Martin Scorsese Calls on Theater Owners to Bring True Indie Films ‘Back to the Multiplex’

Martin Scorsese is looking back at his longtime friendship with Robert De Niro.

Martin Scorsese has revealed that Robert De Niro turned down both The Departed and Gangs Of New York.The pair have collaborated for the 11th time on the upcoming film Killers Of The Flower Moon, in which De Niro stars opposite Leonardo DiCaprio.De Niro and DiCaprio could have appeared onscreen together in a feature film of Scorsese’s sooner, however, if the former hadn’t turned down both 2002’s Gangs Of New York and 2006’s The Departed.Speaking in an interview with Deadline about casting The Departed, Scorsese said: “We talked to Bob [De Niro] about it, but he didn’t want to do it.”He added: “I didn’t work with Bob for 10 years until we did Goodfellas; we went off in different directions. Then we made another two, three films. And then, for another 19 years, we didn’t.

Whenever you talk to a Hollywood director, they will inevitably have stories about films that they almost made. Sometimes they can’t make them because they don’t have time.

When people think of classic Martin Scorsese films, many are reminded of “Goodfellas,” “Casino,” and even “The Departed.” The filmmaker has really become the iconic crime drama storyteller. So, you could definitely understand why film fans would be intrigued to see Scorsese’s take on the legendary “Godfather” franchise, but when the opportunity came for him to take a shot at it, he didn’t think he was right for it.

“Elemental” and Martin Scorsese’s Apple-produced “Killers of the Flower Moon” an additional veneer of vindication. As to the box-office futures of the 20-odd films competing for this year’s Palme d’Or, certainly none will reach the international highs of James Mangold’s “Indiana Jones and the Dial of Destiny,” but then, none were ever expected to.Instead — and at its best — Cannes works as a sophisticated shell game, channeling the glamour of the red carpet and the frenzy of 40,000 accredited guests to make glitzy international events out of existential Turkish dramas like Nuri Bilge Ceylan’s “About Dry Grasses,” existential Finnish dramedies like Aki Kaurismäki’s “Fallen Leaves”or intimate two-headers about 19th-century French gastronomy like Tran Anh Hung’s “The Pot au Feu.”Other Palme d’Or contenders will come with built-in SEO, as Wes Anderson’s more-star-packed-than-usual “Asteroid City”threatens to saddle red-carpet rubberneckers with a permanent case of whiplash once the Texan auteur’s full repertory company mounts the Palais steps alongside new additions Tom Hanks and Scarlett Johansson.That all the aforementioned filmmakers could walk those Palais steps in blindfolds is another notable element of an official competition marked by staggering high fidelity.

EXCLUSIVE: In 2016, the hottest book in Hollywood hadn’t even been published yet. Circulating in galley proofs, it was the latest non-fiction work from author David Grann, whose 2009 book The Lost City of Z: A Tale of Deadly Obsession in the Amazon had recently been filmed by James Gray and produced by Plan B. His new book was another mouthful — Killers of the Flower Moon: The Osage Murders and the Birth of the FBI — and it proved just as tasty.

His next big role! Timothée Chalamet has been announced as the new ambassador of Bleu De Chanel fragrance.   

Mubi has acquired 11 films by Lars von Trier for North America, including the director’s Dogme 95 entry The Idiots. It will release a new uncut 4K restoration of the film June 16 theatrically timed to its 25th anniversary, followed by an exclusive streaming release.

When Martin Scorsese premieres his latest film, “Killers of the Flower Moon”, at the Cannes Film Festival on May 20, it will return Scorsese to a festival where he remains a key part of its fabled history.

Martin Scorsese has urged for theatres to screen “really independent films” to safeguard the future of cinema.The award-winning director attended a luncheon with Leonardo DiCaprio at this year’s CinemaCon to talk about their latest collaboration, Killers Of The Flower Moon.Scorsese spoke about the importance of the cinematic experience and how independent films shaped his tastes and inspired him to become a filmmaker.“If I’m to be a legend, I understand that the goal of the people should be to infuse excitement and enthusiasm to the next generation of artists, to inspire, and ultimately really to be a good teacher,” Scorsese said [via Collider].

Cynthia Littleton Business Editor The New York Dolls’ wildly original debut album got Martin Scorsese through the making of “Mean Streets” in 1973. Years later, Dolls frontman David Johansen enlivened the soundtrack of Scorsese’s HBO series productions “Boardwalk Empire” and “Vinyl.” Scorsese is also a regular listener of Johansen’s Sirius XM series “Mansion of Fun.” Finally, after Scorsese caught Johansen’s career-spanning cabaret set at the Café Carlyle, the director-producer – a storied teller of New York stories – decided that the time was ripe for a documentary on the proto-punk scion of Staten Island. “Personality Crisis: One Night Only,” which debuted April 14 on Showtime, chronicles Johansen’s evolution from the Dolls to the lounge-y pop of his Buster Poindexter period through his present day life as a husband, stepfather and eminence grise of New York’s music scene.

Rebecca Rubin Film and Media Reporter For Martin Scorsese, it was important to spend time with Osage people as he worked on “Killers of the Flower Moon,” his epic crime drama about the murders that took place in the early 1920s after major oil deposits were discovered on the tribe’s land. “We tried to do right by them as much as we could,” the director said as he was interviewed by his star Leonardo DiCaprio on Thursday afternoon. “We shot in the actual location, even the doctors office.” The two A-listers were on hand at CinemaCon, the annual Las Vegas-based exhibition industry trade show, to talk up their new movie, which debuts in theaters in October after its world premiere at the Cannes Film Festival.

CinemaCon attendees got a big surprise on Thursday (April 27) when Leonardo DiCaprio made an expected appearance!

Martin Scorsese was front and center at Paramount’s CinemaCon session Thursday to show off the teaser for his Killers of the Flower Moon. Caesars Palace Colosseum Theatre gave him a huge cheer.

As Martin Scorsese‘s “Killers Of The Flower Moon” approaches its world premiere at the Cannes Film Festival next month, Osage News reports that Apple Original Films has three new images from the film. It’s about time, too: only one official still emerged after the movie started production in Oklahoma two years ago, hardly enough to satiate anticipation for the upcoming film.

We’ve known, for a while now, that Martin Scorsese is a big fan of Ari Aster. Several years ago, the legendary director raved about Aster’s second film, “Midsommar.” Now, as Aster receives some of the harshest critiques of his relatively young career, thanks to his third film, “Beau is Afraid,” Scorsese is there to back him up, yet again.  READ MORE: ‘Beau Is Afraid’ Review: Joaquin Phoenix Guides Ari Aster’s Hilarious, Horrific, Despairing Nightmare, Hellish Mom Comedy During a Q&A alongside Ari Aster (via A24), Martin Scorsese talks about the young filmmaker’s career, up to this point, and how he believes Aster is one of the best directors working today.

Martin Scorsese has re-voiced his support for Paris’s La Clef community cinema, following news that activists fighting to save the venue have secured the right to buy the site.

New York, New York,” opening Wednesday at the St. James Theatre, ends with the iconic title number that kicks off with the lyric “Start spreadin’ the news!”It’s an ear-worm everybody knows.

The Cannes Film Festival has announced a raft of new additions to the Official Selection of its 76th edition running May 16 to 27.

Ray Romano feels “blessed” that his relationship with Martin Scorsese began by the famed director having no idea who he was, despite having been the star of the wildly successful “Everybody Loves Raymond”.