London Film Festival Review: Dionne Edwards’ ‘Pretty Red Dress’
11.10.2022 - 16:19
/ deadline.com
An elaborately beaded red shimmy dress becomes a talisman of beauty, truth and freedom in Dionne Edwards’ debut feature, BFI London Film Festival premiere Pretty Red Dress, a vivid portrait of a family with at least one too many secrets lurking in the closet along with that alluring frock.
Candice, (Alexandra Burke) a thirtysomething supermarket check-out girl with a big voice and big theatrical ambitions, believes it will help turn her into Tina Turner; it is her chief prop at her successive auditions for a forthcoming musical. But for her bad-boy partner Travis, (Natey Jones, throwing everything into a bravura performance) slipping his tattooed torso into that dress when nobody else is at home makes him feel at last like his real, whole self. It is a self that is equal parts lipstick and beard, heels and muscles. It is also a self he can’t show to anyone.
Travis has just come out of prison. Some pretty unsavory characters hail his return when he walks down the high street in London’s Brixton, assuring him there is still a job for him in the local drug trade if he wants it. We see him fight: he knows what he’s doing, to the extent that he could probably kill someone if his anger ran away with him. And, for all that he clearly feels sexualized when he puts on Candice’s dress, it doesn’t occur to him to try to have sex with men. He isn’t gay. As his 14-year-old daughter Kenisha (Temilola Olatunbosun) puts it, he’s just a bit off-key.
So is she, she reassures him with the moral certainty only adolescents can feel; Olatunbosun, a brilliant street casting, manifests the many moods of a teenager with great aplomb. Kenisha’s chief passion is her classmate Cicely. Nobody her age feels entirely comfortable in his or her own
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