bows At Cannes On May 20 at The Playlist.
.Smooth sailing? Teresa Giudice and Luis “Louie” Ruelas are still adjusting to married life — and filming The Real Housewives of New Jersey hasn’t made it any easier.
Nick Vivarelli International Correspondent “Killers of the Flower Moon” executive producer Niels Juul is in Cannes with several projects based on IP from the vault of Italy’s storied Cecchi Gori movie company that include a remake of the Dino Risi-directed classic “Il Sorpasso” and “Kafka,” a script about the turbulent love life of Franz Kafka by John Briley (“Gandhi”). The IP and some other assets of the movie company that once dominated Italy’s film industry and collapsed in the mid-1990s were acquired late last year by a group of Italian investors under the new management of Rome-based CEO Federico Canfora and U.S-based Javier Balliero Madrid. Madrid is president of the new company, which is backing a partial relaunch of the Cecchi Gori brand, which is behind such Oscar-winners as “Life Is Beautiful,” “Mediterraneo” and “Il Postino.”
Martin Scorsese is looking back at his longtime friendship with Robert De Niro.
Martin Scorsese has revealed that Robert De Niro turned down both The Departed and Gangs Of New York.The pair have collaborated for the 11th time on the upcoming film Killers Of The Flower Moon, in which De Niro stars opposite Leonardo DiCaprio.De Niro and DiCaprio could have appeared onscreen together in a feature film of Scorsese’s sooner, however, if the former hadn’t turned down both 2002’s Gangs Of New York and 2006’s The Departed.Speaking in an interview with Deadline about casting The Departed, Scorsese said: “We talked to Bob [De Niro] about it, but he didn’t want to do it.”He added: “I didn’t work with Bob for 10 years until we did Goodfellas; we went off in different directions. Then we made another two, three films. And then, for another 19 years, we didn’t.
Whenever you talk to a Hollywood director, they will inevitably have stories about films that they almost made. Sometimes they can’t make them because they don’t have time.
“Elemental” and Martin Scorsese’s Apple-produced “Killers of the Flower Moon” an additional veneer of vindication. As to the box-office futures of the 20-odd films competing for this year’s Palme d’Or, certainly none will reach the international highs of James Mangold’s “Indiana Jones and the Dial of Destiny,” but then, none were ever expected to.Instead — and at its best — Cannes works as a sophisticated shell game, channeling the glamour of the red carpet and the frenzy of 40,000 accredited guests to make glitzy international events out of existential Turkish dramas like Nuri Bilge Ceylan’s “About Dry Grasses,” existential Finnish dramedies like Aki Kaurismäki’s “Fallen Leaves”or intimate two-headers about 19th-century French gastronomy like Tran Anh Hung’s “The Pot au Feu.”Other Palme d’Or contenders will come with built-in SEO, as Wes Anderson’s more-star-packed-than-usual “Asteroid City”threatens to saddle red-carpet rubberneckers with a permanent case of whiplash once the Texan auteur’s full repertory company mounts the Palais steps alongside new additions Tom Hanks and Scarlett Johansson.That all the aforementioned filmmakers could walk those Palais steps in blindfolds is another notable element of an official competition marked by staggering high fidelity.
EXCLUSIVE: Gillian Anderson and Jason Issacs will star in the film adaptation of Raynor Winn’s bestselling memoir The Salt Path. Marianne Elliott, the Tony Award and Olivier Award winning theater artist, is to make her screen directing debut on the project which will be a nice one in the Cannes market for Rocket Science. Black Bear has already snapped up UK rights.
Although Leonardo DiCaprio and Robert De Niro take top billing in Martin Scorsese’s harrowing drama, one might say the real star of Killers of the Flower Moon is a relative unknown: Lily Gladstone, who plays Mollie, wife to DiCaprio’s Ernest. Mollie is the film’s conscience, a rich Osage woman who is slowly being robbed of her health by a seemingly simple case of diabetes. Insulin shots only seem to make matters worse, and after losing her sisters in suspicious circumstances, Mollie insists that only her husband can administer her medicine. But is she being too trusting?
EXCLUSIVE: In 2016, the hottest book in Hollywood hadn’t even been published yet. Circulating in galley proofs, it was the latest non-fiction work from author David Grann, whose 2009 book The Lost City of Z: A Tale of Deadly Obsession in the Amazon had recently been filmed by James Gray and produced by Plan B. His new book was another mouthful — Killers of the Flower Moon: The Osage Murders and the Birth of the FBI — and it proved just as tasty.
finally returns for its 14th season, with an all-new cast ready to show off sides of the city the OG never did. Gone is the season 13 lineup (Ramona Singer, Luann de Lesseps, Sonja Morgan, Leah McSweeney and Eboni K.
When Martin Scorsese premieres his latest film, “Killers of the Flower Moon”, at the Cannes Film Festival on May 20, it will return Scorsese to a festival where he remains a key part of its fabled history.
Brendan Fraser opened up about his plans after winning Best Actor at the 2023 Oscars a few weeks ago.
Brendan Fraser isn’t jumping onto his next big movie just yet.
is returning to Bravo on July 16 at 9 p.m. ET/PT, the network announced on Monday, alongside a brief teaser marking the occasion. The show's upcoming 14th season features a brand new cast, as was previously revealed during a live taping of With Andy Cohen at BravoCon 2022 in October.«We were looking for a group of friends who were actually connected.
The Gaslight Anthem have returned with their first new track in over nine years – listen to ‘Positive Charge’ below.The New Jersey rockers went on hiatus in 2015 before reuniting in 2018 for a string of anniversary shows in celebration of ‘The ‘59 Sound’. They resumed their hiatus shortly afterwards but confirmed in 2022 they were back in the studio working on a sixth album and confirmed details of a world tour.“I am very pleased to announce to you all that The Gaslight Anthem is returning to full time status as a band,” said vocalist Brian Fallon at the time.
Cynthia Littleton Business Editor The New York Dolls’ wildly original debut album got Martin Scorsese through the making of “Mean Streets” in 1973. Years later, Dolls frontman David Johansen enlivened the soundtrack of Scorsese’s HBO series productions “Boardwalk Empire” and “Vinyl.” Scorsese is also a regular listener of Johansen’s Sirius XM series “Mansion of Fun.” Finally, after Scorsese caught Johansen’s career-spanning cabaret set at the Café Carlyle, the director-producer – a storied teller of New York stories – decided that the time was ripe for a documentary on the proto-punk scion of Staten Island. “Personality Crisis: One Night Only,” which debuted April 14 on Showtime, chronicles Johansen’s evolution from the Dolls to the lounge-y pop of his Buster Poindexter period through his present day life as a husband, stepfather and eminence grise of New York’s music scene.
I have just spent a week at Caesars Palace in Las Vegas. I saw no sunlight from Monday around noon to Thursday. But I did see some movies, or at least part of them. It was of course CinemaCon week, or as I like to call it, ‘the unofficial start to Oscar season’. Many pundits might rather give the upcoming Cannes Film Festival with that kind of distinction, but in recent times this smoke-filled exhibitors extravaganza looks to be the starting gun, if you go by what the studios are dropping footage of between all the popcorn movies entertainment theatre owners really care about.
Rebecca Rubin Film and Media Reporter For Martin Scorsese, it was important to spend time with Osage people as he worked on “Killers of the Flower Moon,” his epic crime drama about the murders that took place in the early 1920s after major oil deposits were discovered on the tribe’s land. “We tried to do right by them as much as we could,” the director said as he was interviewed by his star Leonardo DiCaprio on Thursday afternoon. “We shot in the actual location, even the doctors office.” The two A-listers were on hand at CinemaCon, the annual Las Vegas-based exhibition industry trade show, to talk up their new movie, which debuts in theaters in October after its world premiere at the Cannes Film Festival.
Martin Scorsese sat down one-on-one at CinemaCon with Leonardo DiCaprio, the star of his new film “Killers of the Flower Moon” about the past and future of cinema.The new film, which tells the story of the murder of Osage natives in the 1920s by oil tycoons looking to take over their resource-heavy land, is the first Scorsese film since 2016’s “Silence” to get a full theatrical release. It comes out at a time when escapist films have been making money as much as ever at the box office while smaller, independent films have largely struggled to find their way back.
Paramount Pictures put on a show at CinemaCon Thursday morning. Not only did they have an opening number to celebrate “Teenage Mutant Ninja Turtles: Mutant Mayhem,” a surprise in-person appearance from “The Smurf Movie” star and producer Rihanna, but made some noise announcing “Transformers One,” the first animated “Transformers” movie in decades, as well as the expected sequel to “Smile.” And the studio brought more than just a new trailer for “Mission: Impossible – Dead Reckoning Part One,” they screened 20 minutes from one of the summer’s most anticipated releases.