London Film Festival Winners: Vicky Krieps-Starrer ‘Corsage’ Takes Best Film Award

Orestis Andreadakis, director of the Thessaloniki International Film Festival, has a lot on his mind when he sits down with Deadline via Zoom from his office in Athens. Climate change, women’s rights, and the war in Ukraine are all topics he discussed, and he believes film festivals, including his own, must find a way to address and interrogate wider social issues. 

Katie Reul editor The 66th annual British Film Institute (BFI) London Film Festival announced winners Saturday evening for a competition group representing a diverse selection of stories ranging from period pieces to eerie thrillers. Writer-director Marie Kreutzer’s “Corsage,” was recognized with the festival’s highest honor — the best film award — continuing the historical drama’s festival praise after lead actress Vicky Krieps was awarded the Un Certain Regard best performance prize at Cannes. Set during Christmas in 1877, “Corsage” follows Empress Elizabeth as she attempts to find liberation from the stifling conformity of her stuffy, image-focused lifestyle as a Vienna royal. Though the film is in part based on the historical figure, who reigned for 44 years, artistic deviations are made in the former ruler’s story.

Emily Blunt is looking lovely for her latest red carpet appearance!

Emma Corrin showcased her edgy sense of style as she stepped out to the My Policeman premiere during 66th BFI London Film Festival at the Royal Festival Hall on Saturday. The actress, 26, wore a multicoloured one-shoulder mini dress with an abstract spray paint design. Screen star Emma's ensemble finished high above her knee, with the garment tied on her shoulder with a crimped length of material fanning out to the side.

Janelle Monáe was fashionably late as she strolled onstage at the BFI Southbank, where she headlined the London Film Festival’s final major keynote ‘screen talk’ Friday afternoon. 

Elsa Keslassy International Correspondent Iranian filmmaker Mani Haghighi had his passport confiscated at the airport as he was about to board a flight to attend the BFI London Film Festival. Haghighi was expected to present there the U.K. premiere of his latest film, “Subtraction.”  A BFI London Film Festival spokesperson confirmed the news to Variety and issued the following statement: “The Iranian filmmaker Mani Haghighi was due to travel to London today to support the UK premiere of his film Subtraction which is screening tomorrow at the BFI London Film Festival, but has been prevented from boarding his flight to the UK.  He was turned away by authorities in Iran and has his passport confiscated.  He has returned to his home in Tehran. We understand that no reason has been given to Mani Haghighi for the confiscation. The BFI London Film Festival supports Haghighi and all filmmakers in their freedom to make their films and present them around the world.

Olivia Colman is gracing the red carpet at the 2022 BFI London Film Festival!

Hollywood’s biggest names jetted to London to celebrate film and fashion at the 2022 BFI London Film Festival. Jessica Chastain, Vanessa Kirby and more dazzled Us with vibrant gowns, skintight frocks and tailored suits.

Brendan Fraser was the recipient of a very rare event at the 2022 BFI London Film Festival.

Producers Tristan Goligher (Supernova) and Mike Goodridge (Triangle of Sadness) highlighted the importance of working across platforms and developing projects over an extended period during an industry keynote at the London Film Festival Tuesday. 

An elaborately beaded red shimmy dress becomes a talisman of beauty, truth and freedom in Dionne Edwards’ debut feature, BFI London Film Festival premiere Pretty Red Dress, a vivid portrait of a family with at least one too many secrets lurking in the closet along with that alluring frock.

Naman Ramachandran Oscar and Venice-winning filmmaker Laura Poitras (“Citizenfour,” “All the Beauty and the Bloodshed”) and fellow filmmakers Georgia Oakley (“Blue Jean”), Roberto Minervini (“What You Gonna Do When the World’s on Fire?”) and Ondi Timoner (“Last Flight Home”) were among those who protested against the imprisonment of Iranian filmmakers and other incarcerated artists around the world, and to demonstrate support for the tenacious women of Iran who are challenging for their freedom at the BFI London Film Festival on Monday. They joined festival director Tricia Tuttle, producer Madeleine Molyneaux (“Gospel Hill”); actors Aurélia Petit (“Saint Omer”) and Taki Mumladze (“A Room of My Own”); actor and writer Mariam Khundadze (“To Batumi and every single memory”); writer Morgan M. Page (“Framing Agnes”); industry leaders Tabitha Jackson, Clare Binns and Jason Wood; and other festival delegates in a moment of solidarity and reflection.

Vanessa Kirby shows off the details on the back of her black velvet mini dress at the premiere of her movie, The Son, in London, England on Monday (October 10).

Aubrey Plaza gave a keynote ‘screen talk’ at the London Film Festival Monday where she revealed she received a call from her agent during the shoot of Dirty Grandpa telling her that her co-star, Robert De Niro, was “freaked out” by her behavior on set.

On Saturday during the BFI London Film Festival, Deadline hosted an industry party at The Twenty Two.

Italian producer Lorenzo Mieli gave a spirited and often humorous rundown of his career as a producer working with directors such as Luca Guadagnino and Paolo Sorrentino during a keynote talk at the London Film Festival Monday.

The strengths and possibilities of cinematic language were heavy on Alejandro G. Iñárritu’s mind as he sat down for a keynote ‘screen talk’ at the London Film Festival on Sunday afternoon.

K.J. Yossman “White Noise” director Noah Baumbach spoke about his career highlights – and low points – as well as his creative partnership with Greta Gerwig during the BFI London Film Festival on Friday afternoon (Oct. 7). Asked about the eight-year gap between making “Mr. Jealousy” and “The Squid and the Whale,” Baumbach quipped: “I thought, you know what? I really needed about eight years off.” “No, it wasn’t by design, it was by accident,” he quickly clarified. “I sort of had two careers in a way. I had this early career very quickly and I was really figuring it all out as I was doing it. I had never really been on a movie set before I made ‘Kicking and Screaming.’ But I had this sense of how a movie should be and what I wanted a movie to be. And then after ‘Mr. Jealousy’ [the way] I experienced it at the time is that I was having trouble getting things made. I think, also, I didn’t really know what I wanted to make. And I think maybe, in some ways, my ambitions sort of exceeded my ability.”