Forgotten Scorsese film flop gets a second chance — on Broadway

Jazz Tangcay Artisans Editor How did writer-director Jim Strouse get Celine Dion to play herself and write five new songs for his film “Love Again?”  “It took months, maybe even a full year,” Strouse tells Variety. “There was a lot of thought, eating, letters and lookbooks.”  The Sony feature-length stars Priyanka Chopra Jonas (Mira) and Sam Heughan (Rob) as depressed singles that meet in a not-so-ordinary way after inadvertently exchanging a series of intimate and embarrassing text messages. Dion makes her big-screen debut in the romantic comedy portraying a semi-fictionalized version of herself.

When Martin Scorsese premieres his latest film, “Killers of the Flower Moon”, at the Cannes Film Festival on May 20, it will return Scorsese to a festival where he remains a key part of its fabled history.

Requests by scripted TV production companies to film on location in Los Angeles plummeted 51% in the first week of the Writers Guild’s strike compared to the same week a year ago, according to FilmLA, the city and county film permit office.

Martin Scorsese’s 1990 crime classic, died in his sleep on May26, 2022 when he was shooting a new film in the Dominican Republic. The star, who was 67 when he died, was shooting movie Dangerous Waters. Officials have now confirmed Liotta’s cause of death was due to heart and respiratory system issues.

Sophia Scorziello editor Strand Releasing is restoring Gregg Araki’s 1997 cult film “Nowhere,” bringing stars James Duval, Christina Applegate, Debi Mazar and Mena Suvari into 4K. This is the final addition to the restoration of Araki’s 1990’s Teen Apocalypse trilogy. In addition to Strand, the Bureau Sales and French producers Why Not are assisting on the project. “I’m so gratified that these films are finding a new generation of viewers and seeing them projected at theatres and venues across the globe,” said Araki. Select scenes omitted in the original theatrical “Nowhere” release for MPAA rating purposes will be restored in this new director’s cut.

When you look at the state of the “Star Wars” franchise, there are two different stories to be told. On the one hand, you have the TV side of things over on Disney+, which seems to be thriving.

EXCLUSIVE: In February, we told you a second season of The Night Manager is finally under way for the BBC and Amazon, and we can now confirm Disney+ Hotstar is readying the next part of the Indian remake.

Do you folks remember, not that long ago, during Star Wars Celebration, when Kathleen Kennedy told the press that Kevin Feige was never really attached to a “Star Wars” film and it was just the fandom that made it all up? She actually said, “We never discussed an idea,” and basically, gaslit everyone into thinking it was all a rumor. Of course, we know that’s not true because Feige talked about it, Michael Waldron talked about being hired to write a script, and now, we have the Russo Brothers, who not only confirm that Feige was working on a “Star Wars” film with Lucasfilm but that they were discussing possibly signing on to direct.

Martin Scorsese has urged for theatres to screen “really independent films” to safeguard the future of cinema.The award-winning director attended a luncheon with Leonardo DiCaprio at this year’s CinemaCon to talk about their latest collaboration, Killers Of The Flower Moon.Scorsese spoke about the importance of the cinematic experience and how independent films shaped his tastes and inspired him to become a filmmaker.“If I’m to be a legend, I understand that the goal of the people should be to infuse excitement and enthusiasm to the next generation of artists, to inspire, and ultimately really to be a good teacher,” Scorsese said [via Collider].

Cynthia Littleton Business Editor The New York Dolls’ wildly original debut album got Martin Scorsese through the making of “Mean Streets” in 1973. Years later, Dolls frontman David Johansen enlivened the soundtrack of Scorsese’s HBO series productions “Boardwalk Empire” and “Vinyl.” Scorsese is also a regular listener of Johansen’s Sirius XM series “Mansion of Fun.” Finally, after Scorsese caught Johansen’s career-spanning cabaret set at the Café Carlyle, the director-producer – a storied teller of New York stories – decided that the time was ripe for a documentary on the proto-punk scion of Staten Island. “Personality Crisis: One Night Only,” which debuted April 14 on Showtime, chronicles Johansen’s evolution from the Dolls to the lounge-y pop of his Buster Poindexter period through his present day life as a husband, stepfather and eminence grise of New York’s music scene.

Michael Appler It’s quiet on the roof of the St. James Theater. Up here, less than 10 stories above 44th Street, the clamor of an opening night on Broadway drifts away. Below, titans of the American theater — actors like Chita Rivera and Joel Grey — are gathering to attend the opening night of a new musical by John Kander and Fred Ebb, a duo who gave Broadway shows like “Cabaret” and “Chicago.” But on the roof — on top of “New York, New York” — the air is still.  Up here, in the few moments of serenity before red carpet interviews, an opening night performance and a long evening of parties, the musical’s two stars, Colton Ryan and Anna Uzele — newcomers to all the fuss below — stop to catch their breath. 

Martin Scorsese sat down one-on-one at CinemaCon with Leonardo DiCaprio, the star of his new film “Killers of the Flower Moon” about the past and future of cinema.The new film, which tells the story of the murder of Osage natives in the 1920s by oil tycoons looking to take over their resource-heavy land, is the first Scorsese film since 2016’s “Silence” to get a full theatrical release. It comes out at a time when escapist films have been making money as much as ever at the box office while smaller, independent films have largely struggled to find their way back.

The wait just got a little shorter for audiences to see Tom Cruise back in action as Ethan Hunt with Paramount/Skydance’s highly-anticipated Mission: Impossible – Dead Reckoning Part One now set for domestic release on July 12 rather than July 14. That puts it in step with the start of international rollout and is a move designed to take advantage of early summer play.

James Mangold‘s “Indiana Jones And The Dial Of Destiny” will have its world premiere next month at the Cannes Film Festival on May 18: a prestige showing for a prestige franchise. Or what was once a prestige franchise? Fifteen years after 2008’s “Indiana Jones And The Kingdom Of The Cyrstal Skull,” it’s hard to tell how much cultural caché Lucasfilm‘s storied series still has.

Imagine a New York where construction workers tap dance on steel girders high above the city, sorta like that famous photograph you’ve seen a million times, and where kindly landladies who once played Carnegie Hall might tutor a young Holocaust refugee to a Julliard scholarship, and breezy jam sessions do away with generations of friction between races, genders and sexual identities. You’d go there, right?

Naveen Kumar If there is a megawatt star in “New York, New York,” the new musical from Broadway titans John Kander and the late Fred Ebb (with additional lyrics by Lin-Manuel Miranda), it’s right there in the title. Aside from the occasional f-bomb and pantomimed scurry of rats, the show that opened at Broadway’s St. James Theatre is a love letter to Manhattan so unabashed that its vibe might be best expressed in cityscape and heart-eye emojis. Cynical? These New Yorkers? Fuhgeddaboudit! Though inspired by the 1977 film directed by Martin Scorsese and starring Robert De Niro and Liza Minnelli, “New York, New York” is more accurately described as a musical-length rhapsody on the dreams crooned out in its title song, made famous by Frank Sinatra and naturally performed here as a big-band finale turned audience singalong. A crowded cast of characters has come to chase their dreams, and most of them want to be musicians. 

Martin Scorsese has re-voiced his support for Paris’s La Clef community cinema, following news that activists fighting to save the venue have secured the right to buy the site.

2023 TRIBECA FESTIVAL SHORT FILM SELECTION>> NARRATIVE SHORTSAngelo, (Bolivia) – New York Premiere. Directed and written by Alex Plumb.Bellybutton, (United States) – New York Premiere. Directed and written by Hilary Eden.Blackwool, (Scotland) – World Premiere.

Alex Joseph Grayson is giving a breakout performance in the Broadway revival of Parade and we caught up with him to learn some fun facts about him that fans might not already know!

Timothée Chalamet joined Martin Scorsese to film a Chanel commercial this week.